La tombe et la rose, S.285 (Liszt, Franz)

Movements/SectionsMov'ts/Sec's 1
Composition Year 1844
Genre Categories Lieder; Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; German language; French language; For piano (arr); For 1 player (arr); Scores featuring the piano (arr)

Contents

Performances

Sheet Music

Scores

 Complete Score (S.285) (Preview)
#59538 - 0.45MB, 4 (#60–63) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V* - 1509×⇩ - piupianissimo

PDF scanned by D-Mbs
piupianissimo (2010/3/20)

 Complete Score (S.285) (Preview)
#05600 - 0.24MB, 4 (#60–63) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V* - 839×⇩ - Funper

PDF scanned by Unknown
Funper (2007/4/30)

Editor Peter Raabe (1872–1945)
Publisher. Info. Musikalische Werke. Serie VII, Band 1
Leipzig: Breitkopf & Härtel, 1917. Plate F.L. VII 9.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome.
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Arrangements and Transcriptions

For Piano solo (Liszt)
See: No.5 of Buch der Lieder II, S.535–540

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General Information

Work Title La tombe et la Rose
Alternative. Title Das Grab und die Rose
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.285 ; LW.N26
I-Catalogue NumberI-Cat. No. IFL 375
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1844
First Publication. 1844
Librettist Victor Hugo (1802-1885), French text
Theobald Rehbaum (1835–1918), German translation
Language German / French
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voice and Piano

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Version History

  • Composed for soprano or tenor voice and piano, 1844 (= S.285)
Published 1844 by Schlesinger (Berlin)
Published 1985 by Editio Musica Budapest (Budapest)

External Links

Published in a "Buch der Lieder (Band II)" by Schlesinger in 1844. (HMB suggests 1849, but publication date of 1844 is more strongly suggested by letters of Liszt to Schlesinger from early 1844 discussed in "Liszt Letters in the Library of Congress" (2003).) These letters also suggest that he was already beginning or at least discussing the transcriptions (S.535) with Schlesinger as early as mid-1844- in fact a mid-1844 letter had it that Liszt's friend Count Bethlen was going to bring Schlesinger transcriptions of the lieder; perhaps they were not published or Liszt decided to rethink them?

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