Flute Sonata in C major, RV 48 (Vivaldi, Antonio)

This work is probably not by Vivaldi; see Comments, below

Movements/SectionsMov'ts/Sec's	4 movememts 1. Affetuoso 2. Allegro assai 3. Larghetto 4. Allegro
Genre Categories	Sonatas; For flute, continuo; Scores featuring the flute; Scores with basso continuo; For 1 player with continuo; For flute, piano (arr); Scores featuring the piano; For 2 players

1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Scores
- 2.2 Arrangements and Transcriptions
  - 2.2.1 For Flute and Piano
3 General Information
4 Misc. Comments

Performances

Naxos

Javascript not enabled.

Sheet Music

Scores

Complete Score
*#420424 - 4.49MB, 5 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 281×⇩ - Feduol

PDF scanned by Unknown
Feduol (2016/4/23)

Publisher. Info.	Manuscript, n.d.
Copyright	Public Domain [tag/del]
Purchase	Javascript is required for this feature.

Arrangements and Transcriptions

For Flute and Piano

Score and Flute part
*#17425 - 0.57MB, 13 pp. - 0.0/10 2 4 6 8 10 (-) - C/V/C - 25803×⇩ - Aldona Jones

PDF scanned by Unknown
Aldona Jones (2008/6/22)

Publisher. Info.	Unidentified Publisher, n.d.(ca.1920).
Copyright	Public Domain [tag/del]
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title	Flute Sonata in C major
Alternative. Title	Sonata a Traversa Solo
Composer	Vivaldi, Antonio
Opus/Catalogue NumberOp./Cat. No.	RV 48
I-Catalogue NumberI-Cat. No.	IAV 250
Movements/SectionsMov'ts/Sec's	4 movememts 1. Affetuoso 2. Allegro assai 3. Larghetto 4. Allegro
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	flute, continuo

Misc. Comments

According to Federico Maria Sardelli, in his book Vivaldi's Music for Flute and Recorder (Ashgate 2007), this sonata "would appear to be an adaptation for flute, made in England, of a work for violin attributable either to Vivaldi or to Bigaglia -- or, alternatively, a collage in which 'authentic' portions of music by one of these composers have been joined to other portions that are the handiwork of the anonymous transcriber. The preservation of the work in only one source makes further deductions impossible, but even if it should be shown at a future stage that this manuscript is based on an authentic Vivaldi sonata, it clearly represents a corrupted version of the parent work." (pp.69-70)

Contents