Amor Proteus, Op.13 (Eberwein, Traugott Maximilian)

Movements/SectionsMov'ts/Sec's 18 songs
Composition Year 1810
Genre Categories Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; For voice, guitar; For voices with solo instruments; Scores featuring the guitar; German language; For voice, piano (arr); For voices with keyboard (arr); Scores featuring the voice (arr); Scores featuring the piano (arr)

Sheet Music

Scores

 Complete Score
#186461 - 8.16MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 386×⇩ - Tobsi72

PDF scanned by Unknown
Tobsi72 (2012/3/11)

Publisher. Info. Leipzig: A. Kühnel, n.d.[1810]. Plate 836.
Copyright
Public Domain [tag/del]
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Arrangements and Transcriptions

For Voice and Piano (Aust)

 Complete Score (Songs 1 to 17)
#186462 - 6.26MB, 39 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 193×⇩ - Tobias Aust

PDF typeset by Tobias Aust
Tobias Aust (2012/3/11)

Arranger Tobias Aust
Publisher. Info. Tobias Aust
Copyright
Creative Commons Attribution 3.0 [tag/del]
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General Information

Work Title Liebeserklärungen verschiedener Stände und Temperamente
Alternative. Title
Composer Eberwein, Traugott Maximilian
Opus/Catalogue NumberOp./Cat. No. Op.13
Internal Reference NumberInternal Ref. No. ITE 1
Movements/SectionsMov'ts/Sec's 18 songs:
  1. Sanguinische Liebeserklärung
  2. Phlegmatische Liebeserklärung
  3. Cholerische Liebeserklärung
  4. Melancholische Liebeserklärung
  5. Der Tanzmeister
  6. Der Maler
  7. Der Musiker
  8. Der Kaufmann
  9. Der Uhrmacher
  10. Der Buchdrucker
  11. Militairisches Ständchen
  12. Der Jäger
  13. Der Physiker
  14. Der Gärtner
  15. Der Koch
  16. Der Mediziner
  17. Der Apothecker
  18. Der Todtengräber
Year/Date of CompositionY/D of Comp. 1810
Librettist Ernst Conradi (1781–1836 or later)
Language German
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voice, Piano or Guitar (Violin and Horn ad.lib.)
External Links A comprehensive review in Allgemeine musikalische Zeitung, Vol.13 (1811), pp.391-394.
Extra Information Composer and librettist were colleagues at the court of Schwarzburg-Rudolstadt, respectively as Kapellmeister and as court physician.
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