Ecclesiodiae (Walliser, Christoph Thomas)

Movements/SectionsMov'ts/Sec's 50 psalms
First Publication 1614
Genre Categories Psalms; Religious works; Motets; For 4 voices; For unaccompanied voices; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; For 5 voices; For 6 voices; For treble, alto, tenor, bass instruments; Scores with open instrumentation; For 4 players; For 5 instruments; For 5 players; For 6 instruments; For 6 players; German language

Sheet Music

Parts

 Altus
#558693 - 17.70MB, 102 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 18×⇩ - Fynnjamin

PDF scanned by D-Dl
Fynnjamin (2019/1/27)

 Tenor
#558694 - 18.51MB, 109 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 9×⇩ - Fynnjamin

PDF scanned by D-Dl
Fynnjamin (2019/1/27)

 Quinta Vox
#558695 - 16.30MB, 95 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 10×⇩ - Fynnjamin

PDF scanned by D-Dl
Fynnjamin (2019/1/27)

Publisher. Info. Strasbourg: Paul Ledertz, 1614.
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title Ecclesiodiae
Alternative. Title Ecclesiodiae, das ist Kirchen Gesäng. Nemblich die gebräuchlichsten Psalmen Davids, so nicht allein viva voce, sondern auch zu Musicalischen Instrumenten Christlich zugebrauchen. Mit 4. 5. und 6. Stimmen componirt
Composer Walliser, Christoph Thomas
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 50 psalms:
  1. Psalm I - 5 voices
  2. Gloria to Psalm I - 6 voices
  3. Psalm III - 4 voices
  4. Psalm XII [1st setting] - 4 voices
  5. Gloria to Psalm XII - 5 voices
  6. Psalm XII [2nd setting] - 6 voices
  7. Gloria to Psalm XIII - 5 voices
  8. Psalm XIV - 5 voices
  9. Gloria to Psalm XIV - 5 voices
  10. Psalm XV - 5 voices
  11. Psalm XXIII - 5 voices
  12. Gloria to Psalm XXIII - 6 voices
  13. Psalm XXXI - 5 voices
  14. Gloria to Psalm XXXI - 5 voices
  15. Psalm XXXVII - 5 voices
  16. Psalm XLVI - 5 voices
  17. Gloria to Psalm XLVI - 5 voices
  18. Psalm LI [1st setting] - 5 voices
  19. Psalm LI [2nd setting] - 5 voices
  20. Psalm LI [3rd setting] - 5 voices
  21. Psalm LIII - 5 voices
  22. Psalm LXVII [1st setting] - 4 voices
  23. Psalm LXVII [2nd setting] - 6 voices
  24. Psalm LXXI - 5 voices
  25. Psalm LXXIII - 5 voices
  26. Psalm LXXIX - 5 voices
  27. Psalm CIII - 5 voices
  28. Psalm CX - 5 voices
  29. Psalm CXIV - 5 voices
  30. Psalm CXVII [1st setting] - 4 voices
  31. Psalm CXVII [2nd setting] - 6 voices
  32. Psalm CXIX - Es sind doch selig alle die - 5 voices
  33. Psalm CXIX - Hilff Herre Gott dem deinen Knecht - 5 voices
  34. Psalm CXXIV - Wer Gott nit mit uns dise Zeit [1st setting] - 5 voices
  35. Psalm CXXIV - Wer Gott nit mit uns dise Zeit [2nd setting] - 6 voices
  36. Psalm CXXIV - Wo Gott der Herr nicht bey uns helt [1st setting] - 5 voices
  37. Psalm CXXIV - Wo Gott der Herr nicht bey uns helt [2nd setting] - 6 voices
  38. Psalm CXXV - 5 voices
  39. Gloria to Psalm CXXV - 5 voices
  40. Psalm CXXVII - 5 voices
  41. Psalm CXXVIII [1st setting] - 5 voices
  42. Psalm CXXVIII [2nd setting] - 5 voices
  43. Psalm CXXX [1st setting] - 5 voices
  44. Gloria to Psalm CXXX - 5 voices
  45. Psalm CXXX [2nd setting] - 6 voices
  46. Psalm CXXX [3rd setting] - 4 voices
  47. Gloria to Psalm CXXX - 5 voices
  48. Psalm CXXXIII - 5 voices
  49. Psalm CXXXVII - 5 voices
  50. Psalm CXXXIX - 5 voices
First Publication. 1614
Language German
Dedication the 7 churches in Strasbourg
Composer Time PeriodComp. Period Baroque
Piece Style Renaissance
Instrumentation 4-6 voices or instruments
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