6 Colascioncino Sonatas (Colla, Domenico)

Movements/SectionsMov'ts/Sec's	6 sonatas Sonata in G major Sonata in G major Sonata in D major Sonata in E major Sonata in E-flat major Sonata in F major
Genre Categories	Sonatas; For lute, continuo; Scores featuring the lute; Scores with basso continuo; For 1 player with continuo; For mandolin, continuo; Scores featuring the mandolin; For 2 lutes; For 2 players; For mandolin, lute; For guitar (arr); Scores featuring the guitar (arr); For 1 player (arr)

Sheet Music

Complete Score
*#349699 - 4.76MB, 47 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 751×⇩ - Fynnjamin

PDF scanned by D-Dl
Fynnjamin (2014/10/28)

Publisher. Info.	Manuscript, n.d.(ca.1766).
Copyright	Public Domain [tag/del]
Misc. Notes	RISM 211011813 Water damage to the first and last 2 pages, obscuring some of the music.
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Complete Score
*#995864 - 1.08MB, 54 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 20×⇩ - Crisb

PDF typeset by arranger
Crisb (2025/10/13)

Arranger	Cristiano Burghausen (b. 1998)
Publisher. Info.	Cristiano Burghausen, 2017.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes	Adapted for solo classical guitar. Minimal note changes. Also includes collection of anonymous music
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Work Title	6 Colascioncino Sonatas
Alternative. Title	Sonata per Colascioncino (di due corde)
Composer	Colla, Domenico
Internal Reference NumberInternal Ref. No.	IDC 1
Movements/SectionsMov'ts/Sec's	6 sonatas Sonata in G major Sonata in G major Sonata in D major Sonata in E major Sonata in E-flat major Sonata in F major
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	colascioncino (a type of small lute or baroque mandolino, with either 2 strings or 6 double courses), continuo (unfigured, i.e. colascione - see RISM note)
Extra Information	RISM: 2-systemig notiert: Violin- und Bass-Schlüssel; nach LückC 1954 (p.64) konzertierte Domenico Colla zusammen mit seinem Bruder auf dem "Colasciontino, welcher um eine Oktave höher gestimmt ist. Hierbei übernahm der Spieler des Colasciontinos die Melodieführung und der andere auf dem Colascione die Baßbegleitung"; die vorliegenden Sonaten vermutlich also für 2 Instrumente. Lück (LückC 1954, p.64) vermutet, dass die vorliegende Handschrift um 1766 während einer Reise der Brüder Colla durch Deutschland nach Dresden gelangte.