Incipit lamentatio Jeremiæ (Victoria, Tomás Luis de)

Movements/SectionsMov'ts/Sec's	4 sections Incipit lamentatio Jeremiæ prophetæ. Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte à 3 (SSA) Jerusalem. Convertere ad Dominum Deum tuum à 5 (SSATB)
First Publication	1585 in Officium Hebdomadæ Sanctæ (No.4)
Genre Categories	Lamentations; For 4 voices; For unaccompanied voices; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the bass voice; For 5 voices; Scores featuring the tenor voice; Latin language

Sheet Music

Complete Score
*#410326 - 1.61MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 187×⇩ - PML

PDF scanned by PL-LZu
PML (2016/2/8)

Editor	Felipe Pedrell (1841–1922)
Publisher. Info.	Opera Omnia, Vol.5 (pp.122–125) Leipzig: Breitkopf und Härtel, 1908. Plate V.W.V.
Copyright	Public Domain [tag/del]
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Complete Score
*#410745 - 0.13MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N*/!N*/!N* - 696×⇩ - PML

PDF typeset by Nancho Alvarez
PML (2016/2/9)

Editor	Nancho Alvarez
Publisher. Info.	Nancho Alvarez
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Purchase	Javascript is required for this feature.

PDF scanned by PL-LZu
PML (2016/2/14)

Editor	Felipe Pedrell (1841–1922)
Publisher. Info.	Opera Omnia, Vol.8 (pp.14–18) Leipzig: Breitkopf und Härtel, 1913. Plate V.W.VIII.
Copyright	Public Domain [tag/del]
Misc. Notes	Clear reworking of the same music as in Victoria’s published edition.
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Work Title	Incipit lamentatio Jeremiæ
Alternative. Title	Lectio prima, Feria quinta in Cœna Domini
Composer	Victoria, Tomás Luis de
I-Catalogue NumberI-Cat. No.	ITV 50
Movements/SectionsMov'ts/Sec's	4 sections Incipit lamentatio Jeremiæ prophetæ. Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte à 3 (SSA) Jerusalem. Convertere ad Dominum Deum tuum à 5 (SSATB)
First Publication.	1585 in Officium Hebdomadæ Sanctæ (No.4)
Librettist	Biblia Vulgata, Lamentationes, chapter 1, verses 1 & 2
Language	Latin, Hebrew
Dedication	Maundy Thursday
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	SSAB with SSATB refrain

Officium Hebdomadæ Sanctæ by Tomás Luis de Victoria — 37 works for Holy Week
Palm Sunday	Maundy Thursday	Good Friday	Holy Saturday
Mass	Tenebræ
1. Pueri Hebraeorum 2. Passio secundum Matthæum 3. O Domine Jesu Christe	Nocturn I – 3 Lamentations: 4. Incipit lamentatio Jeremiæ 5. Vau. Et egressus est 6. Jod. Manum suam Nocturns II & III – 6 Responsories: 7. Amicus meus osculi me 8. Judas mercator pessimus 9. Unus ex discipulis meis 10. Eram quasi agnus innocens 11. Una hora non potuistis 12. Seniores populi	Nocturn I — 3 Lamentations: 16. Heth. Cogitavit Dominus 17. Lamed. Matribus suis dixerunt 18. Aleph. Ego vir Nocturns II & III – 6 Responsories: 19. Tamquam ad latronem 20. Tenebrae factae sunt 21. Animam meam dilectam 22. Tradiderunt me 23. Jesum tradidit impius 24. Caligaverunt oculi mei	Nocturn I – 3 Lamentations: 28. Heth. Misericordiæ Domini 29. Aleph. Quomodo obscuratum 30. Incipit oratio Jeremiæ Nocturns II & III – 6 Responsories 31. Recessit pastor noster 32. O vos omnes 33. Ecce quomodo moritur justus 34. Astiterunt reges terrae 35. Aestimatus sum 36. Sepulto Domino
	Canticle and final psalm for Tenebræ
	13. Benedictus Dominus, Deus Israel 14. Miserere mei, Deus	13. Benedictus Dominus, Deus Israel 14. Miserere mei, Deus	13. Benedictus Dominus, Deus Israel 14. Miserere mei, Deus
	Mass
	15. Tantum ergo Sacramentum	25. Passio secundum Joannem 26. Vere languores nostros 27. Popule meus, quid feci tibi?	37. Vexilla regis prodeunt