Ausgewählte Werke von Andreas Hammerschmidt (Hammerschmidt, Andreas)

Sheet Music


PDF scanned by US-R
Carolus (2013/3/8)

PDF scanned by US-R
Carolus (2013/3/8)

Editor Hugo Leichtentritt (1874-1951)
Publisher. Info. Denkmäler deutscher Tonkunst, Erste Folge; Bd.40
Leipzig: Breitkopf und Härtel, 1910. Plate D.D.T. XL.
Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Ausgewählte Werke von Andreas Hammerschmidt
Alternative. Title
Composer Hammerschmidt, Andreas
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 18 pieces
  1. Sei nun wieder zufrieden, meine Seele (Psalm, 1 voice (S or T), continuo)
  2. Kommet her zu mir (Psalm, 2 voices (SS or TT), continuo)
  3. Eile mich, Gott, zu erretten (Psalm, 2 voices (SS or TT), continuo)
  4. Herr Jesu Christ (Psalm, 2 voices (SS or TT), continuo)
  5. O frommer Gott (2 voices (S, T), continuo)
  6. Erwecke dich, Herr (2 voices (SS or TT), continuo)
  7. Wie der Hirsch schreiet (3 voices (SSB or TTB), continuo)
  8. Es danken dir, Gott, die Völker (1 voice (S or T), 2 violins, continuo)
  9. Nun treten wir ins neue Jahr (2 voices (TT), 2 violins, continuo (with cembalo))
  10. O barmherziger Vater (4 voices (SATB), continuo)
  11. O süßer, o freundlicher (4 voices (SATB), continuo) -- 2nd part Mein Erlöser wie herrlich sind deine Wohltaten
  12. Erbarm dich mein (5 voices (SSATB), continuo)
  13. Wie lieblich sind deine Wohnungen (5 voices (SSATB), continuo)
  14. Herr, wie lange willst du mein so gar vergessen (5 voices (SSATB), continuo)
  15. Habe deine Lust an dem Herren (5 voices (SSATB), continuo)
  16. Vater unser (9 voices in 2 choirs (SSATB, SATB), continuo)
  17. Ehre sei Gott in her Höhe (8 voices in 2 choirs (TTB, SSATB), continuo)
  18. Siehe, wie fein und lieblich (12 voices in 3 choirs (SATB, SATB, SATB), continuo)
Librettist Various
Language German
Composer Time PeriodComp. Period Baroque
Piece Style Renaissance
Instrumentation 1-12 voices, continuo

Misc. Comments

  • In all but no.9, the continuo keyboard part is specified as organ; in no.9, it is specified as cembalo.
  • In the Denkmaler Preface to this collection, these pieces are classified as Geistlich Concerten (nos.1-7), Geistliche Madrigali (nos.8-15), and Geistlicher Moteten undt Concerten (nos.16-18).
  • Some have been identified as having Psalm texts, but there are probably others in this collection whose texts also come from Psalms.