Violin Sonata, Op.11 No.2 (Hindemith, Paul)

Contents

Performances

Sheet Music

Scores and Parts

PDF scanned by Hansjörg Brugger
Hansjoergbrugger (2018/7/27)

PDF scanned by Unknown
Cypressdome (2014/1/5)

PDF scanned by Unknown
Cypressdome (2014/1/5)

Editor First edition (reprint)
Publisher. Info. Mainz: B. Schott's Söhne, No.1919, 1920. Plate 30596. 1948 renewal.
Copyright
Misc. Notes 600dpi. Originally uploaded to the U.S. server by user Madcapellan.
Purchase
Javascript is required for this feature.

PDF scanned by Sallen112
Sallen112 (2016/11/1)

PDF scanned by Sallen112
Sallen112 (2016/11/1)

Editor Kurt von Fischer (1913-2003)
Ludwig Finscher (1930-)
Peter Cahn (1927-2016)
Publisher. Info. Paul Hindemith: Sämtliche Werke, Band V,6 (PHA 506):
Streicherkammermusik III (und Solostimmen)
 (pp.15-44 (8-17))

Mainz: B. Schott’s Söhne, 1976. Plate B.S.S. 43589.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes Includes original 1920 copyright claim. 600 dpi. Page size is 10.67 x 14.763 inches.
Purchase
Javascript is required for this feature.

Free Recordings

Oliver Colbentson, violin & Erich Appel, piano

Javascript is required to submit files.

General Information

Work Title Violin Sonata
Alternative. Title Sonate in D für Klavier und Geige ; Sonate (D) für Violine und Pianoforte (Schott)
Composer Hindemith, Paul
Opus/Catalogue NumberOp./Cat. No. Op.11 No.2
I-Catalogue NumberI-Cat. No. IPH 177
Movements/SectionsMov'ts/Sec's 3 movements:
1. Erster Teil:
Lebhaft - Langsam - Fleißend - ein wenig fleißender - neu ausholend - Lebhaft -
Sehr stürmisch und stets stark drängen - Stets wild, ungebändigt - Langsam -
Fleißend - ein wenig fleißender - neu ausholend - Viel Lebhafter/stets treiben - Prestissimo
2. Zweiter Teil:
Ruhig und gemessen - Fleißender/Breit/Mäßig schnell/Lebhaft/Ruhig - Wie am Anfang
3. Dritter Teil:
Im Zeitmaß und Charakter eines geschwinden Tanzes. Frisch und stets bewegt -
Wieder sehr fleißend/Nicht zurückhalten/Breit
Year/Date of CompositionY/D of Comp. 1918 (September-November)
First Performance. 1920-04-10 in Frankfurt am Main
Max Strub (violin), Eduard Zuckmayer (piano)
First Publication. 1920 – Mainz: B. Schott's Söhne
Dedication Für Abdul (Alfred) Linder und seine Frau Olly Linder
Average DurationAvg. Duration 19 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation violin, piano
External Links Hindemith Foundation
Hofmeister's Monatsbericht (1920), p.138
Wikipedia article

Navigation etc.

  • Key "in D", but mode is deliberately not specified (for reasons that become clear within seconds of the beginning of the piece.)
  • Originally titled "Sonatine" on title page of autograph score; Hindemith consistently referred to the piece as "für Klavier und Violine." Numbered Op.11 No.3 before publication. Autograph manuscript discovered after publication in SW V/6; see SW V/7, pp. 166-68 for a description. Occasionally referred to as his violin sonata "No.2" in some older sources, but never by Hindemith himself.
-Paul Hindemith: A Research and Information Guide