Fugue in G minor (Rimsky-Korsakov, Nikolay)

Composition Year 1875–76 ?
Genre Categories Fugues; For piano; Scores featuring the piano; For 1 player; For 3 recorders (arr); For 3 players (arr); Scores featuring the recorder (arr)

Contents

Performances

Recordings

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Synthesized/MIDI

For 3 Recorders (Kemp)

 Synthesized Performance
#725163 - 1.57MB - 1:50 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 27×⇩ - MP3 - Dadvid

MP3 file (audio)
Dadvid (2021/8/17)

Publisher Info. David Kemp, 2021.
Performers Synthesized MIDI
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes Transcribed for Recorders - 1 Alto 1 Tenor 1 Bass
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Sheet Music

Scores

 Complete Score
#69266 - 0.09MB, 2 (#198-199) pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 2338×⇩ - Guifre

PDF scanned by Unknown
Guifre (2010/6/28)

Editor Nestor Zagorny (1887–1969)
Publisher. Info. Complete Collected Works (Полное собрание сочинений), Vol.49A.
Moscow: Muzgiz, 1959. Plate M. 27401 Г.
Reprinted Russian Piano Music (Русская фортепианная музыка), vol.4
Moscow, Muzyka, 1988, Plate 13901.
Copyright
Public Domain [tag/del]
Misc. Notes See comments below.
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Arrangements and Transcriptions

For 3 Recorders (Kemp)

 Complete Score
#725162 - 0.23MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 121×⇩ - Dadvid

PDF typeset by arranger
Dadvid (2021/8/17)

Arranger David Edward Kemp (b. 1948)
Publisher. Info. David Edward Kemp, 2021.
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes Transcribed for Recorders - 1 Alto 1 Tenor 1 Bass
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General Information

Work Title Fugue
Alternative. Title
Composer Rimsky-Korsakov, Nikolay
I-Catalogue NumberI-Cat. No. INR 17
Key G minor
Year/Date of CompositionY/D of Comp. 1875–76 ?
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Piano

Navigation etc.

I guess this work must belong to one of those albums of fugues the Composer left without opus number. It does not belong to Op.10 nor to Op.17.
Another thing is that in this edition (Russkaia fortepiannaia muzyka), that work was presented alone, not between other fuges, as the previous pages (#198 and before) are for Op.15 and the following ones (from #200 on) are for Op.11.

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