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It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus-70 years. However, it is in the public domain in Canada (where IMSLP is hosted) and other countries where the term is life-plus-50 years (such as China, Japan, Korea and many others worldwide). As this work was first published before 1928 or failed to meet notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments, it is very likely to be public domain in the USA as well. |
| Movements/SectionsMov'ts/Sec's | 7 (or 5, or 8) songs (see below) |
|---|---|
| Composition Year | 1941 (Nos.1-5), 1941-1943 (others) |
| Genre Categories | Elegies; Funeral music; Lieder; |
| Related Works | Nos.1-7 are Nos.21-27 in the Hollywood Liederbuch. |
Contents |
Complete Score
*#327754 - 3.85MB, 11 pp. - (-) - V*/C*/33* - 743×⇩ - Chelichelona
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⇒ 7 more: 1. Unter den grünen Pfefferbäumen • 2. Die Stadt ist nach den Engeln genannt • 3. Jeden Morgen mein Brot zu verdienen • 4. Hollywood (Diese Stadt hat mich belehrt) • 5. In den Hügeln wird Gold gefunden • 6. Nightmare • 7. I saw many friends (Hollywood-Elegie Nr.7)
1. Unter den grünen Pfefferbäumen
*#327755 - 0.68MB, 2 pp. - (-) - V*/C*/33* - 152×⇩ - Chelichelona
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2. Die Stadt ist nach den Engeln genannt
*#327756 - 0.40MB, 1 pp. - (-) - V*/C*/33* - 139×⇩ - Chelichelona
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3. Jeden Morgen mein Brot zu verdienen
*#327757 - 0.44MB, 1 pp. - (-) - V*/C*/33* - 102×⇩ - Chelichelona
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4. Hollywood (Diese Stadt hat mich belehrt)
*#326456 - 0.29MB, 1 pp. - (-) - V*/C*/33* - 215×⇩ - Chelichelona
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5. In den Hügeln wird Gold gefunden
*#327758 - 0.38MB, 1 pp. - (-) - V*/C*/33* - 107×⇩ - Chelichelona
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6. Nightmare
*#327759 - 0.59MB, 2 pp. - (-) - V*/C*/33* - 185×⇩ - Chelichelona
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7. I saw many friends (Hollywood-Elegie Nr.7)
*#327760 - 1.11MB, 3 pp. - (-) - V*/C*/33* - 160×⇩ - Chelichelona
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|  |
| Work Title | Die Hollywood-Elegien |
|---|---|
| Alternative. Title | |
| Composer | Eisler, Hanns |
| I-Catalogue NumberI-Cat. No. | IHE 41 |
| Movements/SectionsMov'ts/Sec's | 7 (or 5, or 8) songs (see below) |
| Year/Date of CompositionY/D of Comp. | 1941 (Nos.1-5), 1941-1943 (others) |
| First Publication. | 1956 (No.4), 1957 (others) |
| Librettist | Bertolt Brecht (1898-1956) |
| Language | German, English (No.7) |
| Composer Time PeriodComp. Period | Early 20th century |
| Piece Style | Modern |
| Instrumentation | Voice, piano |
| Related Works | Nos.1-7 are Nos.21-27 in the Hollywood Liederbuch. |
There are multiple collections named Hollywood-Elegien. Originally, Eisler set 5 of Brecht's texts as 5 Hollywood-Elegien; in the next two years, he added two more. These seven are found back-to-back in his Hollywood Liederbuch. It appears as though some later publications included one more song ("The rat men"), and rearranged the numbering of others. At this point, I can't determine whether this later version is Eisler's definitive numbering and collection, or whether it's an editorial choice. To further complicate matters, the volumes from which these pieces were scanned collect Nos. 1-3 and 5-7 as Die Hollywood-Elegien, and publish No.4 separately. As it is, on this page seven Hollywood elegies are in the order they appear in his Hollywood Liederbuch.
