4 Deutsche Lieder, Op.4 (Lang, Josephine)

Movements/SectionsMov'ts/Sec's 4 songs
First Publication 1833 – Munich: Aibl
Genre Categories Lieder; Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; German language

Sheet Music

Scores

 Complete Score (improved)
#623490 - 0.23MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 57×⇩ - Cypressdome

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 Complete Score (original scan)
#623491 - 0.83MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 26×⇩ - Cypressdome

PDF scanned by uploader
Cypressdome (2020/5/4)

Editor First edition
Publisher. Info. Munich und Bern: Aibl, n.d.[1833].
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Black and white scans of photocopies from the originals at the Württembergische Landesbibliothek Stuttgart.
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 4. Sehnsucht
#630854 - 0.23MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 19×⇩ - Cypressdome

PDF scanned by D-Mbs
Cypressdome (2020/6/10)

Publisher. Info. Gesanglehre für lehrende und Lernende
Leipzig: Breitkopf und Härtel, 1866. Plate V.A. 746.
Copyright
Public Domain [tag/del]
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General Information

Work Title 4 Deutsche Lieder
Alternative. Title Vier deutsche Lieder mit Begleitung des Fortepiano
Composer Lang, Josephine
Opus/Catalogue NumberOp./Cat. No. Op.4
I-Catalogue NumberI-Cat. No. IJL 21
Movements/SectionsMov'ts/Sec's 4 songs
  1. Schlummerlied (Andante con molto espressione)
  2. Veilchen (Agitato ed espressivo)
  3. Ständchen (Amoroso)
  4. Sehnsucht (Agitato e con anima)
Text Incipit see below
  1. Schliess die Äuglein, holder Kleiner
  2. Sagt, wo sind die Veilchen hin?
  3. Aufgewacht, aufgewacht
  4. Duften nicht die Laubengänge
First Publication. 1833 – Munich: Aibl
Librettist see below
  1. Johann Georg Jacobi (1740-1814)
  2. Johann Georg Jacobi
  3. Wilhelm von Marsano (1797-1871)
  4. August von Platen (1796-1835)
Language German
Dedication Dem Fräulein Delphine von Schauroth achtungsvoll gewidmet
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano
Extra Information Originally published without opus the composer assigned Op.4 to this work in 1867.
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