Keyboard Works (Hurlebusch, Conrad Friedrich)

Movements/SectionsMov'ts/Sec's see below
First Publication 1912
Genre Categories Pieces; Suites; Fugues; For harpsichord; Scores featuring the harpsichord; For 1 player; For organ; Scores featuring the organ

Sheet Music

Scores

 Complete Score
#256415 - 8.61MB, 102 pp. -  0.0/10 2 4 6 8 10 (-) - V/V*/V* - 1154×⇩ - Rob Peters

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Rob Peters (2012/10/29)

 Composer Portrait
#256416 - 0.91MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - V/V*/V* - 184×⇩ - Rob Peters

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Rob Peters (2012/10/29)

 Color Cover
#256417 - 3.59MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V*/V* - 126×⇩ - Rob Peters

PDF scanned by US-R
Rob Peters (2012/10/29)

Editor Max Seiffert (1868-1948)
Publisher. Info. Amsterdam: G. Alsbach, 1912. n.p.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Keyboard Works
Alternative. Title Compositioni musicali per il cembalo: divise in due parti
Composer Hurlebusch, Conrad Friedrich
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 12 pieces or suites in 2 parts
Parte prima
  1. Minuetta con (17) Variazioni in B♭ major
  2. (Suite) in C minor : Ouverture – Allemanda – Corrente – Sarabanda – Minuetta – Gavotta alternativement - Giga
  3. (Suite) in D minor : Ouverture - Allemanda – Corrente – Sarabanda – Gavotta – Minuetta - Giga
  4. Fuga in D minor
  5. Fuga in B♭ major
  6. Toccata in E minor
Parte seconda
  1. (Suite) in D major : Ouverture – Scherzo - Allemanda – Corrente – Sarabanda – Gavotta – Minuetta - Giga
  2. Sonata in F major : Vivace - Allemanda – Corrente – Sarabanda – Minuetta – Minuetta alternativement – Giga
  3. Sonata in G major : Villanella - Allemanda – Corrente – Sarabanda – Gavotta - Minuetta - Giga
  4. Fuga in D major
  5. Fuga in G major
  6. Toccata - Fuga in A major
First Publication. 1912
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation harpsichord

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The official complete books were published in Hamburg (ca. 1735) by the composer, to counter the pirate incomplete and faulty version published by Witvogel earlier in Amsterdam.

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