Ballade No.1, S.170 (Liszt, Franz)

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PDF scanned by Juilliard (color)
Funper (2007/9/7)

PDF scanned by Juilliard (mono)
Hobbypianist (2007/9/7)

Editor First edition
Publisher. Info. Leipzig: Fr. Kistner, n.d.(1849). Plate 1645.
Copyright
Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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PDF scanned by piupianissimo
piupianissimo (2011/1/8)

PDF scanned by piupianissimo
piupianissimo (2011/1/8)

Editor Emil von Sauer (1862–1942)
Publisher. Info. Klavierwerke, Band 5:
Original Kompositionen für Klavier zu zwei Händen
(pp.38-47)
Leipzig: Edition Peters, No.3601a, n.d.[1917]. Plate 9880.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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PDF scanned by D-Mbs
piupianissimo (2009/5/28)

Editor José Vianna da Motta (1868–1948)
Publisher. Info. Musikalische Werke. Serie II, Band 8 (pp.x, 10)
Leipzig: Breitkopf & Härtel, 1924. Plate F.L. 56.
Copyright
Misc. Notes Originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from dust and dirt pixels manually by the uploader.
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PDF scanned by Unknown
Funper (2007/4/4)

PDF scanned by Unknown
Funper (2007/4/4)

Editor José Vianna da Motta (1868–1948)
Publisher. Info. Musikalische Werke. Serie II, Band 8
Leipzig: Breitkopf & Härtel, 1924. Plate F.L. 56.
Reprinted Sonata in B Minor and Other Works for Piano
Mineola: Dover Publications, 1989.
Copyright
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PDF scanned by Unknown
Ferencziffra (2016/5/18)

Editor Yakov Milstein (1911-1981)
Publisher. Info. Sochineniia dlia fortepiano, Vol. 1 (pp.5-15)
Moscow: Muzgiz, 1960. Plate М. 27341 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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PDF scanned by piupianissimo
piupianissimo (2011/6/19)

PDF scanned by piupianissimo
piupianissimo (2011/6/19)

Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 9 (pp.116-24)
Budapest: Editio Musica, 1981. Plate Z.8011.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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General Information

Work Title Ballade No.1
Alternative. Title Le chant du croisé (The Crusader's Song) ; Dernière illusion ; Galop bohémie
Name Translations Ballade No. 1; 1. ballada (Liszt); Balada n.º 1 en Re bemol; バラード第1番
Name Aliases Le chant du croisé; Le chant du croise; Ballade für Pianoforte
Authorities Wikipedia
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.170 ; LW.A117
I-Catalogue NumberI-Cat. No. IFL 38
Key D-flat major
Movements/SectionsMov'ts/Sec's 1 section
Year/Date of CompositionY/D of Comp. 1845
First Publication. 1849
Dedication Prince Eugen von Sayn-Wittgenstein (1825-1886)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano
External Links Wikipedia article

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Version History

  • Composed for solo piano, 1845–49 (= S.170) (Based off of S.171d/4)
Published 1849 by Kistner (Leipzig), as Ballade
Reprinted 1849 by Meissonnier (Paris), as Chant du Croisé [not Liszt's title]