Number | Title | Subtitle | Composer | Publication Date | Piano Volume | Notes |
---|---|---|---|---|---|---|
1 | Grand March | Processions, pageants etc. | Finck | 1922 | 1 | |
2 | Graceful Dance | Various light scenes | Finck | 1922 | 1 | |
3 | Humoresque | Miscellaneous light episodes | Finck | 1922 | 1 | |
4 | Hurry | General use, comic scenes etc. | Finck | 1922 | 1 | |
5 | Dramatic Love Scene | Finck | 1922 | 1 | ||
6 | Children's March | Playful scenes | Finck | 1922 | 1 | date for score/parts, piano arrangement is entitled Miniature March |
7 | Conversational | Drawing room or quiet neutral scenes | Howgill | 1922 | 2 | date for score/parts/piano arr., published under the pseudonym Frederic Noyes |
8 | Light Agitato | For scenes of excitement, anxiety, unrest, fear and impending danger | Howgill | 1922 | 2 | date for score/parts/piano arr., published under the pseudonym Frederic Noyes |
9 | Jollifications | For inn, bar, and all scenes of gaiety | Howgill | 1922 | 2 | date for score/parts/piano arr., published under the pseudonym Frederic Noyes |
10 | Agitato | For riots, fights and escapes | Howgill | 1922 | 2 | date for score/parts/piano arr., published under the pseudonym Frederic Noyes |
11 | Dramatic Finale | For denouncements and passionate scenes | Howgill | 1922 | 2 | published under the pseudonym Frederic Noyes |
12 | Heavy Agitato | For fights and struggles | Howgill | 1922 | 2 | date for score/parts/piano arr., published under the pseudonym Frederic Noyes |
13 | A Simple Love Episode | Haines | 1922 | 3 | ||
14 | Orientale | For Eastern scenes with a gay interlude | Haines | 1922 | 3 | date for score/parts/piano arr. Piano arr. published under the title Oriental |
15 | Comedy Allegro | One-Step (with effects) Especially suitable for final ballroom dance | Haines | 1922 | 3 | piano arr. published under the title Don't Miss the Train |
16 | Storm or Fire Music | Haines | 1922 | 3 | ||
17 | Sad Thoughts | Slightly agitato | Haines | 1922 | 3 | piano arr. published under the title Plaintive-Romantic |
18 | Mysterioso | Death, Funeral Processions, etc. | Haines | 1922 | 3 | piano arr. published under the title Burglary Scenes |
19 | Pathetic Melody | Borch | 1922 | 4 | date for score/parts | |
20 | Agitato | Borch | 1922 | 4 | date for score/parts | |
21 | Passionato | Borch | 1922 | 4 | date for score/parts | |
22 | A Pathetic Story | Borch | 1922 | 4 | date for score/parts | |
23 | Enigma | Stealthy, mysterious | Borch | 1922 | 4 | date for score/parts |
24 | Mysterious March | Borch | 1922 | 4 | date for score/parts | |
25 | Passion | Borch | 1923 | 5 | date for score/parts/piano arr. | |
26 | Triste convoi | Borch | 1923 | 5 | date for score/parts/piano arr. | |
27 | Enchantress | Borch | 1923 | 5 | date for score/parts/piano arr. | |
28 | Agitation | Borch | 1923 | 5 | date for score/parts/piano arr. | |
29 | Amour déçu | Borch | 1923 | 5 | date for score/parts/piano arr. | |
30 | Dans les bois | Borch | 1923 | 5 | date for score/parts/piano arr. | |
31 | Broken Hearts | For emotion, passion and pathos | Somerville | 6 | ||
32 | Smiles | For comedy and humour | Somerville | 6 | ||
33 | A Dance Measure | For gaiety and merry-making | Somerville | 6 | ||
34 | Moments of Tenderness | For love and sentiment | Somerville | 6 | ||
35 | Caprice | For pleasantry and cajolery | Somerville | 6 | ||
36 | Storm and Strife | For storm, battle and excitement | Somerville | 1924 | 6 | date for score/parts |
37 | A Street in Algiers | Ansell | 1925 | 7 | date for score/parts/piano arr. | |
38 | In Pekin | Ansell | 1925 | 7 | date for score/parts/piano arr. | |
39 | Arab Dance | Ansell | 1925 | 7 | date for score/parts/piano arr. | |
40 | In a Japanese Garden | Ansell | 1925 | 7 | date for score/parts/piano arr. | |
41 | The Indian Juggler | Ansell | 1925 | 7 | date for score/parts/piano arr. | |
42 | Egyptian Dance | Ansell | 1925 | 7 | date for score/parts/piano arr. | |
43 | Skaters Galop | P. Fahrbach | 1925 | 8 | arranged by Aubrey Winter | |
44 | Comedy Galop | P. Fahrbach | 1925 | 8 | arranged by Aubrey Winter | |
45 | Military Galop | Ch. Barthmann | 1925 | 8 | arranged by Aubrey Winter | |
46 | Kiddy-Galop | C. Latann | 1925 | 8 | arranged by Aubrey Winter | |
47 | Aeroplane Galop | Lamothe | 1925 | 8 | arranged by Aubrey Winter | |
48 | Mounted Police | Charles Le Thiere | 1925 | 8 | arranged by Aubrey Winter | |
49 | Dramatic Andante | For scenes of grief and deep emotion | Howgill | 9 | published under the pseudonym Frederic Noyes | |
50 | Sorrow | For partings and scenes of grief, or can be used as an Irish theme | Howgill | 9 | published under the pseudonym Frederic Noyes | |
51 | Light Agitato | For scenes of fear, unrest and mental agitation | Howgill | 9 | published under the pseudonym Frederic Noyes | |
52 | Dramatic Tension | For scenes of suppressed emotion and pleading | Howgill | 9 | published under the pseudonym Frederic Noyes | |
53 | Pathetique | For scenes of deep sorrow | Howgill | 9 | published under the pseudonym Frederic Noyes | |
54 | Dramatic Finale | For Denouements and heavy dramatic scenes | Howgill | 9 | published under the pseudonym Frederic Noyes | |
55 | The Ambush | For fights and struggles | Edouard Patou | 1925 | 10 | |
56 | A Vain Hope | For Mysterious Agitation | Edouard Patou | 1925 | 10 | |
57 | Desolation | For scenes of extreme unhappiness, brooking, and despair | Edouard Patou | 1925 | 10 | |
58 | Flick and Flock | For crowds, bustle and excitement | Edouard Patou | 1925 | 10 | |
59 | The Sacrifice | For tragic scenes | Edouard Patou | 1925 | 10 | |
60 | Catastrophe | For Denouements and Heavy Dramatic Scenes | Edouard Patou | 1925 | 10 | |
61 | Joys of Innocence | Pastorale Prelude | Fletcher | 1926 | 11 | Six Cameos for a Costume Comedy, date for score/parts/piano arr. |
62 | Powder and Patches | Courtly Measure | Fletcher | 1926 | 11 | Six Cameos for a Costume Comedy, date for score/parts/piano arr. |
63 | Love's Awakening | Tender Melody | Fletcher | 1926 | 11 | Six Cameos for a Costume Comedy, date for score/parts/piano arr. |
64 | Treachery and Vengeance | Malicious Episode | Fletcher | 1926 | 11 | Six Cameos for a Costume Comedy, date for score/parts/piano arr. |
65 | A Song of Supplication | Plaintive Theme | Fletcher | 1926 | 11 | Six Cameos for a Costume Comedy, date for score/parts/piano arr. |
66 | Gay Gallantry | Pageant Dance or Ceremonial Reception | Fletcher | 1926 | 11 | Six Cameos for a Costume Comedy, date for score/parts/piano arr. |
67 | Elegance | Clutsam | 1926 | 12 | date for score/parts | |
68 | Love-Motive | Clutsam | 1926 | 12 | date for score/parts | |
69 | Afterglow | Clutsam | 12 | |||
70 | Pastime | Clutsam | 12 | |||
71 | Appassionata | Clutsam | 12 | |||
72 | Processional | Clutsam | 12 | |||
73 | A Breezy Evening | On Shore | Howgill | 13 | Nautical themes | |
74 | Farewell | Howgill | 13 | Nautical themes | ||
75 | Fun on Deck | Howgill | 13 | Nautical themes | ||
76 | The Naval Review | Howgill | 13 | Nautical themes | ||
77 | In Love | Howgill | 13 | Nautical themes | ||
78 | Leaving Port | Homeward Bound | Howgill | 13 | Nautical themes | |
79 | The Accusation | Dramatic finale | Edouard Patou | 14 | ||
80 | The Tragic Discovery | Dramatic andante | Edouard Patou | 14 | ||
81 | The Joy Riders | Hurry | Edouard Patou | 14 | ||
82 | The Rebellion | Agitation | Edouard Patou | 14 | ||
83 | Lost Happiness | For sad love scenes | Edouard Patou | 14 | ||
84 | The Scandal Mongers | For gossip scenes | Edouard Patou | 14 | ||
85 | Witty Witch | Misterioso | Finck | 15 | Six Humorisms | |
86 | Jocoso | Comedy galop | Finck | 1927 | 15 | Six Humorisms, date for score/parts |
87 | Giggles and Chuckles | One Step | Finck | 1927 | 15 | Six Humorisms, date for score/parts |
88 | A Ticklish Tale | One Step | Finck | 1927 | 15 | Six Humorisms, date for score/parts |
89 | The Toy Bandit | Allegro vivo | Finck | 15 | Six Humorisms | |
90 | A Rustic Race | Finck | 15 | Six Humorisms | ||
91 | The Shepherd | Borch | 1927 | 16 | date for score/parts/piano arr. | |
92 | Infernal Witch | Borch | 1927 | 16 | date for score/parts/piano arr. | |
93 | Prayer | Borch | 1927 | 16 | date for score/parts/piano arr. | |
94 | Love Scene | Borch | 1927 | 16 | date for score/parts/piano arr. | |
95 | Religious Scene | Borch | 1927 | 16 | date for score/parts/piano arr. | |
96 | Frolic | For Happiness and Fun | Borch | 1927 | 16 | date for score/parts/piano arr. |