Come to Me (Rath Jr, Donald)

Movements/SectionsMov'ts/Sec's 4 Sections
Composition Year ca.
Genre Categories Pieces

Sheet Music

Scores

 Complete Score
#999014 - 0.06MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3×⇩ - Pudgy

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Pudgy (2025/11/2)

Publisher. Info. Donald Rath Jr
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Come to Me is a brief yet heartfelt chamber work, intimate in its tone and transparent in texture. The graceful motion of the 6/8 rhythm supports a tender melodic idea passed between the violins and guitar, while the cello and bass lend gentle warmth beneath. The piece conveys invitation and solace—music that reaches outward in quiet reassurance. Come to me is the twelfth track on the Heart Strings CD
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Parts

 Guitar
#999036 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Pudgy

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Pudgy (2025/11/2)

 Violin l
#999037 - 0.03MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - Pudgy

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Pudgy (2025/11/2)

 Violin ll
#999038 - 0.03MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2×⇩ - Pudgy

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Pudgy (2025/11/2)

 Cello
#999039 - 0.02MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5×⇩ - Pudgy

PDF typeset by composer
Pudgy (2025/11/2)

Publisher. Info. Donald Rath Jr
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del/mrg]
Misc. Notes Maintain a supple rhythmic flow with understated dynamic contour. The violins should phrase in dialogue rather than hierarchy, allowing the guitar’s arpeggiation to color each cadence. Balance carefully so the double bass provides foundation without heaviness. Come to Me is the twelfth track on the Heart Strings CD
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General Information

Work Title Come to Me
Alternative. Title
Composer Rath Jr, Donald
Internal Reference NumberInternal Ref. No. IDR 1
Key D major
Movements/SectionsMov'ts/Sec's 4 Sections
Year/Date of CompositionY/D of Comp. ca.
First Performance. 2006/12/20
First Publication. ca.
Average DurationAvg. Duration 2:05 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation guitar, 2 violins, viola, cello, double bass
Extra Information Maintain a supple rhythmic flow with understated dynamic contour. The violins should phrase in dialogue rather than hierarchy, allowing the guitar’s arpeggiation to color each cadence. Balance carefully so the double bass provides foundation without heaviness.
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