Performances
Naxos
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Sheet Music
Scores
| Editor
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Hans Maria Kneihs (*1943)
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| Publisher. Info.
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Zurich: Eulenburg, 1967. Plate E.E. 6360. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Parts
| Publisher. Info.
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Manuscript, n.d.(ca.1750-99).
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| Copyright
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| Misc. Notes
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Musik- och teaterbiblioteket, Stockholm (S-Skma): Alströmer saml. 146:18
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Arrangements and Transcriptions
For Cello and Piano (Cassadó)
| Arranger
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Gaspar Cassadó (1897-1966)
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| Publisher. Info.
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New York: International Music Company, 1949. Plate 1029.
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| Copyright
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| Misc. Notes
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Cassadó changed the key to F major (second movement to D minor).
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For Cello and Piano (Pollain)
For Cello and Piano
| Editor
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Hans Maria Kneihs
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| Publisher. Info.
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Zurich: Eulenburg, 1968. Plate E.E. 6365a. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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General Information
| Work Title
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Cello Concerto in A major
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| Alternative. Title
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| Composer
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Bach, Carl Philipp Emanuel
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| Opus/Catalogue NumberOp./Cat. No.
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H.439 ; Wq.172
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| I-Catalogue NumberI-Cat. No.
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ICB 16
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| Key
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A major
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| Movements/SectionsMov'ts/Sec's
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3 movements
- Allegro
- Largo maesto [mesto]
- Allegro assai
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| Year/Date of CompositionY/D of Comp.
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1753
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| First Publication.
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1924 or earlier
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| Composer Time PeriodComp. Period
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Classical
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| Piece Style
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Classical
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| Instrumentation
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Solo: cello
Orchestra: strings, continuo
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Navigation etc.
The harpsichord and orchestra version, H.437 in A, was not officially published until 2011 nor recorded until 1998. (It is available in digital form @ D-B, and RISM mentions several copies.) There is also a flute/orchestra version (CPE Bach's instrumental versions of the "same concerto" however generally have similar tutti sections but different solo sections appropriate to the instruments they were written for.)
