| Movements/SectionsMov'ts/Sec's | 4 songs |
|---|---|
| Composition Year | 1933 |
| Genre Categories | Songs; For voice, 2 violins, viola, cello; For voices with solo instruments; |
Contents |
1. The Lover in Winter Plaineth for the Spring
*#238909 - 3.22MB - 1:45 - (-) - !N/!N/!N - 555×⇩ - MP3 - Rhymesandchymes
MP3 file (audio)
Rhymesandchymes (2012/6/28)
2. Comfort to a Youth that had lost his Love
*#104713 - 0.62MB - 1:22 - (-) - !N/!N/!N - 380×⇩ - MP3 - Rhymesandchymes
MP3 file (audio)
Rhymesandchymes (2012/6/28)
3. She Weeps Over Rahoon
*#238910 - 4.20MB - 2:18 - (-) - !N/!N/!N - 258×⇩ - MP3 - Rhymesandchymes
MP3 file (audio)
Rhymesandchymes (2012/6/28)
MP3 file (audio)
Rhymesandchymes (2012/6/28)
|
Complete Score
*#104707 - 0.57MB, 8 pp. - (-) - !N/!N/!N - 1177×⇩ - Rhymesandchymes
PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/8)
⇒ 4 more: Violin 1 • Violin 2 • Viola • Cello
PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/8)
PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/8)
PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/8)
PDF typeset by Slawomir Dabrow...
Rhymesandchymes (2011/6/8)
|
| Work Title | 4 Songs |
|---|---|
| Alternative. Title | |
| Composer | Fine, Vivian |
| Internal Reference NumberInternal Ref. No. | IVF 68 |
| Movements/SectionsMov'ts/Sec's | 4 songs:
|
| Year/Date of CompositionY/D of Comp. | 1933 |
| First Performance. | 1932-02-05
|
| First Publication. | 1933 – San Francisco: New Music Edition, 1933 (in Vol.6, No.4 (July issue)) |
| Librettist | see below
|
| Language | English |
| Average DurationAvg. Duration | 7 minutes |
| Composer Time PeriodComp. Period | Modern |
| Piece Style | Early 20th century |
| Instrumentation | mezzo-soprano, string quartet |
| External Links | Vivian Fine website |
...astonishing, fully mature, intelligent, inspired pieces written by a 20-year-old using melodic and contrapuntal procedures very like those revealed in last Sunday’s all-Fine concert to be her present manner. The text-setting is marvelous. Only Virgil Thomson’s setting of the English language rivals it among 20th century composers. It is natural, perfectly speech-like, yet measured and expressive.