Laudes creaturarum (Domínguez, H. Raúl)

Movements/SectionsMov'ts/Sec's	10 sections
Composition Year	2025
Genre Categories	Canticles; Religious works; Italian language; For orchestra (arr); Scores featuring the orchestra (arr)

Sheet Music

Complete Score
*#1005441 - 3.00MB, 37 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5×⇩ - Controcanto

PDF typeset by composer
Controcanto (2025/12/7)

Publisher. Info.	H. Raúl Domínguez, 2025.
Copyright	Creative Commons Attribution 4.0 [tag/del]
Misc. Notes	The instrumentation is indicative and must be adapted to the actual ensemble.
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Vocal Score
*#1005442 - 2.16MB, 28 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - Controcanto

PDF typeset by composer
Controcanto (2025/12/7)

Publisher. Info.	H. Raúl Domínguez, 2025.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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PDF typeset by Composer
Controcanto (2026/1/31)

Arranger	Composer
Publisher. Info.	H. Raúl Domínguez, 2025.
Copyright	Creative Commons Attribution 4.0 [tag/del]
Misc. Notes	This is an arrangement of the original for a specific ensemble (in my case, a Middle school orchestra), but alternatives for different groups are not only permitted but encouraged. The separate parts are available free of charge upon request.
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Work Title	Laudes creaturarum
Alternative. Title	Cantico delle creature
Composer	Domínguez, H. Raúl
Internal Reference NumberInternal Ref. No.	IHD 41
Movements/SectionsMov'ts/Sec's	10 sections
Year/Date of CompositionY/D of Comp.	2025
Librettist	Francis of Assisi (1181–1226)
Language	Italian
Average DurationAvg. Duration	20 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Medieval
Instrumentation	soprano, mezzo-soprano, children's chorus or female chorus, mixed chorus (SATB), orchestra
Extra Information	This is a version for voices and instruments of the first Italian literary text, the so-called Canticle of the Creatures by St. Francis of Assisi, which will celebrate its 800th anniversary in 2026. It is conceived to be performed in schools or by amateur groups (but it can also be considered by professional ensembles). The music respects, albeit not in an orthodox way, the style of the text's era, the 13th century, so it is perfectly suited also for early music ensembles. A composer's elaboration for large school orchestra is available in "Arrangements and Transcriptions".