Alles Fleisch ist Heu, TWV 1:68 (Telemann, Georg Philipp)

Movements/SectionsMov'ts/Sec's	8 movements
Composition Year	1727
Genre Categories	Sacred cantatas; Cantatas; Religious works; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; German language

Sheet Music

Complete Score and Parts
*#788286 - 11.95MB, 50 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 16×⇩ - BachFan

PDF scanned by D-Fmi
BachFan (2022/6/10)

Copyist	Johann Balthasar König (1691–1758) Johann Christoph Fischer (1717–1769) Copyist 60a Copyist 88 Unknown Scribe(s)
Publisher. Info.	Manuscript, 1727.
Copyright	Public Domain [tag/del]
Misc. Notes	Universitätsbibl. J.C. Senckenberg. Abt. Musik u. Theater (D-F): Ms. Ff. Mus. 766
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Complete Score
*#1041644 - 0.32MB, 19 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 6×⇩ - Panda

PDF typeset by editor
Panda (2026/6/17)

Editor	Peter Young
Publisher. Info.	Canberra Baroque, 2026.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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Work Title	Alles Fleisch ist Heu
Alternative. Title	Dom: XVI. post Trinit: Alles Fleisch ist Heu pp: C. A: T: B:, violino primo, violino secondo, oboa primo, oboa secondo, viola, violoncello et organo / del Sign: Telemann
Composer	Telemann, Georg Philipp
Opus/Catalogue NumberOp./Cat. No.	TWV 1:68; TWV 4:4c
Internal Reference NumberInternal Ref. No.	IGT 1418
Key	C major
Movements/SectionsMov'ts/Sec's	8 movements
Year/Date of CompositionY/D of Comp.	1727
First Performance.	1727/09/28, Hamburg 1729/01/04 rep. Hamm und Horn
Librettist	Ernst Christoph Herda
Language	German
Dedication	16th Sunday after Trinity
Average DurationAvg. Duration	10 minutes
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	soprano, alto, tenor, bass, mixed chorus (SATB), 2 oboes, strings, continuo
Extra Information	The previous workpage claims the text is instead by Johann Friedrich Helbig (1680–1722). For 16th Sunday after Trinity, from Harmonisches Lob Gottes cycle. This cantata may have also been used for the funeral of Anna Maria Elers on 4 January 1729, as part of a lost set of cantatas (TWV 4:4)