6 String Quintets, G.391-396 (Op.60) (Boccherini, Luigi)

Contents

Performances

Naxos

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Synthesized/MIDI

String Quintet in B major, G.392 (Op.60 No.2)

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Cgo (2020/8/12)

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Cgo (2020/8/12)

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Cgo (2020/8/12)

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Publisher Info. Christian Orth, 2020.
Performers Christian Orth
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Misc. Notes Unrecorded. Synthesized audio created with Capella 8 and Arachno Soundfont 1.0.
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String Quintet in F major, G.396 (Op.60 No.6)

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Cgo (2020/8/19)

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Cgo (2020/8/19)

MP3 file (audio)
Cgo (2020/8/19)

Publisher Info. Christian Orth, 2020.
Performers Christian Orth
Copyright
Misc. Notes Unrecorded. Synthesized audio created with Capella 8 and Arachno Soundfont 1.0.
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Sheet Music

Parts

Quintet in B major, G.392

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Jurabe (2013/6/15)

Editor Renzo Sabatini (1905-1973)
Publisher. Info. Diletto musicale, No.101
Vienna: Ludwig Doblinger, 1962. Plate D. 10.268.
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Quintet in A major, G.393

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Jurabe (2013/5/23)

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Jurabe (2013/5/23)

Editor Renzo Sabatini (1905-1973)
Publisher. Info. Diletto musicale, No.102
Vienna: Ludwig Doblinger, 1962. Plate D. 10.298.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Quintet in F major, G.396

PDF scanned by jurabe
Jurabe (2013/5/23)

PDF scanned by jurabe
Jurabe (2013/5/23)

Editor Renzo Sabatini (1905-1973)
Publisher. Info. Diletto musicale, No.104
Vienna: Ludwig Doblinger, 1964. Plate D. 10.810.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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General Information

Work Title 6 String Quintets
Alternative. Title
Composer Boccherini, Luigi
Opus/Catalogue NumberOp./Cat. No. G.391-396 ; Op.60
I-Catalogue NumberI-Cat. No. ILB 74
Movements/SectionsMov'ts/Sec's 6
Dedication Lucien Bonaparte
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation 2 Violins, 2 Violas, Cello
External Links collection containing early 19th-century copies, possibly made for Picquot- see below, from manuscripts, as these works seem not to have been published? - "inédits" - and now held at Harvard College Library, Harvard University, including parts for all the Op.60 quintets, and other works

Navigation etc.

The editor of these three works specifies in his (removed) Preface that Boccherini's op.60 no.1 was copied by L.Picquot who succeeded after 18 years of vain research in gathering the whole series of 12 quintets op.60 & 62 except for no.4 op.60. Picquot insists that contrary to most of Boccherini's other quintets with two violas, these are original works and his op.60 nos.2, 3, 5 & 6 were manuscripted by the composer himself (see Notice sur la vie et les ouvrages de Luigi Boccherini by Louis Picquot).