Montpellier Codex (Various)

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Sheet Music

Scores

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Feduol (2013/7/20)

18 more: Part 2 of 3 • Part 3 of 3 • Part 1 of 2 • Part 2 of 2 • Part 1 of 14 • Part 2 of 14 • Part 3 of 14 • Part 4 of 14 • Part 5 of 14 • Part 6 of 14 • Part 7 of 14 • Part 8 of 14 • Part 9 of 14 • Part 10 of 14 • Part 11 of 14 • Part 12 of 14 • Part 13 of 14 • Part 14 of 14

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Publisher. Info. Manuscript, n.d. [late 13th – early 14th century]
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Feduol (2014/3/29)

26 more: 2. Je n'aimerai / In saeculum (Hocket-Motet) • 3. Je n'aimerai / In saeculum (Hocket-Motet) • 4. Benedicamus Domino (Organum) • 5. Portare (Hocket) • 6–8. Virgo. Sponsus amat sponsam. Gloria (Organum) • 9–10. Alleluia. Nativitas gloriosae (Organum) • 11–13. Sancte Germane. O sancte Germane. Gloria • 14–15. Alleluia. Posui adjutorium • 16–18. Ab, abiecto. Rigat ora lacrimis. Gloria • 19. Qui la vaudroit lonc / Qui d'amors velt bien / / Qui longuement / Nostrum • 20. Celui de qui je me fi / La belle estoile de mer / Johanne • 21. Plus belle que flor est / Quant revient / / L'autrier joer / Flos filius eius • 22. Par un matinet l'autrier / Hé sire, qui vos vantés / / Hé bergier, si grant envie / Eius • 23. Dame que j'aime et desir / Amors vaint tot fors / / Au tans d'este / Et gaudebit • 24. A dieu comment cele / Por moi deduire / / En non dieu que nus die / Omnes • 25. Chançonnete, va t'en tost / Ainc voir d'amors ne joï / / A la cheminée / Par veritéz • 26. Viderunt por peu ne sui departi / Viderunt par pou le / coeur ne me parti / Viderunt omnes • 27. Trois serors (...) l'aisnée / Trois serors (...) la moiene / / Trois serors (...) la jonete / Perlustravit • 28. Li doz maus m'ocit que j'ai / Trop ai lonc tens en folie / / Ma loiautes m'a nuisi / In saeculum • 29. Dieus, mout me fait sovent fremir / Dieus, je fui ja pres de joïr / / Dieus, je n'i puis la nuit dormir / Et videbit • 30. Cest quadruble sans reison / Voz n'i dormirés jamais / / Beaux coeurs renvoisiés et douz / Fiat • 31. Qui voudroit fame esprover / Deboinerement atendrai merci / / Quant naist la flor en la pree / Tanquam • 32. Le premier jor de mai / Par un matin me levai / / Je ne puis plus durer sans voz / Iustus germinabit • 33. Ce que je tieng pour deduit / Certes mout est bone / / Bone compaignie / Manere • 34. Joliement / Quant voi la florete / Je sui joliete / Aptatur • 35. Mors a primi patris vicio / Mors, que stimulo / / Mors morsu nata venenato / Mors

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Editor Hans Tischler (1915-2010)
Publisher. Info. Recent Researches in the Music of the Middle Ages and Early Renaissance
Vol.2-3: The Montpellier Codex
(pp.1-72)
Madison: A-R Editions, 1978.
URTEXT EDITION 
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1992 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
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Feduol (2014/4/22)

65 more: 37. Mout me fu gries li departir / In omni fratre tuo non habeas / / In saeculum • 38. Doz rossignoles jolis / Virgo gloriosa / Laetabitur • 39. Povre secours ai encore recovré / Gaude, chorus omnium / / Angelus • 40. Par une matinee / Mellis stilla, maris stella / Domino • 41. Au douz mois de mai / Crux, forma penitentie / Sustinere • 42. Quant florist la violete / Non orphanum / Et gaudebit • 43. Quant voi l'erbe reverdir / Salve, virgo virginum / Cumque • 44. Quant repaire la verdor / Flos de spina rumpitur / Regnat • 45. Quant voi revenir / Virgo virginum / Haec dies • 46. L'estat du monde / Beata viscera / Beata viscera • 47. O natio / Hodie perillustravit • 48. Custodi nos, Domine • 49. A Cambrai avint l'autrier / Sohier • 50. Fole acostumance / Dominus • 51. Conditio / O natio nephandi generis / Mane prima sabati • 52. O Maria, virgo davitica / O Maria, maris stella / Veritatem • 53. Ave, virgo regia / Ave, gloriosa / Domino • 54. Veni, virgo beatissima / Veni, sancte Spiritus / Neuma • 55. Ave, beatissima civitas / Ave, Maria gratia plena / / Ave maris stella • 56. Ave, lux luminum / Salve, virgo, rubens rosa / Neuma • 57. In salvatoris nomine / In veritate comperi / Veritatem • 58. Res nova mirabilis / Virgo, decus castitatis / Alleluya • 59. Fons misericorie / In caelesti curia / Pro patribus • 60. Psallat chorus in novo carmine / Eximie pater egregie / / Aptatur • 61. In mari miserie / Gemma pudicicie / Manere • 62. Ex semine / Ex semine Abrahe / Ex semine • 63. Radix venie / Ave Maria / Immolatus • 64. Post partum virgo mansisti / Ave, regina gloriae / / Propter veritatem • 65. Si vere vis adherere, uti vere / / Si vere vis adherere, uti palmes / In saeculum • 66. Mater Dei plena gratia / Mater, virgo pia / Eius • 67. Nobili precinitur / Flos de virga nascitur / Eius • 68. Super te, Ierusalem / Sed fulsit virginitas / Dominus • 69. Ave, parens / Ad gratie / Ave Maria • 70. In odorem flagrans dulcedinis / In odoris miro suavio / / In odorem • 71. Benigna celi regina / Beata est, Maria / Veritatem • 72. Salve, mater misericordie / Salve, regina misericordie / / Flos filius eius • 73. In seculum - a 3 (Hocket) • 74. L'autrier m'esbatoie / Demenant grant joie / Manere • 75. Hé, Marotele / En la praerie / Aptatur • 76. Amoureusement me tient li maus que j'ai / / Hé, Amours, mourrai / Omnes • 77. Que ferai, biaus sire Dieus? / Ne puet faillir a honour / / Descendentibus • 78. Cele m'a tolu la vie / Lonc tans a / Et sperabit • 79. Quant voi l'aloete / Dieux, je ne m'en partirai ja / / Benedictus Dominus • 80. Je m'en vois / Tieus a mout le coeur hardi / Omnes • 81. Ja pour mal / Hé, desloiaus mesdisant / Portare • 82. Ne sai ou confort trover / / Que por moi reconforter / Et sperabit • 83. Sovent me fait souspirer / / En grant effroi sui sovent / Mulierum • 84. Amors ne mi tendra / Adés mi tient amors joli / / Kyrie eleison • 85. Trop souvent me duel / / Brunete a qui j'ai mon coeur doné / In seculum • 86. Pos vos, amie, criem morir / / Hé, quand je remir son cors le gai / Amoris • 87. Dieus, de chanter maintenant / / Chant d'oiseaus et fuelle et flor / In seculum • 88. Lonc tans ai mise m'entente / / Au comencement d'esté / Hec dies • 89. Se j'ai servi longuement / / Trop longuement m'a failli / Pro patribus • 90. Dame de valourr / Dame, votre doz regard / Manere • 91. Ne sai tant Amors servir / Ja de boine amor / Portare • 92. Hé Dieus, de si haut si bas / / Malbatus longuement pleure / Cumque • 93. A ce c'on dit, bien m'acort / / Bele sans orguil et jone sans folie / Et exaltavi • 94. Bele Aelis par matin soi leva / Haro, haro! / Flos filius eius • 95. Encontre le tans / Quant fuellent aubespin / In odorem • 96. Li maus amorous me tient / Dieus, porquoi la regardai / Portare • 97. Renvoisiement irai / D'amours sunt en grant es mai / Et super • 98. Vilene gent / Honte et dolor et ennui et haschie / Hec dies • 99. Qui bien aime, il ne doit mie / Cuer qui dort, il n'aime pas / Omnes • 100. Onques ne se departi / En tel lieu s'est entremis / Virgo • 101. Dieus je n'i os aler / Amors, qui m'aprist / Et super

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Editor Hans Tischler (1915-2010)
Publisher. Info. Recent Researches in the Music of the Middle Ages and Early Renaissance
Vol.4-5: The Montpellier Codex
(pp.3-198)
Madison: A-R Editions, 1978.
URTEXT EDITION 
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1992 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Reccmo (2012/4/11)

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Editor N. Nakamura
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Arrangements and Transcriptions

Addfilenum[1]

Alle psallite cum luya (No.322)

For Mixed chorus, 2 Trumpets, 2 Trombones, Timpani and Organ (Rondeau)
See: Alle psallite cum luya, F-MOf H 196.322

Quant je parti

For Piano solo (Ossovskiy)

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Skfir (2014/10/8)

Arranger Stanislav Ossovskiy
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General Information

Work Title Montpellier Codex
Alternative. Title Manuscript Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, H196
Composer Various
Opus/Catalogue NumberOp./Cat. No. F-MOf H 196
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 328 pieces
Year/Date of CompositionY/D of Comp. 1250-1300 ca.
First Publication. 1300 ca.
Piece Style Medieval
Instrumentation voices
External Links Wikipedia article
DIAMM

Misc. Comments

  • The majority of the pieces in this codex are motets, but the first fascicle contains "sacred polyphony". This page has been tagged for motets, but there might be a few other tags that would be appropriate, depending on what specifically is in the first fascicle.
  • As Provençal does not have an ISO code of its own, and is a dialect of Occitan, the language tag for this is Occitan.