Movements/SectionsMov'ts/Sec's | 2 movements:
|
---|---|
Composition Year | 1991 |
Genre Categories | Pieces; For horn, cello, 2 pianos; Scores featuring the horn; |
Contents |
1. Aeolus, god of the winds
*#252723 - 4.52MB - 2:28 - -) ( - !N/!N/!N - 152×⇩ - MP3 - rhymesandchymes
MP3 file (audio)
rhymesandchymes (2012/9/29)
2. Toward a distant shore
*#252724 - 10.53MB - 5:45 - -) ( - !N/!N/!N - 83×⇩ - MP3 - rhymesandchymes
MP3 file (audio)
rhymesandchymes (2012/9/29)
|
Complete Score
*#195342 - 2.41MB, 21 pp. - -) (- !N/!N/!N - 390×⇩ - rhymesandchymes
PDF scanned by Paul Hawkins
rhymesandchymes (2012/3/30)
|
Work Title | Hymns |
---|---|
Alternative. Title | |
Composer | Fine, Vivian |
I-Catalogue NumberI-Cat. No. | IVF 31 |
Movements/SectionsMov'ts/Sec's | 2 movements:
|
Year/Date of CompositionY/D of Comp. | 1991 |
Average DurationAvg. Duration | 8 1/2 miinutes |
Composer Time PeriodComp. Period | Modern |
Piece Style | Modern |
Instrumentation | 2 pianos, horn, cello |
A hymn…originally meant a form of “woven” or “spun” speech. Although the etymology is not Greek but Asiatic, the word derives from a Greek word for weaving, hyphainein.
The idea of weaving reflects Fine's tendency to self-borrow. The first movement is from Poetic Fires and the second incorporates patterning and sketches from Drama's Jealousy. Fine stated that since compositions were often heard only once, she had no objections to rewriting for different instrumentation.