Arie madrigali et corenti, Op.3 (Marini, Biagio)

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Movements/SectionsMov'ts/Sec's 23
First Publication 1620
Genre Categories Arias; Madrigals; Courantes; Galliards; Dances; Scherzos; Balletti; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; For 2 voices, continuo; For 3 voices, continuo; For 2 voices; For unaccompanied voices; For 3 voices; For 2 treble instruments, continuo; Scores with open instrumentation; For 2 players with continuo; For violin, continuo; Scores featuring the violin; For 1 player with continuo; Italian language

Contents

Performances

Sheet Music

Scores

Complete

 Complete Score
#408934 - 2.84MB, 32 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 423×⇩ - Feduol

PDF scanned by Unknown
Feduol (2016/1/28)

Editor First edition
Publisher. Info. Venice: [?] Gardano, 1620.
Copyright
Public Domain [tag/del]
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 Complete Score
#282476 - 3.46MB, 62 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4582×⇩ - Antoniobertoldi

PDF typeset by editor
Antoniobertoldi (2013/5/27)

Editor Antonio Bertoldi
Publisher. Info. Antonio Bertoldi, 2013.
Copyright
Creative Commons Attribution-NonCommercial 3.0 [tag/del]
Misc. Notes Source - 1970 facsimile of first edition
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Selections

 Correnti
#29296 - 1.26MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4636×⇩ - homerdundas

PDF scanned by UME
homerdundas (2009/3/6)

 Balletti
#29295 - 1.47MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2803×⇩ - homerdundas

PDF scanned by UME
homerdundas (2009/3/6)

Editor Luigi Torchi (1858–1920)
Publisher. Info. L'Arte Musicale in Italia, Vol.7
Milan: G. Ricordi, 1904. Plate 109140-64 and 109141-64.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Contents of this selection
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General Information

Work Title Arie madrigali et corenti
Alternative. Title Arie Madrigali et Corenti a 1, 2, 3 di B.M.
Composer Marini, Biagio
Opus/Catalogue NumberOp./Cat. No. Op.3
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 23 pieces
  1. Tirinto mio (Dama Abandonata) (1 voice)
  2. Al Fonte al Prato (Ricreation d'Arcadia) (2 voices)
  3. Ricciutella pargoletta (Chiomme Innanellate della sua Pargoletta) (1 voice)
  4. Hor che lungi (Amante lontano dalla sua Donna) (Voce sola)
  5. Amor che deggio far (Si lamenta con Amore ) (2 voices)
  6. Mille dolci parolette (Sopra il dipartirsi e suo ritorno da Madonna) (1 voice)
  7. Ohimè che torno ancora (Novo Amore) (1 voice)
  8. Filli cara & amata (Richiesta di Baccio) (1 voice)
  9. Signor che in Croce (Peccator Pentito) (1 voice)
  10. La Bella man vi stringo (Stringendo la mano alla sua Donna)
  11. O man di puro late (Schiaffo Gradito dall'Amante) (1 voice, Aria in Lingua Venetiana)
  12. Non vi mordete ò donna (Dito morduto) (Madrigale à 2)
  13. Rosa nata (Baccio Richiesto alla Gentil Rosalba) (Madrigale a2)
  14. O Luci belle (Scherzo sopra gli hocchi della sua Lilletta) (à 3 se piace)
  15. Tu dormi ah crudo core (Donna Sorda e Crudele) (Madr. Voce Sola)
  16. T'amo mia vita (Donna Sorda e Crudele) (Madrigale à 2)
  17. O Tronchi innamorati (Bella Cantarice) (Madrigale à 3)
  18. La Martinenga (Corente à 3)
  19. La Avogadrina (Corente à 3)
  20. La Capriola (à 3)
  21. La Chizola (Gagliarda à 3)
  22. Il Priulino (Balletto & Corente à 3)
  23. Romanesca per Violin solo c Basso se piace.
First Publication. 1620
Language Italian
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 1-3 voices, continuo ; 2-3 voices ; SSB instruments (implied continuo) ; violin, continuo (one piece only)

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