Max Eschig (1872-1927), from the Czech part of the Habsburg Empire, founded his firm in Paris in 1907. His first project was to produce French versions of the immensely popular Viennese operettas such as The Merry Widow by Lehar, as well as those of Fall, Stolz, Straus, Bromme, Kollo, Granichstaedten and Kalman. Thus Eschig was similar to Salabert, the giant of French musical comedy, and also Chappell of London and T.B. Harms of New York. Eschig's successor Eugène Cools, (director 1927-1936) sought out French talent in musical comedy: Hirchmann, Berthomieu, Gavel, Coullon,and Renieu.
The firm then specialized in contemporary French composers such as Satie, Koechlin, Tournemire, Ravel, Milhaud, Honegger, Poulenc, and Sauguet.
This was partly the result of the purchase of E. Demets, the publishers of Ravel's Pavane, (by 1923) and La Sirène musicale.
Eschig also published much Spanish and Latin American music: Albéniz, Nin, Falla, Turina, Ernesto Halffter and Mompou, Villa-Lobos, Leo Brouwer and Pujol. Finally, many central European works have been produced: Szymanowski, and the Ecole de Paris group of emigre composers: Tansman, Mihalovici, Martinú, Tcherepnine and Harsányi.
The firm was bought by Durand in 1987 and is now part of the Durand / Salabert / Eschig/Ricordi conglomerate initially owned by BMG and in 2007 sold to Universal Music Publishing Group (no relation to Universal-Edition Vienna).
Plate Number |
Composer |
Work |
Year
|
|
Villa-Lobos |
Guia prático (piano), W277-284, 358, 359, 473 (Album 2) |
1957
|
|
Villa-Lobos |
Guia prático (piano), W277-284, 358, 359, 473 (Album 3) |
1957
|
E. 64 C. |
Cools |
Flute Sonata, Op.64 |
1908
|
E. 74 C. |
Cools |
Poème, Op.74 |
1909
|
E. 77 C. |
Cools |
Sicilienne, Op.77 |
1909
|
E. 79 C. |
Cools |
Violin Sonata, Op.79 |
1911
|
E. 94 C. |
Cools |
Poème, Op.94 |
1920
|
E. 77 M. |
Moór |
Suite for Piano, Op.77 |
1908
|
E. 78 M. |
Moór |
Rhapsodie, Op.78 (arr. vc/pf) |
1908
|
E. 80 M. |
Moór |
Thème et variations, Op.80 |
1908
|
E. 82 M. |
Moór |
10 Esquisses, Op.82 |
1908
|
M.E. 0062 |
Moszkowski |
4 Moments musicaux, Op.84 |
1910
|
M.E. 0102 |
Schwab |
Berceuse écossaise |
1909
|
M.E. 0142 |
Fall |
Die geschiedene Frau (red. piano) |
1911
|
M.E. 0175 |
Terrasse |
Les transatlantiques (vocal score) |
1911
|
M.E. 0180 |
Fall |
Der fidele Bauer |
1910
|
M.E. 0200 |
Lehár |
Zigeunerliebe (vocal score) |
1910-12
|
M.E. 0236 |
Lehár |
Zigeunerliebe (arr. for piano) |
1912
|
M.E. 0252 |
Gilbert |
Die keusche Susanne (vocal score) |
1912
|
M.E. 0397 |
Ganne |
Cocorico (vocal score) |
1914
|
M.E. 0400 |
Falla |
La vida breve (vocal score) |
1913
|
M.E. 0428 |
Berté |
La fiancée invisible (arr. for piano) |
1914
|
M.E. 0591 |
Kálmán |
Ein Herbstmanöver (vocal score) |
1914
|
M.E. 0616 |
Falla |
La vida breve (Danza Española No.2, arr. for piano) |
1913
|
M.E. 0653 |
Fourdrain |
Alsace et Lorraine |
1915
|
M.E. 0687 |
Falla |
Noches en los Jardines de España (full score) |
1923
|
M.E. 0688 |
Falla |
Noches en los Jardines de España (parts) |
1923
|
M.E. 0690 |
Falla |
Noches en los Jardines de España (arr. for 2 pianos) |
1923
|
M.E. 0702-08 |
Falla |
7 Canciones populares Españolas |
1922
|
M.E. 0812 |
Fourdrain |
Les maris de Ginette (vocal score) |
1916
|
M.E. 1129 |
Falla |
7 Canciones populares Españolas (transp. high voice) |
1922
|
M.E. 1158 |
Falla |
Noches en los Jardines de España (study score) |
1923
|
M.E. 1187 |
Nin |
20 Cantos Populares Españoles (No.1) |
1923
|
M.E. 1188 |
Nin |
20 Cantos Populares Españoles (No.8) |
1923
|
M.E. 1189 |
Nin |
20 Cantos Populares Españoles (No.3) |
1923
|
M.E. 1190 |
Nin |
20 Cantos Populares Españoles (No.2) |
1924
|
M.E. 1191 |
Nin |
20 Cantos Populares Españoles (No.10) |
1923
|
M.E. 1192 |
Nin |
20 Cantos Populares Españoles (No.7) |
1923
|
M.E. 1193 |
Nin |
20 Cantos Populares Españoles (No.6) |
1923
|
M.E. 1202 |
Nin |
20 Cantos Populares Españoles (No.5) |
1923
|
M.E. 1215 |
Nin |
20 Cantos Populares Españoles (No.4) |
1923
|
M.E. 1216 |
Nin |
20 Cantos Populares Españoles (No.9) |
1923
|
M.E. 1377 |
Nin |
20 Cantos Populares Españoles (No.19) |
1924
|
M.E. 1378 |
Nin |
20 Cantos Populares Españoles (No.15) |
1924
|
M.E. 1379 |
Nin |
20 Cantos Populares Españoles (No.20) |
1924
|
M.E. 1380 |
Nin |
20 Cantos Populares Españoles (No.17) |
1924
|
M.E. 1381-83 |
Nin |
20 Cantos Populares Españoles (Nos.11, 12, 13) |
1924
|
M.E. 1384 |
Nin |
20 Cantos Populares Españoles (No.16) |
1924
|
M.E. 1385 |
Nin |
20 Cantos Populares Españoles (No.14) |
1924
|
M.E. 1386 |
Nin |
20 Cantos Populares Españoles (No.18) |
1924
|
M.E. 1395 |
Minsmer |
Avant que tu ne t'en ailles |
1925
|
M.E. 1396 |
Minsmer |
Désir |
1925
|
M.E. 1410 |
Blanchet |
64 Preludes, Op.41 |
1926
|
M.E. 1474 |
Mompou |
Charmes, pour piano |
1925
|
M.E. 1483 |
Zubeldía |
6 Mélodies populaires espagnoles |
1926
|
M.E. 1516 |
Casadesus |
24 Preludes |
1925
|
M.E. 1517 |
Casadesus |
24 Preludes |
1925
|
M.E. 1518 |
Casadesus |
24 Preludes |
1925
|
M.E. 1519 |
Casadesus |
24 Preludes |
1925
|
M.E. 1525 |
Hennessy |
Sérénade, Op.65 |
1925
|
M.E. 1526 |
Falla |
7 Canciones populares Españolas (arr. for violin and piano) |
1925
|
M.E. 1574 |
Cataldo |
Carolina-tango |
1925
|
M.E. 1576 |
Cataldo |
Cœur de fox-trot |
1925
|
M.E. 1597a |
Mathé |
Passade |
1925
|
M.E. 1615 |
Tansman |
Piano Concerto No.1 (arr. 2pf4h) |
1926
|
M.E. 1918 |
Villa-Lobos |
Saudades das selvas brasileiras, W226 |
1927
|
M.E. 2006 |
Villa-Lobos |
Chôros No.2, W197, 198 (original) |
1927
|
M.E. 2017 |
Villa-Lobos |
Chôros No.10, W209 (score) |
1928
|
M.E. 2072 |
Villa-Lobos |
Chôros No.7, W199 (score) |
1928
|
M.E. 2081 |
Villa-Lobos |
String Quartet No.3, W112 |
1929
|
M.E. 2085 |
Villa-Lobos |
Chôros No.7, W199 (parts) |
1928
|
M.E. 2086 |
Villa-Lobos |
Chôros No.4, W218 (score) |
1928
|
M.E. 2087 |
Villa-Lobos |
Chôros No.4, W218 (parts) |
1928
|
M.E. 2152 |
Nin |
20 Cantos Populares Españoles (arr. for cello and piano) |
1928
|
M.E. 2169 |
Villa-Lobos |
Rudepoema, W184, 310 (original - piano) |
1928
|
M.E. 2194 |
Villa-Lobos |
Trio for Oboe, Clarinet and Bassoon, W182 (score) |
1928
|
M.E. 2195 |
Villa-Lobos |
Trio for Oboe, Clarinet and Bassoon, W182 (parts) |
1928
|
M.E. 2215-20 |
Villa-Lobos |
Canções típicas brasileiras, W158 (Nos.1-6) |
1929
|
M.E. 2300 |
Villa-Lobos |
Chôros No.8, W208 (score) |
1928
|
M.E. 2316 |
Villa-Lobos |
Chôros No.3, W206 (score) |
1928
|
M.E. 2317 |
Villa-Lobos |
Chôros No.3, W206 (parts) |
1928
|
M.E. 2330 |
Various |
Classiques Espagnols du Piano, Vol.2 (ed. Nin) |
1929
|
M.E. 2395 |
Thirion |
Symphony No.2 (f.s.) |
(1929?)
|
M.E. 2417 |
Villa-Lobos |
Noneto, W191 (score) |
1929
|
M.E. 2502 |
Nin |
Mensaje a Claudio Debussy |
1929
|
M.E. 2516 |
Villa-Lobos |
2 Chôros bis, W227 |
1930
|
M.E. 2563 |
Villa-Lobos |
String Quartet No.2, W100 |
1930
|
M.E. 2610-12 |
Villa-Lobos |
Canções típicas brasileiras, W158 (Nos.7-9) |
1930
|
M.E. 2718 |
Rubin, Marcel |
Piano Sonata No.3 |
1930
|
M.E. 2903 |
Villa-Lobos |
Quinteto em forma de chôros, W231 (score) |
1953
|
M.E. 2904 |
Villa-Lobos |
Quinteto em forma de chôros, W231 (parts) |
1953
|
M.E. 2971 |
Tansman |
Piano Concerto No.2 (arr. 2 pf4h) |
1930
|
M.E. 3070 |
Tansman |
Symphony (No.2) in A minor (1926) (f.s.) |
1931
|
M.E. 3146 |
Tansman |
Triptyque |
1931
|
M.E. 3618 |
Karjinsky |
Concerto for violoncello and orchestra |
1932
|
M.E. 3634 |
Szymanowski |
Symphony No.4, Op.60 (arr. for 2 pianos) |
1932
|
M.E. 3715 |
Szymanowski |
Symphony No.4, Op.60 (score) |
1933
|
M.E. 3997 |
Karjinsky |
Concerto for two violoncellos |
1933
|
M.E. 4076 |
Willner |
Sonatine facile, Op.71 |
1934
|
M.E. 4412 |
Blanchet |
8 Etudes de Concert, Op.55 |
1935
|
M.E. 4465 |
Szymanowski |
Violin Concerto No.2, Op.61 (arr. for violin and piano) |
1934
|
M.E. 4746 |
Karjinsky |
Sonata for violin and violoncello |
1935
|
M.E. 4776 |
Konstantinoff |
Vienne |
1935
|
M.E. 4777 |
Konstantinoff |
Violin Concerto |
1935
|
M.E. 4778 |
Szymanowski |
Mazurkas, Op.62 |
1935
|
M.E. 4932 |
Sauguet |
Piano Concerto No.1 (2pf arr.) |
1936
|
M.E. 4961 |
Tansman |
Concertino pour piano & orchestra (pocket s.) |
1937
|
M.E. 5111 |
Tansman |
2 Pièces pour orchestre (f.s.) |
1936
|
M.E. 5150 |
Tournemire |
Postludes libres pour des Antiennes de Magnificat, Op.68 |
1936
|
M.E. 5156 |
Karjinsky |
Sonatina for violoncello and piano |
1936
|
M.E. 5272 |
Karjinsky |
Images for violin and piano |
1937
|
M.E. 5533 |
Karjinsky |
Rhapsodie slave |
1937
|
M.E. 5645 |
Karjinsky |
Trepak |
1938
|
M.E. 5685 |
Honegger |
Scenic Railway, H 115 |
1938
|
M.E. 5815 |
Karjinsky |
Intermezzo for violoncello and piano |
1938
|
M.E. 5895 |
Tansman |
Violin Concerto (full score) |
1939
|
M.E. 6222 |
Poulenc |
Léocadia, FP 106 |
1945
|
M.E. 6282 |
Karjinsky |
Suite for violoncello and piano |
1942
|
M.E. 6287 |
Nikisch |
Piano Concerto |
1942
|
M.E. 6383 |
Poulenc |
3 Intermezzos, FP 71/118 (No.3) |
1947
|
M.E. 6394 |
Sauguet |
Gageure imprévue (opera-comique. vocal sc.) |
1948
|
M.E. 6482 |
Poulenc |
Paul et Virginie, FP 132 |
1947
|
M.E. 6483 |
Poulenc |
2 Mélodies, FP 131 |
1947
|
M.E. 6501 |
Karjinsky |
Skázka |
1948
|
M.E. 6583 |
Tansman |
Symphony No.5 (f.s.) |
1950
|
M.E. 6604 |
Tansman |
Musique pour orchestre (min.s.) |
1951
|
M.E. 6623 |
Hoffmeister |
Viola Concerto in D major (arr. Vieux for viola and piano) |
1951
|
M.E. 6653 |
Poulenc |
Thème varié, FP 151 |
1952
|
M.E. 6658e |
Tansman |
Musique pour cordes (quartet 7) (score) |
1952
|
M.E. 6675 |
Villa-Lobos |
Amazonas, W118, 119 (arr. for piano solo) |
1953
|
M.E. 6679 |
Villa-Lobos |
12 Estudos, W235 |
1953
|
M.E. 6703 |
Tansman |
Symphony No.6 "In Memoriam" 1944 (f.s.) |
1953
|
M.E. 6713 |
Poulenc |
Sonata for 2 Pianos, FP 156 |
1954
|
M.E. 6730 |
Villa-Lobos |
Hommage à Chopin, W474 |
1955
|
M.E. 6732-35 |
Villa-Lobos |
Preludes, W419 |
1954
|
M.E. 6740 |
Villa-Lobos |
Guitar Concerto, W501, 502 (arr. for guitar and piano) |
1955
|
M.E. 6753 |
Tansman |
String Quartet No.6 (1944) (score) |
1960
|
M.E. 6772 |
Villa-Lobos |
Quartet for Flute, Oboe, Clarinet and Bassoon, W230 (score) |
1955
|
M.E. 6773 |
Villa-Lobos |
Quartet for Flute, Oboe, Clarinet and Bassoon, W230 (parts) |
1955
|
M.E. 6774 |
Villa-Lobos |
Chôros No.7, W199 (score - reissue) |
1955
|
M.E. 6775 |
Poulenc |
Rosemonde, FP 158 |
1955
|
M.E. 6806 |
Villa-Lobos |
String Quartet No.14, W519 (sc) |
1958
|
M.E. 6821 |
Villa-Lobos |
Sexteto místico, W131 |
1957
|
M.E. 6909 |
Poulenc |
Dernier Poème, FP 163 |
1957
|
M.E. 6910 |
Poulenc |
2 Mélodies, FP 162 |
1957
|
M. E. 6947 |
Martinů |
Piano Sonata No.1, H.350 |
1958
|
M.E. 6949 |
Villa-Lobos |
Duo for Oboe and Bassoon, W535 |
1958
|
M. E. 6969 |
Martinů |
Quartet for Oboe, Violin, Cello and Piano, H.315 |
1961
|
M.E. 6997 |
Poulenc |
Une Chanson de Porcelaine, FP 169 |
1959
|
M. E. 7094 |
Martinů |
Oboe Concerto, H.353 |
1960
|
M.E. 7112 |
Poulenc |
Élégie, FP 175 |
1960
|
M.E. 7280 |
Martinů |
Musique de chambre No.1 |
1967
|
M.E. 7344 |
Koechlin |
Épitaphe de Jean Harlow, Op.164 |
1970
|
M.E. 7418 |
Villa-Lobos |
Chôros No.1, W161 |
1960
|
M.E. 7577 |
Villa-Lobos |
Noneto, W191 (parts) |
1929
|
M.E. 7643 |
Koechlin |
Primavera Quintet, Op.156 (parts) |
1985
|
M.E. 7653 |
Tansman |
Cello Concerto (arr. vc/pf) |
1965
|
M.E. 7677 |
Tansman |
Petite Suite |
1965
|
M.E. 7714 |
Satie |
Préludes flasques (pour un chien) |
1967
|
M.E. 7714 |
Satie |
Harmonies |
1969
|
M.E. 7714 |
Satie |
Prière |
1969
|
M.E. 7714 |
Satie |
Vexations |
1969
|
M.E. 7736 |
Koechlin |
Horn Sonata, Op.70 |
1970
|
M.E. 7765 |
Koechlin |
Les Bandar-log, Op.176 (f.s.) |
1967
|
M.E. 7854 |
Villa-Lobos |
Quinteto instrumental, W538 |
1970
|
M.E. 7888 |
Koechlin |
Suite en quatuor, Op.55 |
1978
|
M.E. 7953 |
Villa-Lobos |
Piano Concerto No.2, W487 (arr. for 2 pianos) |
1979
|
M.E. 7955 |
Villa-Lobos |
Piano Concerto No.4, W505 (arr. for 2 pianos) |
1979
|
M.E. 7956 |
Villa-Lobos |
Piano Concerto No.5, W521 (arr. for 2 pianos) |
1984
|
M.E. 7934 |
Falla |
Noches en los Jardines de España (reissue) |
1970
|
M.E. 7982 |
Villa-Lobos |
String Quartet No.17, W537 (sc) |
1977
|
M.E. 7984 |
Villa-Lobos |
Piano Concerto No.1, W453 (arr. for 2 pianos) |
1984
|
M.E. 7993 |
Villa-Lobos |
Guitar Concerto, W501, 502 (sc) |
1971
|
M.E. 7994 |
Villa-Lobos |
Quinteto em forma de chôros, W231 (score - reissue) |
1971
|
M.E. 8154 |
Koechlin |
Piano Quintet, Op.80 |
1985
|
M.E. 8317 |
Villa-Lobos |
String Quartet No.15, W523 (sc) |
1981
|
M.E. 8325 |
Villa-Lobos |
String Quartet No.16, W526 (sc) |
1981
|
M.E. 8334 |
Villa-Lobos |
String Quartet No.13, W503 (parts) |
1986
|
M.E. 8401 |
Koechlin |
Oboe Sonata, Op.58 |
1981
|
M.E. 8411 |
Ravel |
Miroirs (No.3: Une barque sur l'océan, arr. for orchestra) |
1983
|
M.E. 8429 |
Mompou |
5 mélodies sur des textes de Paul Valéry |
1985
|
M.E. 8446 |
Villa-Lobos |
String Quartet No.13, W503 (score) |
1986
|
M.E. 8469 |
Koechlin |
La Loi de la Jungle, Op.175 (f.s.) |
1986
|
M.E. 8522 |
Koechlin |
Primavera Quintet, Op.156 (score) |
1985
|
M.E. 8532 |
Tansman |
Music for clarinet and string quartet (pts) |
1984
|
M.E. 8541 |
Tansman |
Music for clarinet and string quartet (sc) |
1984
|
M.E. 8574 |
Koechlin |
Les heures persanes, Op.65 |
1987
|
M.E. 8590 |
Sauguet |
Sonate d'église (organ & strings; organ part.) |
1985
|
M.E. 8624 |
Villa-Lobos |
Chôros No.9, W232 |
1987
|
M.E. 8697 |
Tansman |
Guitar Concertino (arr. gtr/pf) |
1991
|
M.E. 8706 |
Sauguet |
Sonate crépusculaire (vn pt, pf sc) |
1990
|
M.E. 8707 |
Sauguet |
String Quartet No.3 (parts) |
1990
|
M.E. 8708 |
Sauguet |
String Quartet No.3 (score in-16) |
1990
|
M.E. 8731 |
Tansman |
Guitar Concertino (f.s.) |
1991
|
M.E. 8733 |
Tansman |
Piano Trio No.2 (sc&pts) |
1990
|
M.E. 8760 |
Tansman |
Cinq pièces faciles (sc&pt) |
1991
|
M.E. 8771 |
Tansman |
Introduction et fugue (2 pts) |
1993
|
M.E. 8884 |
Tansman |
Fantasy for violin & piano (sc&pt) |
1995
|
M.E. 8905 |
Sauguet |
Cinq poèmes de Hölderlin |
1994
|
M.E. 8996 |
Sauguet |
Suite for B♭ clarinet & piano (sc&pt) |
1995
|