Credo, RV 592 (Vivaldi, Antonio)

Authorship Note
Bigaglia and Vivaldi's authorship (RV 592) of this work are uncertain. See Discussion for more information


Composition Year 1710-40 ca.
Genre Categories Credo; Religious works; Masses; For 4 voices, strings, continuo; For voices with strings; Scores featuring the voice; Scores featuring string ensemble; Scores with basso continuo; For 4 voices, orchestra; For voices with orchestra; Scores featuring the orchestra; Latin language; For 2 voices, organ (arr); For voices with keyboard (arr); Scores featuring the voice (arr); Scores featuring the soprano voice (arr); Scores featuring the alto voice (arr); Scores featuring the organ (arr)

Contents

Performances

Sheet Music

Parts

 Complete Parts
#464723 - 61.18MB, 44 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 125×⇩ - PMac

PDF scanned by PL-Wu
PMac (2017/3/29)

Publisher. Info. Manuscript, n.d.(ca.1750).
Copyright
Public Domain [tag/del]
Misc. Notes PL-Wu RM 5046. RISM ID no.: 300511181
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Arrangements and Transcriptions

Crucifixus

For Soprano, Alto and Organ (Marco)

 Complete Score
#669809 - 0.53MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 547×⇩ - Artaxerses

PDF typeset by arranger
Artaxerses (2021/1/31)

Arranger Lucchetti Marco (b. 1975)
Publisher. Info. Lucchetti Marco, 2021.
Copyright
Creative Commons Attribution 4.0 [tag/del]
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General Information

Work Title Credo
Alternative. Title Credo in G major
Composer Vivaldi, Antonio
Opus/Catalogue NumberOp./Cat. No. RV 592
Internal Reference NumberInternal Ref. No. IAV 225
Key G major
Year/Date of CompositionY/D of Comp. 1710-40 ca.
Language Latin
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 4 voices, 2 oboes (ad lib.), strings, continuo
External Links RISM

Navigation etc.

A manuscript copy from 18. c. of Silesian provenance, signed with Antonio Vivaldi's name. Probably of Dominican origin; today in University of Warsaw Library, PL-Wu RM 5046.
Another source (PL-Wu RM 4758) indicates Diogenio Bigaglia (Venice, ca 1676 - ca 1745) as a composer. Given the different style to Vivaldi's other works, this attribution seems more likely. Less likely attribution to Johann Adolph Hasse or Baldassare Galuppi was discussed too.
See RISM-online for details http://opac.rism.info/search?id=300511181
Edition: Piotr Maculewicz (ed.), Warsaw, Triangiel, 2003. (http://www.triangiel.com).

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