||Aleksandr Goldenweiser (1875–1961)
||Russian / German
||N. Metner: Sobranie Sochinenii, Tom VI: Sochineniia dlia golosa i fortepiano|
Moscow: Muzgiz, 1961. Plate M. 29308 Г.
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||7 Songs after Pushkin
|Opus/Catalogue NumberOp./Cat. No.
|I-Catalogue NumberI-Cat. No.
- The Window (Окно) [Das Fenster]
- The Ravens (Ворон) [Der Rabe]
- Elegy (Элегия) [Elegie]
- Omens (Приметы) [Zeichen]
- Spanish Romance (Испанский романс) [Spanische Romanze]
- Serenade (Серенада)
- The Captive (Узник) [Der Gefangene]
|Year/Date of CompositionY/D of Comp.
||Aleksandr Pushkin (1799-1837), after Walter Scott (1771-1832) (No.2)
1, 4. Tatyana Makushina*
2. Lawrance Collingwood
3. Emil Medtner
5. Alfred Swan
6. Nina Koshetz (1891-1965)
7. Alfred LaLiberté
|Composer Time PeriodComp. Period
||Early 20th century
- Ms. Makushina recorded several songs of Medtner with the composer at the piano for HMV several years later in London (along with Schwarzkopf and Slobodskaya.) Quite a few of these recordings have remained, or recently again become, available.
The Delphi edition of Pushkin’s works (which is probably not complete) contains no match for no.2, but their edition of Walter Scott’s works does contain a version of the text (where it is called The Twa Corbies, and it is suggested that this ballad predates Scott. Whether the twisty cynical ending found here is found in Scott’s work or only later is somewhat ambiguous in Delphi’s reprinted commentary.) Thanks to Martyn’s book for noting the alternate title.