Há Quem Resista? (Albano da Conceição, Levino)

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Contents

Performances

Recordings

MP3 file (audio)
Kennedy Violão (2022/11/27)

Publisher Info. Há Quem Resista?, 2025.
Performers Levino da Conceição (Guitar)
Copyright
Misc. Notes Original recording, made by Levino da Conceição in 1925, under Odeon Disc: R122926. In this performance, his virtuosity is evident.
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TN-PMLP1297294-2 - Há quem resista - Levino da Conceição 122926-6147.jpg

Synthesized/MIDI

MP3 file (audio)
Kennedy Violão (2022/11/27)

Publisher Info. Há Quem Resista?, 2021.
Performers Guitar (Musescore 3.0)
Copyright
Misc. Notes Attention: This audio file was generated in Musescore 3.0, just for reference.
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TN-PMLP1297294-Há Quem Resista - Levino Albano-6792.jpg

Sheet Music

Scores

PDF scanned by Francisco Soares
Kennedy Violão (2022/11/27)

Copyist Francisco Soares de Souza (b. 1905)
Publisher. Info. Manuscript, 1942?.
Copyright
Misc. Notes This piece was copied by the Brazilian guitarist and composer Francisco Soares de Souza, around the 1940s. Francisco Soares was a friend of Levino da Conceição.
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PDF typeset by Kennedy Cirino
Kennedy Violão (2022/11/27)

Editor Nícolas Porto Silva (b. 1998)
Kennedy Cirino
Publisher. Info. Tribute edition, 2021.
Copyright
Misc. Notes This version was transcribed by Nícolas Porto Silva, from the original recording, made by Levino da Conceição in 1925.
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PDF typeset by Andrey Nosov
Kennedy Violão (2022/11/27)

Editor Francisco Soares de Souza (b. 1905)
Andrey Nosov (b. 1970)
Publisher. Info. Andrey Nosov, 2004?.
Copyright
Misc. Notes This version is based on the manuscript by the original copyist, Francisco Soares de Souza.
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General Information

Work Title Há Quem Resista?
Alternative. Title
Composer Albano da Conceição, Levino
I-Catalogue NumberI-Cat. No. ILA 11
Key D major
First Publication. 1925?
Average DurationAvg. Duration 4 minutes
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation guitar
Extra Information It is a humorous Tango. Here, we can see a characteristic piece full of effects that were very common at the time it was composed. Levino da

Conceição recorded this piece in 1925.