Gianni di Parigi (Donizetti, Gaetano)

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Caprotti (2011/8/11)

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Caprotti (2011/8/11)

Publisher. Info. Autograph manuscript, n.d.(1828?).
Copyright
Misc. Notes Biblioteca Conservatorio S.Pietro a Majella
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Caprotti (2011/8/11)

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Caprotti (2011/8/11)

Publisher. Info. Manuscript copy, n.d.
Copyright
Misc. Notes Biblioteca Conservatorio S.Pietro a Majella
Prepared for Naples performance (1846)
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Caprotti (2011/8/11)

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Caprotti (2011/8/11)

Publisher. Info. Manuscript, n.d.(ca.1860).
Copyright
Misc. Notes Biblioteca Conservatorio S.Pietro a Majella
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Caprotti (2011/8/11)

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Caprotti (2011/8/11)

Publisher. Info. Manuscript, n.d.
Copyright
Misc. Notes Biblioteca Conservatorio S.Pietro a Majella
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Іоахимъ (2019/8/25)

Publisher. Info. Holograph manuscript, n.d.(ca.1800-48).
Copyright
Misc. Notes Bergamo, Archivio del Museo donizettiano, BG0385.
Just one page of music. "Orchestral fragment with the words 'va via buffone'. This would suggest L'elisir d'amore" (Allitt). However, this is text from Gianni di Parigi (act I, scene 7), dialogue between Siniscalco and Pedrigo. The full text is: "Va via buffone — Dopo il pranzo — Sorti presto dalla porta o dal balcone — La gen[til]".
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General Information

Work Title Gianni di Parigi
Alternative. Title
Name Translations Párizsi János; Gianni Pariisist
Authorities WorldCat; Wikipedia; VIAF: 184936773; LCCN: no2004016692; GND: 300880944; BNF: 16303287p
Composer Donizetti, Gaetano
Opus/Catalogue NumberOp./Cat. No. A 31 ; In.36
I-Catalogue NumberI-Cat. No. IGD 39
Movements/SectionsMov'ts/Sec's 2 acts
Year/Date of CompositionY/D of Comp. 1828-30
First Performance. 1839-09-10 – Milan, Teatro alla Scala
Librettist Felice Romani (1788–1865), after Claude de Saint-Just (1768–1826)
Language Italian
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: Princess of Navarra (soprano), Il gran siniscalco (bass), Gianni di Parigi (tenor), Pedrigo (bass), Lorezzo (mezzo-soprano), Oliviero (contralto) + mixed chorus (SATB)
Orchestra
External Links Wikipedia
Extra Information Composed for Naples (1828-30) but not performed there; slightly altered version for the first performance in Milan (1839); the present scores refer to later perfomances in Naples