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It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus-70 years. However, it is in the public domain in Canada (where IMSLP is hosted) and other countries where the term is life-plus-50 years (such as China, Japan, Korea and many others worldwide). As this work was first published before 1928 or failed to meet notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments, it is very likely to be public domain in the USA as well.
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Performances
Naxos
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Sheet Music
Full Scores
| Editor
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First edition
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| Publisher. Info.
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Mainz: B. Schott's Söhne, No.3444, 1925. Plate 31381.
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| Copyright
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| Misc. Notes
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600 dpi
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| Purchase
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| Editor
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Arnold Werner-Jensen (1941-)
Kurt von Fischer (1913-2003)
Ludwig Finscher (1930-2020)
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| Publisher. Info.
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Mainz: B. Schott's Söhne, 1925.
Paul Hindemith: Sämtliche Werke, Band II,1 (PHA 201):
Orchesterwerke: 1916-30 (pp.135-204)
Mainz: B. Schott’s Söhne, 1987. Plate B.S.S. 43630.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Copyright
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| Misc. Notes
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600 dpi. Page size is 10.67 x 14.763 inches.
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Free Recordings
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General Information
| Work Title
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Concerto for Orchestra
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| Alternative. Title
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Konzert für Orchester
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| Name Translations
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Concerto pour orchestre; 管弦楽のための協奏曲 (ヒンデミット)
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| Composer
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Hindemith, Paul
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| Opus/Catalogue NumberOp./Cat. No.
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Op.38
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| I-Catalogue NumberI-Cat. No.
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IPH 24
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| Movements/SectionsMov'ts/Sec's
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4 Movements
- I. Mit Kraft, mäßig schnelle Viertel, ohne Pathos und stets lebendig
- II. Sehr schnelle Halbe
- III. Marsch für Holzbläser: Nicht zu langsame Viertel
- IV. Basso ostinato: Schnelle Viertel
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| Year/Date of CompositionY/D of Comp.
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1925 Spring
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| First Performance.
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1925-07-18 in Duisburg, Duisburger Musikfest
- Paul Scheinpflug (conductor)
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| First Publication.
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1925
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| Dedication
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Für Franz und Margitchen Ernst 1925
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| Average DurationAvg. Duration
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12 minutes
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| Composer Time PeriodComp. Period
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Modern
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| Piece Style
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Early 20th century
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| Instrumentation
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Orchestra: 2 flutes (both also piccolo), 2 oboes, clarinet (E♭),
clarinet (B♭), bass clarinet (B♭), 2 bassoons, contrabassoon +
3 horns (F), 2 trumpets (C), 2 trombones, bass tuba + timpani (2 drums),
percussion (3 players: snare drum, medium large drum, bass drum with cymbals, tambourine, triangle, wood block, whip ) +
strings
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| External Links
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Hindemith Foundation
Wikipedia article (French)
All Music Guide
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Navigation etc.
In instrumentation section, mentions a string quintet but also mentions not having less than 8 first violins.
- quintet: that is, 2 violin sections, viola section, cello section, bass section. Does not! mean only one of each, in an orchestral context.
