| Movements/SectionsMov'ts/Sec's | 9 pieces |
|---|---|
| Composition Year | 1984-86 |
| Genre Categories | Pieces; For piano left hand; Scores featuring the piano; |
Contents |
No.1 (Love)
*#887784 - 0.14MB, 4 pp. - (-) - !N/!N/!N - 50×⇩ - Pseudotonal
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Pseudotonal (2023/12/11)
⇒ 8 more: No.2 (Joy) • No.3 (Peace) • No.4 (Patience) • No.5 (Kindness) • No.6 (Goodness) • No.7 (Faithfulness) • No.8 (Gentleness) • No.9 (Self Control)
No.2 (Joy)
*#887785 - 0.29MB, 6 pp. - (-) - !N/!N/!N - 27×⇩ - Pseudotonal
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Pseudotonal (2023/12/11)
No.3 (Peace)
*#887786 - 0.09MB, 3 pp. - (-) - !N/!N/!N - 23×⇩ - Pseudotonal
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Pseudotonal (2023/12/11)
No.4 (Patience)
*#887787 - 0.11MB, 5 pp. - (-) - !N/!N/!N - 21×⇩ - Pseudotonal
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Pseudotonal (2023/12/11)
No.5 (Kindness)
*#887788 - 0.13MB, 4 pp. - (-) - !N/!N/!N - 23×⇩ - Pseudotonal
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Pseudotonal (2023/12/11)
No.6 (Goodness)
*#887789 - 0.16MB, 7 pp. - (-) - !N/!N/!N - 19×⇩ - Pseudotonal
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Pseudotonal (2023/12/11)
No.7 (Faithfulness)
*#887790 - 0.14MB, 3 pp. - (-) - !N/!N/!N - 18×⇩ - Pseudotonal
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Pseudotonal (2023/12/11)
No.8 (Gentleness)
*#887791 - 0.17MB, 4 pp. - (-) - !N/!N/!N - 20×⇩ - Pseudotonal
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Pseudotonal (2023/12/11)
No.9 (Self Control)
*#887792 - 0.15MB, 5 pp. - (-) - !N/!N/!N - 21×⇩ - Pseudotonal
PDF typeset by composer
Pseudotonal (2023/12/11)
|
| Work Title | Fruit of the Spirit |
|---|---|
| Alternative. Title | |
| Composer | Drehmer, Earl Richard |
| Internal Reference NumberInternal Ref. No. | None [force assignment] |
| Movements/SectionsMov'ts/Sec's | 9 pieces |
| Year/Date of CompositionY/D of Comp. | 1984-86 |
| First Performance. | 2011/05/30 |
| First Publication. | 2011 |
| Average DurationAvg. Duration | 32 minutes |
| Composer Time PeriodComp. Period | Modern |
| Piece Style | Modern |
| Instrumentation | piano left hand |
| Extra Information | left hand only pieces |
"But the fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self control. Against such things there is no law" Galatians 5:22-23
While studying music composition in school I had a motorcycle accident and broke my right wrist. I couldn't do any writing or piano playing for months. That gave me the idea to compose these pieces for the left hand only. As a whole, they utilize 3 musical materials: chromaticism; intervals of the perfect fourth; and second inversion major chords. Not every one of them uses all three.