Introduction et la Danse de Salomée, Op.90 (Glazunov, Aleksandr)

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Publisher. Info. Leipzig: M.P. Belaieff, 1912. Plates 2950, 2953, 2998.
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Publisher. Info. Leipzig: M.P. Belaieff, 1912. Plates 2950, 2953, 2998.
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A1464.
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Parts

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14 more: Oboe 1, 2, English Horn • Clarinet 1, 2 (B♭) • Bassoon 1, 2, Contrabassoon • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (B♭) • Trombone 1, 2, 3, Tuba • Timpani • Triangle, Tambourine, Snare Drum, / Cymbals/Bass Drum, Glockenspiel • Harp • Violins I • Violins II • Violas • Cellos • Basses

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Publisher. Info. Leipzig: M.P. Belaieff, 1912.
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A1464.
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Arrangements and Transcriptions

Complete

For Piano 4 hands (Glazunov and Winkler)

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Mcroskell (2007/6/7)

Arranger Composer and Aleksandr Winkler (1865–1935)
Publisher. Info. Leipzig: M.P. Belaieff, 1912. Plates 2952-2955.
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La Danse de Salomée (No.2)

For Piano (Shcherbachyov)

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Feldmahler (2007/3/02)

Arranger Vladimir Shcherbachyov (1889-1952)
Publisher. Info. Leipzig: M.P. Belaieff, 1912. Plate 3053.
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General Information

Work Title Introduction et la Danse de Salomée
Alternative. Title Introduction and Salomée's Dance, d'après le drame "Salomé" d'Oscar Wilde
Composer Glazunov, Aleksandr
Opus/Catalogue NumberOp./Cat. No. Op.90
I-Catalogue NumberI-Cat. No. IAG 30
Key A minor (Introduction) ; F major? - D minor - A major (Danse)
Movements/SectionsMov'ts/Sec's 2 pieces:
  1. Introduction (Moderato.  = 76)
  2. La danse de Salomée (Andantino.  = 69)
First Performance. 1908-12-20, St. Petersburg
First Publication. 1912
Dedication Madame Ida Rubinstein
Average DurationAvg. Duration 15 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation orchestra
InstrDetail
piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, 2 bassoons, contrabassoon
4 horns, 2 trumpets, 3 trombones, tuba
timpani, triangle, cymbals, bass drum,
tambourine, snare drum, glockenspiel, harp, strings

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Premiere accompanied a performance of Oscar Wilde's play (either as incidental or as ballet music?). (However, in general its function seems? to be that of concert music, unless there is evidence from the composer otherwise...)