The Forest of Wild Thyme, Op.74 (Coleridge-Taylor, Samuel)

Sheet Music



PDF scanned by Aldona Jones
Aldona Jones (2008/9/18)

Editor First edition (reprint)
Publisher. Info. New York: G. Schirmer, 1911.
Reprinted Melbourne: Allans Publishing, No.606, n.d.
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PDF scanned by Sondbjo
Sondbjo (2015/12/7)

Publisher. Info. London: Ascherberg, Hopwood & Crew, 1911. Plate A.H.& C. Ltd. 5367.
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Arrangements and Transcriptions

Christmas Overture (No.5)

For Small Orchestra (Baynes)

PDF scanned by Monash Univ.
Cypressdome (2019/12/24)

Arranger Sydney Baynes (1879-1938)
Editor First edition
Publisher. Info. Boosey's Orchestral Journal, No.263
London: Boosey & Co., Ltd., 1925. Plate H. 11699.
Misc. Notes Original images: ca.150dpi, color tif (from pdf) files approx. 1360 by 1660 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. Confirmed that U.S. copyright on the arrangement was renewed in 1952 (R102930).
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For Organ (Hesse)

PDF typeset by arranger
HessiJames (2021/11/23)

Arranger Christian Hesse (b. 1982)
Publisher. Info. CAESURA, 2021.
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General Information

Work Title The Forest of Wild Thyme
Alternative. Title
Composer Coleridge-Taylor, Samuel
Opus/Catalogue NumberOp./Cat. No. Op.74
I-Catalogue NumberI-Cat. No. ISC 74
Movements/SectionsMov'ts/Sec's 5 numbers
1. Scenes from an Imaginary Ballet (5 pieces; Schirmer, 1911)
2. 3 Dream Dances (Ascherberg, 1911)
3. Intermezzo (Ascherberg, 1911)
4. Songs and Part-Songs
a. Your Heart's Desire (Boosey, 1920)
b. Little Boy Blue (unison female voices; Boosey, 1923)
c. Come In (Boosey, 1923)
d. Dreams, Dreams (unison children's voices; Boosey, 1923)
5. Christmas Overture (Boosey, 1925)
First Publication. 1911-25
Language English
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, orchestra (but see below)
Extra Information Incidental music to a play by Alfred Noyes. The play was never staged with Coleridge-Taylor's music. The composer may not have reached the point of orchestrating the music. When published numbers 1 to 4 were issued as piano scores and number 5 was issued in an orchestration by Sydney Baynes.