Chôros No.3, W206 (Villa-Lobos, Heitor)

Movements/SectionsMov'ts/Sec's	1
Composition Year	1925
Genre Categories	Chorinhos; Dances; For male chorus, clarinet, saxophone, bassoon, 3 horns, trombone; Scores featuring male chorus; Scores featuring the clarinet; Scores featuring the saxophone; Scores featuring the bassoon; Scores featuring the horn; Scores featuring the trombone; For chorus with solo instruments; Portuguese language
Related Works	Nozani-ná

1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Scores
- 2.2 Parts
3 General Information
4 Navigation etc.

Performances

Naxos

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Sheet Music

Scores

Complete Score
*#40962 - 0.54MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - 10/24/30 - 6069×⇩ - Daphnis

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Daphnis (2009/10/9)

Editor	First edition (reprint)
Publisher. Info.	Paris: Eschig, 1928. Plate M.E. 2316.
Reprinted	Paris: Eschig, 1954.
Copyright	Public Domain - Non-PD EU [tag/del]
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Parts

Complete Parts
*#40963 - 1.95MB, 28 pp. - 0.0/10 2 4 6 8 10 (-) - 10/24/30 - 1744×⇩ - Daphnis

PDF scanned by Unknown
Daphnis (2009/10/9)

Publisher. Info.	Paris: Eschig, n.d.(ca.1928). Plate M.E. 2317 & M.E. 5132.
Copyright	Public Domain - Non-PD EU [tag/del]
Purchase	Javascript is required for this feature.

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General Information

Work Title	Chôros No.3
Alternative. Title	Picapau
Composer	Villa-Lobos, Heitor
Opus/Catalogue NumberOp./Cat. No.	W206
Internal Reference NumberInternal Ref. No.	IHV 20
Movements/SectionsMov'ts/Sec's	1
Year/Date of CompositionY/D of Comp.	1925
First Performance.	1925-11-30 in São Paulo (Appleby gives the following: 1927-12-05 in Paris - Cazuhac ; Poimbeuf ; G. Dherin ; Entraigue ; Penable ; Marquette ; Dervaux ; Ribert Siohan (conductor))
First Publication.	1928
Dedication	Tarsila and Oswaldo de Andrade
Average DurationAvg. Duration	4 minutes
Composer Time PeriodComp. Period	Early 20th century
Piece Style	Early 20th century
Instrumentation	Clarinet, Saxophone (E♭), Bassoon, 3 Horns, Trombone, Male Choir (TTBarB)
Related Works	Nozani-ná
External Links	Wikipedia article

Navigation etc.

Inscribed as 'Dedicated to the sonorous atmosphere of the primitive music of the aborigines of the states of Matto Grosso and Goias'. Based on the theme 'Nozani-ná' from the Pareci Indians (as collected by Edgar Roquette-Pinto, from Mato Grosso, see Canções típicas brasileiras, W158).