The table below gives the following informaton for works by Ferruccio Busoni (where applicable):
| BV | Opus | Title | Key | Date | Scoring | Genre | Notes |
|---|---|---|---|---|---|---|---|
| BV 1 | Op.1 | Canzone | C major | 1873 | For piano | Canzoni | |
| BV 2 | Op.2 | Berceuse | C major | 1873 | For piano | Berceuses | |
| BV 3 | Op.3 | Introduzione, Tempo di Walzer e Finale | 1873 | For piano | Introductions Waltzes Finales |
||
| BV 4 | Op.4 | Cadenza-esercizio | C major | 1873 | For piano | Cadenzas Studies |
|
| BV 5 | Op.5 | Studio | G major | 1873 | For piano | Studies | |
| BV 6 | Op.6 | Tema con Variazioni | C major | 1873 | For piano | Variations | |
| BV 7 | Op.17 | Menuetto | C major | 1873 | For piano | Minuets | |
| BV 8 | Op.7 | Vergin santa benedetta Madre (Preghiera alla Madonna) | 1873 | For 2 voices, piano | Sacred songs | ||
| BV 9 | Op.8 | Marcia Funebre | C minor | 1874 | For piano | Funeral marches | |
| BV 10 | Op.9 | Romanza senza parole | C minor | 1874 | For piano | Romances | |
| BV 11 | Op.13 | Canzone populare | C major | 1874 | For piano | Canzoni | |
| BV 12 | Op.10 | Le canzone del cacciatore | C major | 1874 | For piano | Canzoni | |
| BV 13 | Op.11 | Preludio | C major | 1874 | For piano | Preludes | arranged for clarinet, piano as BV 15 |
| BV 14 | Op.14 | Scherzo | A minor | 1874 | For piano | Scherzos | |
| BV 15 | — | Preludio | C major | 1875 | For clarinet, piano | Preludes | arrangement of BV 13 |
| BV 16 | Op.12 | Inno-variato | F major | 1875 | For piano | Hymns Variations |
|
| BV 17 | Op.16 | Polka | C major | 1875 | For piano | Polkas | |
| BV 18 | Op.15 | Scherzo | B♭ major | 1875 | For piano | Scherzos | |
| BV 19 | Op.18 | Preludio | C major | 1875 | For clarinet, piano | Preludes | |
| BV 20 | Op.19 | Preludio | C major | 1875 | For piano | Preludes | |
| BV 21 | Op.20 | Preludio | C major | 1875 | For piano | Preludes | |
| BV 22 | — | Piano Sonata | D major | 1875 | For piano | Sonatas | |
| BV 23 | — | Fuga a 2 voci in stile libero | 1875 | For piano | Fugues | ||
| BV 24 | — | Studio | C major | 1875 | For piano | Studies | |
| BV 25 | — | Fuga a 3 voci | A minor | 1875 | For piano | Fugues | |
| BV 26 | — | Gavotte | D minor | 1875 | For piano | Gavottes | |
| BV 27 | — | Inno | C minor | 1875 | For piano | Hymns | |
| BV 28 | — | Studio contrappuntato | D major | 1875 | For piano | Studies | |
| BV 29 | — | Capriccio | C minor | 1875 | For piano | Capriccios | |
| BV 30 | — | Presto | C minor | 1875 | For piano | Presto | |
| BV 31 | — | Invenzione a due voci | C major | 1875 | For piano | Inventions | |
| BV 32 | — | Inno | C major | 1875 | For piano | Hymns | |
| BV 33 | — | Mandolinata | C minor | 1875 | For piano | Pieces | |
| BV 34 | — | Waltzer da concerto (Momento musicale) | C minor | 1875 | For piano | Waltzes | |
| BV 35 | — | Fuga a 3 voci | C minor | 1876 | For harmonium (or organ) | Fugues | |
| BV 36 | — | Du bist wie eine Blume | 1876 | For voice, piano | Songs | ||
| BV 37 | — | Scherzo | C minor | 1876 | For piano | Scherzos | |
| BV 38 | — | String Quartet | C minor | 1876 | For 2 violins, viola, cello | Quartets | |
| BV 39 | — | Die Abendglocke schallet | 1876 | For voice, piano | Songs | ||
| BV 40 | — | Marcia funebre | F minor | 1876 | For piano | Funeral marches | |
| BV 41 | — | Violin Sonata | C major | 1876 | For violin, piano | Sonatas | |
| BV 42 | — | String Quartet | F minor | 1876 | For 2 violins, viola, cello | Quartets | |
| BV 43 | — | Fantaisie-impromptu | C minor | 1876 | For piano | Fantasias Impromptus |
|
| BV 44 | — | Wiegenlied ("Schlafe süß in Gottes Schoß") | 1876 | For voice, piano | Lullabies | ||
| BV 45 | — | Il dolore (Romanza senza parole) | A minor | 1876 | For piano | Romances | |
| BV 46 | — | Menuetto | A minor | 1876 | For piano | Minuets | |
| BV 47 | — | Fughetta | C major | 1876 | For piano | Fughettas | |
| BV 48 | Op.3 No.3 | Gavottina | F major | 1876 | For piano | Gavottes | |
| BV 49 | — | Meditazione | D major | 1876 | For piano | Meditations | |
| BV 50 | — | Invention | C minor | 1876 | For piano | Inventions | |
| BV 51 | — | Ouverture | E major | 1876 | For orchestra | Overtures | incomplete |
| BV 52 | — | Studio | C major | 1877 | For piano | Studies | |
| BV 53 | — | Allegretto | C minor | 1877 | For piano | Allegrettos | |
| BV 54 | — | Fugue | G major | 1877 | For piano | Fugues | |
| BV 55 | — | Waise und Rose ("Wie bin ich armes Kind allein") | 1877 | For voice, piano | Songs | ||
| BV 56 | — | Deh, ci guarda benedetta | E♭ major | 1877 | For mixed chorus | Sacred choruses | |
| BV 57 | Op.6 | Piano Sonata ("No.4") | F minor | 1877 | For piano | Sonatas | incomplete |
| BV 58 | Op.7 | Piano Sonata ("No.1") | C major | 1877 | For piano | Sonatas | |
| BV 59 | — | Invenzione | D major | 1877 | For piano | Inventions | |
| BV 60 | — | Menuetto | F major | 1877 | For 2 violins, viola, cello | Minuets | |
| BV 61 | Op.8 | Piano Sonata ("No.2") | D major | 1877 | For piano | Sonatas | |
| BV 62 | — | Scherzo | F♯ minor | 1877 | For piano | Scherzos | |
| BV 63 | — | Salve decus patriarchum | 1877 | For 3 voices, harmonium | Antiphons | ||
| BV 64 | — | Preludio | E minor | 1877 | For piano | Preludes | |
| BV 65 | Op.9 | Piano Sonata ("No.3") | E minor | 1877 | For piano | Sonatas | incomplete |
| BV 66 | — | Allegro fugato | E major | 1877 | For piano | Allegros | |
| BV 67 | Op.1 | Ave Maria | 1877 | For voice, piano | Ave Maria | ||
| BV 67a | Op.1 | Ave Maria | 1878 | For voice, strings | Ave Maria | arrangement of BV 67 | |
| BV 68 | Op.2 | Salve Regina | 1877 | For voice, piano | Salve Regina | arranged for voice, strings as BV 68a | |
| BV 68a | Op.4 | Salve Regina | 1877 | For voice, strings | Salve Regina | arrangement of BV 68 | |
| BV 69 | — | Pater noster | 1877 | For voice, male chorus, piano (or harmonium) | Hymns | ||
| BV 70 | Op.31 | L'Invalido ("Ho quarant'anni per la patria") | 1877 | For voicer, piano | Ballads | ||
| BV 71 | Op.3 | Pièces (5): | 1877 | For piano | Pieces | ||
| BV 71/1 | Op.3 No.1 |
|
1877 | For piano | Preludes | ||
| BV 71/2 | Op.3 No.2 |
|
1877 | For piano | Minuets | ||
| BV 71/3 | Op.3 No.3 |
|
1877 | For piano | Gavottes | ||
| BV 71/4 | Op.3 No.4 |
|
1877 | For piano | Studies | ||
| BV 71/5 | Op.3 No.5 |
|
1877 | For piano | Gigues | ||
| BV 72 | Op.10 | Andante con moto | E minor | 1877 | For clarinet, piano | Andantes | |
| BV 73 | Op.4 | Menuetto | D minor | 1878 | For piano | Minuets | |
| BV 74 | Op.4 | Toccata | B♭ major | 1878 | For piano | Toccatas | |
| BV 75 | Op.12 | Studio | C minor | 1878 | For piano | Studies | |
| BV 76 | Op.13 | Andante ed Allegro vivace | 1878 | For 2 violins, viola, cello | Andantes Allegros |
||
| BV 77 | Op.14 | Menuetto | F major | 1878 | For piano | Minuets | |
| BV 78 | Op.15 | Preludio e Fuga | C minor | 1878 | For piano left hand | Preludes Fugues |
|
| BV 79 | Op.16 | Fuga in stile libero | F minor | 1878 | For piano | Fugues | |
| BV 80 | Op.17 | Concerto for Piano and String Quartet | D minor | 1878 | For piano, 2 violins, viola, cello | Concertos | |
| BV 81 | Op.18 | Suite campestre (5 pezzi caratteristici) | 1878 | For piano | Pieces | ||
| BV 81/1 | Op.5 |
|
1878 | For piano | Pieces | ||
| BV 81/2 | Op.6 |
|
1878 | For piano | Pieces | ||
| BV 81/3 | Op.7 |
|
1878 | For piano | Pieces | ||
| BV 81/4 | Op.8 |
|
1878 | For piano | Pieces | ||
| BV 81/5 | Op.10 |
|
1878 | For piano | Pieces | ||
| BV 82 | Op.20 | Pater noster a tre voci | 1878 | For 3 voices | Hymns | ||
| BV 83 | — | Piece | C major | 1878 | For piano | Pieces | incomplete sketches only |
| BV 84 | Op.19 | Preludio | F minor | 1878 | For piano | Preludes | |
| BV 85 | Op.21 | Preludio e Fuga | C minor | 1878 | For piano | Preludes Fugues |
|
| BV 86 | Op.22 | Tristezza ("Dimmi perchè si pallido" | 1878 | For voice, piano | Songs | ||
| BV 87 | Op.23 | Tota pulchra es Maria | 1878 | For mixed chorus | Antiphons | ||
| BV 88 | Op.10 | Suite | 1878 | For clarinet, piano | Suites | ||
| BV 89 | Op.25 | Gavotta | 1878 | For piano | Gavottes | ||
| BV 90 | Op.27 (15) | Benedicta et venerabilis es (Graduale delle Messe communi della Madonna) | 1878 | For voice, mixed chorus, organ (or piano) | Graduals | ||
| BV 91 | Op.2 | Ave Maria | 1878? | For voice, piano | Ave Maria | ||
| BV 92 | Op.28 | Rhapsodie hongroise | 1878 | For piano | Rhapsodies | ||
| BV 93 | Op.29 | Salve Regina | 1878 | For voice, piano | Salve Regina | ||
| BV 94 | Op.38 | Lied der Klage ("Die Luft ist trübe, der Wind weht kalt") | 1878 | For voice, piano | Lieder | ||
| BV 95 | Op.11 | Ave Maria (in the style of Palestrina) | 1878 | For mixed chorus | Ave Maria | ||
| BV 96 | Op.70 | Piece | 1878 | For violin, piano | Pieces | lost | |
| BV 97 | — | Rondo brilliant | 1878 | For piano | Rondos | lost | |
| BV 98 | Op.39 | Des Sängers Fluch ("Es stand in alten Zeiten") | 1878 | For voice, piano | Songs | arranged for voice, orchestra as BV 98a | |
| BV 98a | Op.39 | Des Sängers Fluch ("Es stand in alten Zeiten") | 1879 | For voice, orchestra | Songs | arrangement of BV 98 | |
| BV 99 | Op.32 | Preludio e Fuga | C minor | 1878 | For 2 pianos | Preludes Fugues |
|
| BV 100 | Op.12 | Racconti fantastici (3 pezzi caratteristici) | 1880 ca. | For piano | Character pieces | ||
| BV 100/1 | Op.12 No.1 |
|
1878–82? | For piano | Pieces | ||
| BV 100/2 | Op.12 No.2 |
|
1878–82? | For piano | Pieces | ||
| BV 100/3 | Op.12 No.3 |
|
1878–82? | For piano | Pieces | ||
| BV 101 | Op.13 (33) | Solo dramatique | B♭ minor | 1879 | For clarinet, piano | Pieces | |
| BV 102 | Op.15 (25) | Menuetto | F major | 1879 | For 2 violins, viola, cello | Minuets | |
| BV 103 | Op.34 | Missa I | 1879 | For mixed chorus | Masses | ||
| BV 104 | Op.36 | Capriccio | G minor | 1879 | For 2 pianos | Capriccios | |
| BV 105 | Op.16 | Benedicta et venerabilis es | 1879 | For mixed chorus | Graduals | ||
| BV 106 | Op.17 | Scherzo | C major | 1879 | For piano | Scherzos | |
| BV 107 | Op.41 (18) | Andantino | B♭ [major?] | 1879 | For clarinet, piano | Andantinos | |
| BV 108 | Op.42 (19) | Serenade No.2 | B♭ [major?] | 1879 | For clarinet, piano | Serenades | |
| BV 109 | Op.43 | Piece | 1879? | For piano 4 hands | Pieces | untitled | |
| BV 110 | Op.46 | Concerto | 1879 | For piano, orchestra | Concertos | incomplete (1 movement) | |
| BV 111 | Op.47 (20) | Scherzo | 1879 | For 2 violins, viola, cello | Scherzos | ||
| BV 112 | Op.48 (22) | Variationen über ein Minnesängerlied aus dem XIII. Jahrhundert | 1879 | For piano, violin | Variations | ||
| BV 113 | Op.49 (23) | Sternenlied ("Es glänzt am Himmel Stern an Stern") | 1879 | For voice, piano | Lied | ||
| BV 114 | Op.30 | Album vocale | 1884 | For voice, piano | Songs | ||
| BV 114/1 | Op.30 No.1 |
|
1884 | For voice, piano | Songs | ||
| BV 114/2 | Op.30 No.2 |
|
1884 | For voice, piano | Songs | ||
| BV 114/3 | Op.30 No.3 |
|
1884 | For voice, piano | Songs | ||
| BV 114/4 | Op.30 No.4 |
|
1884 | For voice, piano | Songs | ||
| BV 115 | Op.51 (26) | Präludium und Fuge | D minor | 1879 | For piano | Preludes Fugues |
|
| BV 116 | Op.52 (27) | Novelette | 1879 | For clarinet, piano | Pieces | ||
| BV 117 | Op.53 (28) | Scherzo | F♯ minor | 1879 | For piano | Scherzos | |
| BV 118 | Op.54 (29) | Scherzo | A mnior | 1879 | For piano | Scherzos | |
| BV 119 | Op.55 | Stabat Mater | 1879 | For mixed chorus, strings | Stabat Mater | ||
| BV 120 | Op.56 (30) | Tragische Geschichte ("Es war einer, dem's zu Herzen ging") | 1879 | For voice, piano | Songs | arranged for male chorus as BV 120a | |
| BV 120a | Op.56 (30) | Tragische Geschichte ("Es war einer, dem's zu Herzen ging") | 1880s? | For male chorus | Songs | arrangement of BV 120 | |
| BV 121 | Op.57 (31) | Lieb Liebchen, leg's Händchen aufs Herze mein | 1879 | For voice, piano | Songs | ||
| BV 122 | Op.59 (33) | Es fiel ein Reif in der Frühlingsnacht | 1879 | For voice, piano | Songs | ||
| BV 123 | Op.60 (34) | Märchen | 1879 | For cello (or clarinet), piano | Pieces | ||
| BV 124 | Op.61 | Menuetto capriccioso | C major | 1879 | For piano | Minuets | |
| BV 125 | — | Introduzione e Capriccio | 1879 | For 2 pianos | Introductions Capriccios |
lost | |
| BV 126 | Op.11 | Danze antiche | 1879 | For piano | Dances | ||
| BV 126/1 | Op.26 (12) |
|
1879 | For piano | Minuets | ||
| BV 126/2 | Op.62 (35) |
|
1879 | For piano | Gavottes | ||
| BV 126/3 | Op.63 (36) |
|
1879 | For piano | Gigues | ||
| BV 126/4 | Op.10 |
|
1879 | For piano | Bourrees | ||
| BV 127 | Op.64 | Kyrie | 1879 | For mixed chorus | Kyrie | ||
| BV 128 | — | Ouverture | E major | ? | For piano 4 hands | Overtures | arrangement of BV 51(?); incomplete |
| BV 129 | — | Andante | ? | For piano | Andantes | ||
| BV 130 | — | Moderato | ? | For piano | Moderatos | incomplete | |
| BV 131 | — | Andante con moto (dietro l'antico stile) | B♭ major | ? | For piano | Andantes | |
| BV 132 | — | Piece | B minor | ? | For piano | Pieces | incomplete |
| BV 133 | — | Piece | D minor | ? | For piano | Pieces | incomplete |
| BV 134 | — | Andante e Tarantella | C minor | ? | For piano | Andantes Tarantellas |
|
| BV 135 | — | String Quartet | F minor | 1880? | For 2 violins, viola, cello | Quartets | |
| BV 136 | — | Allegretto | D♭ major | 1880? | For 2 violins, viola, cello | Allegrettos | |
| BV 137 | — | Andante sostenuto and Allegro vivace | C minor | ? | For 2 violins, viola, cello | Andantes Allegros |
|
| BV 138 | — | Clarinet Sonata | D major | ? | For clarinet, piano | Sonatas | |
| BV 139 | — | Novellett (Allegro vivace) | C minor | ? | For clarinet, piano | Pieces | |
| BV 140 | — | Piece | B♭ major | ? | For clarinet, piano | Pieces | incomplete; untitled |
| BV 141 | — | Andante maestoso | ? | For orchestra | Andantes | incomplete | |
| BV 142 | — | Non torna più | ? | For voice, piano | Songs | incomplete sketches only | |
| BV 143 | — | Mein Herz gleicht dem Meere | ? | For voice, piano | Songs | ||
| BV 144 | — | Espère enfant demain | 1880? | For voice, piano | Songs | ||
| BV 145 | — | Preghiera alla Madonna ("Vergin santa benedetta Madre") | ? | For mixed chorus | Sacred songs | incomplete sketches only | |
| BV 146 | — | Gloria | 1880 | For mixed chorus | Glorias | ||
| BV 147 | Op.65 | Das Erkennen | 1880 | For voice, piano | Songs | sketches only | |
| BV 148 | Op.67 | Ave Maria | ? | For voice, strings | Ave Maria | incomplete | |
| BV 149 | — | Praeludium und Fuge a 3 voci | D major | 1880 | For piano | Preludes Fugues |
|
| BV 150 | Op.41 | Marsch | 1880 | For piano | Marches | lost | |
| BV 151 | — | Der Tanz | E♭ major | ? | For piano | Waltzes | |
| BV 152 | Op.70 | Gavotte | F minor | 1880 | For piano | Gavottes | |
| BV 153 | — | Invention | E minor | 1880 | For piano | Inventions | |
| BV 154 | — | Fugue | F major | ? | For piano | Fugues | |
| BV 155 | Op.75 | Preludio Fuge | C minor | 1880 | For piano | Preludes Fugues |
|
| BV 156 | Op.43 (73) | Duo | E minor | 1880 | For 2 flutes, piano | Duets | |
| BV 157 | Op.7 (76) | Praeludium und Doppelfuge zum Choral | A minor | 1880 | For organ | Preludes Double fugues |
|
| BV 158 | Op.77 (45) | Rondo | A major | 1880 | For piano | Rondos | |
| BV 159 | Op.10 | Pezzi nello stile antico (3) | 1880 | For piano | Pieces | ||
| BV 159/1 | Op.40 |
|
1880 | For piano | Mineuts | ||
| BV 159/2 | Op.46 |
|
1880 | For piano | Sonatines | ||
| BV 159/3 | Op.75 (44) |
|
1880 | For piano | Gigues | ||
| BV 160 | Op.47 | Scherzo | C [major?] | 1880 | For piano | Scherzos | lost |
| BV 161 | Op.48 | Impromptu | E minor | 1880 | For clarinet, piano | Impromptus | |
| BV 162 | — | Piece | A minor | ? | For clarinet, piano | Pieces | untitled |
| BV 163 | Op.49 | Phantasiestück | 1880 | For piano | Pieces | lost | |
| BV 164 | Op.49 (50) | Piano Sonata | F minor | 1880 | For piano | Sonatas | |
| BV 165 | Op.73 | Praeludium Fuge | D major | 1880 | For piano | Preludes Fugues |
lost |
| BV 166 | Op.74 | Praeludium Fuge | G minor | 1880 | For piano | Preludes Fugues |
Praeludium revised as BV 220 |
| BV 167 | Op.31 | Lieder (2) | 1880 | For voice, piano | Lieder | ||
| BV 167/1 | Op.31 No.1 |
|
1880 | For voice, piano | Lieder | ||
| BV 167/2 | Op.31 No.2 |
|
1880 | For voice, piano | Lieder | ||
| BV 168 | — | Piano Sonata | 1880 | For piano | Sonatas | lost | |
| BV 169 | Op.51 | Missa in honorem Beate Mariae Virginis | 1880 | For 2 mixed choruses | Masses | ||
| BV 170 | Op.52 | Scherzo | 1880 | For violin, cello, piano | Scherzos | lost | |
| BV 171 | Op.44 | Frühlingslied ("Ich grüße euch liebe Vögelein") | 1880? | For male chorus | Songs | ||
| BV 172 | Op.45 (53) | Der Wirtin Töchterlein ("Es zogen drei Burschen") | 1880 | For male chorus | Songs | ||
| BV 173 | — | Guten Abend, gute Nacht | 1880? | For male chorus | Folksongs | ||
| BV 174 | Op.55 | Gott erbarme sich unser | 1880 | For chorus, piano | Psalms | arranged for mixed chorus, piano as BV 174a | |
| BV 174a | Op.55 | Gott erbarme sich unser | 1880 | For chorus, orchestra | Psalms | arrangement of BV 174 | |
| BV 175 | — | Studio | A minor | 1880? | For piano | Studies | |
| BV 176 | — | Suite | G minor | 1880? | For clarinet, 2 violins, viola, cello | Suites | |
| BV 177 | Op.56 | String Quartet | C major | 1881–82 | For 2 violins, viola, cello | Quartets | |
| BV 178 | — | Praeludium Fuge | 1881 | For piano | Preludes Fugues |
lost | |
| BV 179 | — | Praeludium Fuge | A minor | 1881 | For piano | Preludes Fugues |
|
| BV 180 | Op.36 | Preludio e Fuga | C major | 1881 | For piano | Preludes Fugues |
|
| BV 181 | Op.37 | Préludes (24) | 1881 | For piano | Preludes | ||
| BV 182 | Op.72 | Fugue | C [major?] | 1881 | For piano | Fugues | lost |
| BV 183 | — | Requiem (Missa funebre) | 1881 | For 4 voices, mixed chorus, orchestra | Requiems Masses |
||
| BV 184 | Op.18 | Andante mit Variationen und Scherzo | 1881 | For piano, violin, cello | Andantes Variations |
||
| BV 185 | Op.9 | Una festa di villaggio (6 pezzi caratteristici) | 1881 | For piano | Pieces | see also BV 193 | |
| BV 185/1 | Op.9 No.1 |
|
1881 | For piano | Pieces | ||
| BV 185/2 | Op.9 No.2 |
|
1881 | For piano | Marches | ||
| BV 185/3 | Op.9 No.3 |
|
1881 | For piano | Pieces | ||
| BV 185/4 | Op.9 No.4 |
|
1881 | For piano | Pieces | ||
| BV 185/5 | Op.9 No.5 |
|
1881 | For piano | Dances | ||
| BV 185/6 | Op.9 No.6 |
|
1881 | For piano | Pieces | ||
| BV 186 | — | Introduzione e Fuga sopra un Corale | 1881? | For orchestra | Introductions Fugues |
based on the chorale "Herzliebster Jesu was hast verbrochen" from the Matthäuspassion, BWV 244, by Johann Sebastian Bach; incomplete | |
| BV 187 | — | Notturno | ? | For clarinet, piano | Nocturnes | lost | |
| BV 188 | Op.57 | Fuga ("per l'esame di Bologna") | F major | 1882 | For piano | Fugues | |
| BV 189 | Op.13 | Danza Notturna | D major | 1882 | For piano | Dances | |
| BV 190 | Op.35 | Ave Maria | 1882 | For voice, orchestra | Ave Maria | ||
| BV 191 | Op.40 | Poesie liriche ("Le quattro stagione") (4) | 1882 | For male chorus, orchestra | Secular choruses | ||
| BV 191/1 | Op.40 No.1 |
|
1882 | For male chorus, orchestra | Secular choruses | arranged for male chorus as BV 191a | |
| BV 191/2 | Op.40 No.2 |
|
1882 | For male chorus, orchestra | Secular choruses | ||
| BV 191/3 | Op.40 No.3 |
|
1882 | For male chorus, orchestra | Secular choruses | ||
| BV 191/4 | Op.40 No.4 |
|
1882 | For male chorus, orchestra | Secular choruses | ||
| BV 191a | — | Frühling | ? | For male chorus | Secular choruses | arrangement of BV 191/1 | |
| BV 192 | — | Il sabato del villaggio | 1882 | For 4 voices, mixed chorus, orchestra | Secular cantatas | incomplete | |
| BV 193 | Op.32 | Marcia di paesani e contadine | 1883 | For piano | Marches | intended for BV 185? | |
| BV 194 | Op.33 | Macchiette medioevali | 1882–83 | For piano | Pieces | ||
| BV 194/1 | Op.33 No.1 |
|
1882–83 | For piano | Pieces | ||
| BV 194/2 | Op.33 No.2 |
|
1882–83 | For piano | Pieces | see also BV 195 | |
| BV 194/3 | Op.33 No.3 |
|
1882–83 | For piano | Pieces | ||
| BV 194/4 | Op.33 No.4 |
|
1882–83 | For piano | Pieces | ||
| BV 194/5 | Op.33 No.5 |
|
1882–83 | For piano | Pieces | ||
| BV 194/6 | Op.33 No.6 |
|
1882–83 | For piano | Pieces | ||
| BV 195 | — |
|
1882–83 | For piano | Pieces | alternative version of BV 194/2; sketches only | |
| BV 196 | Op.34 | Serenata | G minor | 1883 | For cello, piano | Serenades | |
| BV 197 | Op.4, 5, and 6 | Morceaux (3) | 1883? | For piano | Pieces | ||
| BV 197/1 | Op.4 |
|
1883? | For piano | Scherzos | ||
| BV 197/2 | Op.5 |
|
1883? | For piano | Preludes Fugues |
||
| BV 197/3 | Op.6 |
|
1883? | For piano | Dances | ||
| BV 198 | — | Étude No.15 (en forme d'adagio d'une sonate) | D♭ major | 1883 | For piano | Studies | possibly intended for BV 203 |
| BV 199 | — | Étude No.16 (Nocturne) | B♭ minor | 1883 | For piano | Studies Nocturnes |
possibly intended for BV 203 |
| BV 200 | — | Étude No.18 | F minor | 1883 | For piano | Studies | possibly intended for BV 203 |
| BV 201 | Op.25 | Symphonische Suite | 1883 | For orchestra | Suites | ||
| BV 202 | Op.15 | Lieder (Hebräische Melodien) (2): | 1884 | For voice, piano | Lieder | ||
| BV 202/1 | Op.15 No.1 |
|
1884 | For voice, piano | Lieder | ||
| BV 202/2 | Op.15 No.2 |
|
1884 | For voice, piano | Lieder | arranged for male chorus as BV 202a | |
| BV 202a | — | An Babylons Wassern | 1901 | For male chorus | Lieder | arrangement of BV 202/2; incomplete | |
| BV 203 | Op.16 | Études (6) | 1883 | For piano | Studies | ||
| BV 204 | Op.20 | Piano Sonata | F minor | 1883 | For piano | Sonatas | |
| BV 205 | Op.16 | So lang man jung | 1884 | For voice, mixed chorus, orchestra | Secular Choruses | ||
| BV 206 | Op.17 | Étude en forme de variations | 1883? | For piano | Studies | ||
| BV 207 | Op.18 | Altdeutsche Lieder (2) | 1884? | For voice, piano | Lieder | ||
| BV 207/1 | Op.18 No.1 |
|
1884? | For voice, piano | Lieder | ||
| BV 207/2 | Op.18 No.2 |
|
1884? | For voice, piano | Lieder | arranged for voice, orchestra as BV 207a | |
| BV 207a | — |
|
1893 | For voice, orchestra | Songs | arrangement of BV 207 | |
| BV 208 | Op.19 | String Quartet No.1 | C major | 1880–82 | For 2 violins, viola, cello | Quartets | |
| BV 209 | Op.20 | Zweite Balletszene | 1884 | For piano | Dances | ||
| BV 210 | — | Introduction et Scherzo | 1882, rev.1884 | For piano, orchestra | Introductions Scherzos |
||
| BV 211 | — | Gesang aus Mirza Schaffy ("Auf dem Dache stand sie, als ich schied") | 1884 | For voice, piano | Songs | ||
| BV 212 | — | Es blüht ein Blümlein | 1885 | For male chorus | Secular choruses | incomplete | |
| BV 213 | Op.22 | Variationen und Fuge in freier Form | 1884 | For piano | Variations Fugues |
based on No.20 of the Preludes, Op.28, by Frédéric Chopin | |
| BV 213a | — | Variationen über ein Präludium von Chopin (10) | 1922 | For piano | Variations | ||
| BV 214 | — | Invenzione | D minor | 1885 | For piano | Inventions | |
| BV 215 | Op.23 | Kleine Suite | 1886 | For cello, piano | Suites | ||
| BV 216 | Op.24 | Lieder (2) | 1885 | For voice, piano | Lieder | ||
| BV 217 | — | Tempo di menuetto | C major | 1885? | For orchestra | Minuets | |
| BV 218 | — | Eine alte Geschichte in neue Reime gebracht | 1884–85? | For narrator, piano | Melodramas | ||
| BV 219 | — | Chorlied der Deutschen in Amerika | 1892? | For male chorus | Songs | ||
| BV 220 | — | Praeludium | A minor | 1885? | For piano | Preludes Fugues |
revision of BV 166 |
| BV 221 | — | Introduktion, Marsch, Walzer | 1894? | For orchestra | Introductions Marches Waltzes |
incomplete sketches only | |
| BV 222 | — | Anhang zu Siegfried Ochs "Kommt a Vogerl g'flogen" | 1886? | For piano | Variations | ||
| BV 223 | — | Fughette | 1886? | For violin, piano | Fughettas | lost | |
| BV 224 | — | Huldigung der Töne FBB, dargebracht den Tönen a Remi | 1887 | For piano | Canons | lost | |
| BV 225 | Op.26 | String Quartet No.2 | D minor | 1887 | For 2 violins, viola, cello | Quartets | |
| BV 226 | — | Fuge über das Volkslied "O, du mein lieber Augustin" | 1888 | For piano 4 hands | Fugues | ||
| BV 227 | Op.27 | Finnländische Volksweisen | 1888 | For piano 4 hands | Folksongs | ||
| BV 228 | — | Piece (Étude) | C major | ? | For piano | Studies | untitled |
| BV 229 | Op.28 | 4 Bagatellen | 1888 | For violin, piano | Bagatelles | ||
| BV 229/1 | Op.28 No.1 |
|
1888 | For violin, piano | Bagatelles | ||
| BV 229/2 | Op.28 No.2 |
|
1888 | For violin, piano | Bagatelles | ||
| BV 229/3 | Op.28 No.3 |
|
1888 | For violin, piano | Bagatelles | ||
| BV 229/4 | Op.28 No.4 |
|
1888 | For violin, piano | Bagatelles | ||
| BV 230 | Op.29 | Konzert-Fantasie | 1888–89 | For piano, orchestra | Fantasias | revised as BV 240 | |
| BV 231 | — | Sigune, oder das stille Dorf | 1885–89 | For voices, mixed chorus, orchestra | Operas | ||
| BV 232 | — | Marche funèbre | ? | For piano, orchestra | Funeral marches | incomplete | |
| BV 233 | — | Piano Sonata | D♭ major | ? | For piano | Sonatas | incomplete |
| BV 234 | Op.29 | Violin Sonata No.1 | E minor | 1889 | For violin, piano | Sonatas | |
| BV 235 | Op.60 | Klavierstücke (2): | 1889 | For piano | Pieces | revised as BV 235a | |
| BV 235/1 | Op.60 No.1 |
|
1889 | For piano | Pieces | revised as BV 235a/1 | |
| BV 235/2 | Op.60 No.2 |
|
1889 | For piano | Pieces | revised as BV 235a/2 | |
| BV 235a | Op.30a | Tanzstücke (2): | 1914 | For piano | Dances | revision of BV 235 | |
| BV 235a/1 | Op.30a No.1 |
|
1914 | For piano | Dances | revision of BV 235/1 | |
| BV 235a/2 | Op.30a No.2 |
|
1914 | For piano | Dances | revision of BV 235/2 | |
| BV 236 | Op.31a | Konzertstück (Introduktion und Allegro) | 1890 | For piano, orchestra | Pieces | revised in BV 292 | |
| BV 237 | — | Kultaselle (10 kurze Variationen über ein finnisches Volkslied) | 1889? | For cello, piano | Variations Folksongs |
||
| BV 238 | Op.33a | Vierte Ballettszene (in Form eines Concert-Walzers) | 1894 | For piano | Waltzes | revised as BV 238a | |
| BV 238a | Op.33a | Vierte Ballettszene (Walzer und Galopp) | 1913 | For piano | Waltzes Galops |
revision of BV 238 | |
| BV 239 | — | Cinquième scène de ballet | A minor | 1892? | For piano | Dances | incomplete |
| BV 240 | Op.32a | Symphonisches Tongedicht | 1893 | For orchestra | Symphonic poems | revision of BV 230 | |
| BV 241 | Op.33b | Stücke (6) | 1895 | For piano | Pieces | ||
| BV 241/1 | Op.33b No.1 |
|
1895 | For piano | Pieces | ||
| BV 241/2 | Op.33b No.2 |
|
1895 | For piano | Pieces | ||
| BV 241/3 | Op.33b No.3 |
|
1895 | For piano | Scherzos | ||
| BV 241/4 | Op.33b No.4 |
|
1895 | For piano | Fantasias | ||
| BV 241/5 | Op.33b No.5 |
|
1895 | For piano | Ballades | ||
| BV 241/6 | Op.33b No.6 |
|
1895 | For piano | Pieces | ||
| BV 242 | Op.34a | Suite No.2 ("Geharnischte Suite") | 1894–95, rev.1903 | For orchestra | Suites | ||
| BV 243 | Op.35a | Violin Concerto | D major | 1897 | For violin, orchestra | Concertos | |
| BV 244 | Op.36a | Violin Sonata No.2 | E minor | 1898–1900 | For violin, piano | Sonatas | |
| BV 245 | Op.38 | Eine Lustspielouvertüre | 1897, rev. 1904 | For orchestra | Overtures | ||
| BV 246 | — | Ballade | D♭ major | ? | For piano | Ballades | sketches only |
| BV 247 | Op.39 | Piano Concerto | C major | 1904 | For piano, male chorus, orchestra | Concetos | see also BV 247a |
| BV 247a | — | Coda supplementaria | 1908 | For piano, orchestra | Concertos | an alternative ending for BV 247, omitting the final chorus | |
| BV 248 | Op.41 | Turandot (suite) | 1905 | For orchestra | Operas Suites |
suite from BV A 2; see also BV 248a, BV 248b | |
| BV 248a | — | Verzweiflung und Ergebung | 1911 | For orchestra | Suites | 1st supplement to BV 248 | |
| BV 248b | — | Altoums Warnung | 1917 | For orchestra | Suites | 2nd supplement to BV 248 | |
| BV 249 | — | Elegien | 1907 | For piano | Elegies | see also BV 252 | |
| BV 249/1 | — |
|
1907 | For piano | Elegies | ||
| BV 249/2 | — |
|
1907 | For piano | Elegies | ||
| BV 249/3 | — |
|
1907 | For piano | Elegies | ||
| BV 249/4 | — |
|
1907 | For piano | Elegies Intermezzos |
||
| BV 249/5 | — |
|
1907 | For piano | Elegies Waltzes |
||
| BV 249/6 | — |
|
1907 | For piano | Elegies Nocturnes |
||
| BV 250 | — | Das Wunder des Heiligen Antonius ("Der Leichenschmaus") | 1908–11 | For voices, orchestra | Sacred cantatas | sketches for introduction only | |
| BV 251 | — | Nuit de Noël (Esquisse) | 1908 | For piano | Sketches | ||
| BV 252 | — | Berceuse | 1909 | For piano | Berceuses | added to later editions of BV 249 as No.7 | |
| BV 252a | Op.42 | Berceuse élégiaque (Des Mannes Wiegenlied am Sarge seiner Mutter) | 1909 | For orchestra | Berceuses | ||
| BV 253 | — | Fantasia nach J.S. Bach | 1909 | For piano | Fantasias | ||
| BV 254 | — | An die Jugend (Eine Folge von Klavierstücken) | 1909 | For piano | Pieces | ||
| BV 254/1 | — |
|
1909 | For piano | Preludes Fughettas Studies |
||
| BV 254/2 | — |
|
1909 | For piano | Preludes Fugues |
||
| BV 254/3 | — |
|
1909 | For piano | Gigues Boleros Variations |
||
| BV 254/4 | — |
|
1909 | For piano | Introductions Capriccios |
||
| BV 255 | — | Große Fuge | 1910 | For piano | Fugues | ||
| BV 256 | — | Fantasia contrappuntistica (Edizione definitiva) | 1910 | For piano | Fantasias | revised as BV 256a; arranged for 2 pianos as BV 256b | |
| BV 256a | — | Fantasia contrappuntistica (Edizione minore) | 1912 | For piano | Fantasias | revision of BV 256 | |
| BV 256b | — | Fantasia contrappuntistica | 1921 | For 2 pianos | Fantasias | arrangement of BV 256 | |
| BV 257 | — | Sonatina No.1 | 1910 | For piano | Sonatinas | ||
| BV 258 | — | Die Brautwahl | 1906–11 | For voices, mixed chorus, orchestra | Operas | see also BV 261, BV 294, BV 294a | |
| BV 259 | — | Sonatina No.2 ("Sonatina seconda") | 1912 | For piano | Sonatinas | 2 | |
| BV 261 | Op.45 | Die Brautwahl (suite) | 1912 | For orchestra | Operas Suites |
see also BV 258 | |
| BV 262 | Op.43 | Nocturne symphonique (Elegie No.2) | 1912–13 | For orchestra | Nocturnes | ||
| BV 263 | — | Su Monte Mario ("Solenni in vetta a Monte Mario") | 1914 | For voice, orchestra | Songs | incomplete | |
| BV 264 | Op.44 | Indianische Fantasie | 1913–14 | For piano, orchestra | Fantasias | ||
| BV 265 | — | Floh-Sprung | 1914 | For 2 voices, bass | Canons | ||
| BV 266 | Op.46 | Rondò arlecchinesco (Elegie No.3) | 1915 | For voice, orchestra | Rondos | ||
| BV 267 | — | Indianisches Tagebuch I | 1915 | For piano | Pieces | ||
| BV 268 | — | Sonatina No.3 ("Ad usum Infantis Madeline M.* Americanae") | 1915 | For piano | Sonatinas | ||
| BV 269 | Op.47 | Indianisches Tagebuch II (Gesang vom Reigen der Geister) (Elegie No.4) | 1915 | For orchestra | Songs | ||
| BV 270 | Op.50 | Arlecchino | 1914–16 | For voices, orchestra | Operas | ||
| BV 271 | — | Improvisation über Bachs Chorallied "Wie wohl ist mir" | 1916 | For 2 pianos | Improvisations | ||
| BV 272 | — | Albumblatt | E minor | 1916 | For flute (or muted violin), piano | Pieces | arranged for piano as BV 272a |
| BV 272a | — | Albumblatt | E minor | 1917 | For piano | Pieces | arrangement of BV 272; re-used as BV 289/1 |
| BV 273 | — | Turandot | 1916–17 | For voices, mixed chorus, orchestra | Operas | see also BV A 4 | |
| BV 274 | — | Sonatina No.4, BV 274 ("in diem nativitatis Christi MCMXVII") | 1917 | For piano | Sonatinas | ||
| BV 275 | — | Sonatina quasi Sonata | 1917 | For piano | Sonatinas | sketches only | |
| BV 276 | Op.48 | Concertino | 1918 | For clarinet, orchestra | Concertinos | ||
| — | Op.49 | Gesänge (2): | 1917–18 | For voice, orchestra | Songs | ||
| BV 277 | Op.49 No.1 |
|
1917 | For voice, orchestra | Songs | ||
| BV 278 | Op.49 No.2 |
|
1918 | For voice, orchestra | Songs | arrangement of BV 278a | |
| BV 278a | Op.49 No.2 | Lied des Mephistopheles ("Es war einmal ein König") | 1918? | For voice, piano | Lieder | arranged for voice, orchestra as BV 278 | |
| BV 279 | — | Notturni | A minor | 1918 | For piano | Nocturnes | |
| BV 280 | — | Sonatina No.5 ("Sonatina brevis in Signo Joannis Sebastiani Magni") | 1918 | For piano | Sonatinas | ||
| BV 281 | — | Lied des Unmuts ("Keinen Reimer wird man finden") | 1918? | For voice, piano | Lieder | arranged for voice, orchestra as BV 281a | |
| BV 281a | — | Lied des Unmut ("Keinen Reimer wird man finden") | 1924 | For voice, orchestra | Lieder | arrangement of BV 281 | |
| BV 282 | Op.51 | Sarabande and Cortège (2 Studien zu Doktor Faust): | 1918–19 | For orchestra | Elegies | ||
| BV 282/1 | Op.51 No.1 |
|
1918–19 | For orchestra | Sarbandes | ||
| BV 282/2 | Op.51 No.2 |
|
1918–19 | For orchestra | Funeral Marches | ||
| BV 283 | — | Eldorado ("Gladly bedight a gallant knight") | 1919 | For voice, piano | Songs | sketches only | |
| BV 284 | — | Sonatina No.6 ("Kammer-Fantasie über Carmen") | 1920 | For piano | Sonatinas Fantasias |
||
| BV 285 | Op.52 | Divertimento | 1920 | For flute, orchestra | Divertimentos | ||
| BV 286 | — | Elegie | E♭ major | 1919–20 | For clarinet, piano | Elegies | |
| BV 287 | — | Toccata (Preludio, Fantasia, and Ciaccona) | 1920 | For piano | Toccatas | ||
| BV 288 | Op.53 | Tanzwalzer | 1920 | For orchestra | Waltzes | ||
| BV 289 | — | Albumblätter (3): | 1917–21 | For piano | Pieces | ||
| BV 289/1 | — |
|
E minor | 1917 | For piano | Pieces | same as BV 272a |
| BV 289/2 | — |
|
1921 | For piano | Pieces | ||
| BV 289/3 | — |
|
1921 | For piano | Pieces | ||
| BV 290 | Op.54 | Romanza e Scherzoso | 1921 | For piano, orchestra | Romances Scherzos |
revised in BV 292 | |
| BV 291a | — | Die Bekehrte ("Bei dem Glanze der Abendröte") | 1921 | For voice, piano | Songs | ||
| BV 291b | — | Die Spröde ("An dem reinsten Frühlingsmorgen") | 1921 | For voice, piano | Songs | ||
| BV 292 | Op.54 | Concertino | 1921 | For piano, orchestra | Concertinos | revision of BV 236, BV 290; see also BV 293 | |
| BV 293 | — | Perpetuum mobile | 1922 | For piano | Pieces | based on the 2nd movement of BV 292 | |
| BV 294 | — | Grausige Geschichte vom Münzjuden Lippold | 1923 | For voice, orchestra | Songs | revised from BV 258; arranged for voice, piano as BV 294a | |
| BV 294a | — | Grausige Geschichte vom Münzjuden Lippold | 1923 | For voice, piano | Songs | arrangement of BV 294 | |
| BV 295 | Op.55 No.2, | Zigeunerlied ("Im Nebelgeriesel, im tiefen Schnee") | 1923 | For voice, orchestra | Songs | arranged for voice, piano as BV 295a | |
| BV 295a | Op.55 No.2 | Zigeunerlied ("Im Nebelgeriesel, im tiefen Schnee") | 1923 | For voice, piano | Songs | arrangement of BV 295 | |
| BV 296 | — | Kurze Stücke ("zur Pflege des polyphonen Spiels auf dem Pianoforte") (5) | 1923 | For piano | Pieces | ||
| BV 297 | — | Prélude et étude en arpèges | 1923 | For piano | Preludes Studies |
||
| BV 298 | — | Schlechter Trost ("Mitternachts weint' und schluchzt' ich") | 1924 | For voice, orchestra | Songs | arranged for voice, piano as BV 298a | |
| BV 298a | — | Schlechter Trost ("Mitternachts weint' und schluchzt' ich") | 1924 | For voice, piano | Songs | arrangement of BV 298a | |
| BV 299 | — | Lied des Brander ("Es war eine Ratt' im Kellernest") | 1918 | For voice, piano | Lieder | incomplete | |
| BV 300 | — | Es war ein König in Thule | 1918 | For voice, piano | Songs | sketches only | |
| BV 301 | — | Wie an dem Tag, der dich der Welt verliehen | 1918 | For voice, piano | Songs | sketches only | |
| BV 302 | — | Freudvoll und leidvoll | 1918 | For voice, piano | Songs | sketches only | |
| BV 303 | — | Doktor Faust | 1916–23 | For voices, mixed chorus, orchestra | Operas | incomplete | |
| BV A 1 | — | Overtüre (zu einem gedachten Singspiel nach der Tradition des "Lieben Augustin") | 1888? | For orchestra | Overtures | sketches only | |
| BV A 2 | — | Turandot | 1905 | For female chorus, orchestra | Incidental music | lost; for suite see BV 248 | |
| BV A 3 | — | Klavierübung in 5 Teilen | 1917–22 | For piano | Methods | 1st version of BV A 7 | |
| BV A 4 | — | Diese Zeichen von Trauer (Nachtrag zu Turandot) | 1921 | For voice, orchestra | Operas | ||
| BV A 5 | — | Reminiscenza Rossiniana ("Caro Dent due paroline in confidenza") | 1923 | For voice, piano | Songs | ||
| BV A 6 | — | Lied der Schieber am Kurfürstendamm ("Wir schieben, wir schieben") | 1923 | For unison chorus, piano | Lieder | ||
| BV A 7 | — | Klavierübung in 10 Büchern | 1923–24 | For piano | Methods | 2nd version of BV A 3 | |
| BV A 8 | — | Ich hab' gesucht und nichts gefunden | 1924 | For female chorus | Songs | ||
| BV A 9 | — | Miniature études (6) | ? | For piano | Studies | No.6 incomplete | |
| BV B 52 | — | Fantasie über Motive aus Der Barbier von Bagdad | 1886 | For piano | Fantasias | based on themes from the opera Der Barbier von Bagdad by Peter Cornelius | |
| BV B 55 | — | Trascrizione di concerto sopra motivi dell’opera "Merlino" | 1887 | For piano | Paraphrases | based on themes from the opera Merlin by Karl Goldmark | |
| BV B 88 | — | Duettino concertante nach Mozart | 1919 | For 2 pianos | Duettinos | based on the finale of the Piano Concerto No.19 in F major, K.459, by Wolfgang Amadeus Mozart | |
| — | — | Entwurf einer neuen Ästhetik der Tonkunst | 1907 | — | Music theory | English translation as Sketch of a New Esthetic of Music |
| BV | Original Composer | Original Work | Nature of Adaptation | Date | Scoring | Notes |
|---|---|---|---|---|---|---|
| BV B 1 | Beethoven, Ludwig van | Piano Concerto No.4, Op.58 | 2 cadenzas | 1890 | For piano | for 1st and 3rd movements |
| BV B 2/1 | Beethoven, Ludwig van | Piano Concerto No.1, Op.15 | cadenza | 1900 | For piano | |
| BV B 2/2 | Beethoven, Ludwig van | Piano Concerto No.3, Op.37 | cadenza | 1900 | For piano | |
| BV B 3 | Beethoven, Ludwig van | Violin Concerto, Op.61 | 3 cadenzas | 1913 | For violin | |
| BV B 4 | Beethoven, Ludwig van | Adelaide, Op.46 | cadenza | 1915 | For cello | intended for BV 48 |
| BV B 5 | Brahms, Johannes | Violin Concerto, Op.77 | cadenza | 1913 | For violin | |
| BV B 6 | Mozart, Wolfgang Amadeus | Piano Concerto No.20 in D minor, K.466 | cadenza | 1870s? | For piano | |
| BV B 7 | Mozart, Wolfgang Amadeus | Piano Concerto No.20 in D minor, K.466 | 2 cadenzas | 1907, 1920 | For piano | |
| BV B 8 | Mozart, Wolfgang Amadeus | Piano Concerto No.9 in E-flat major, K.271 | 2 cadenzas | 1915 | For piano | |
| BV B 9 | Mozart, Wolfgang Amadeus | Piano Concerto No.23 in A major, K.488 | cadenza and coda | 1918 | For piano | |
| BV B 10 | Mozart, Wolfgang Amadeus | Piano Concerto No.24 in C minor, K.491 | 3 cadenzas | 1918 | For piano | |
| BV B 11 | Mozart, Wolfgang Amadeus | Flute Concerto in G major, K.313/285c | cadenza | 1919 | For flute | |
| BV B 12 | Mozart, Wolfgang Amadeus | Flute Concerto in D major, K.314/285d | cadenza | 1919 | For flute | |
| BV B 13 | Mozart, Wolfgang Amadeus | Piano Concerto No.21 in C major, K.467 | 2 cadenzas | 1919 | For piano | |
| BV B 14 | Mozart, Wolfgang Amadeus | Piano Concerto No.22 in E-flat major, K.482 | 2 cadenzas | 1919 | For piano | |
| BV B 15 | Mozart, Wolfgang Amadeus | Piano Concerto No.19 in F major, K.459 | 2 cadenzas | 1920 | For piano | |
| BV B 16 | Mozart, Wolfgang Amadeus | Piano Concerto No.17 in G major, K.453 | 2 cadenzas | 1921 | For piano | |
| BV B 17 | Mozart, Wolfgang Amadeus | Sonata for Two Pianos in D major, K.448/375a | cadenza | 1921 | For 2 pianos | |
| BV B 18 | Mozart, Wolfgang Amadeus | Piano Concerto No.25 in C major, K.503 | cadenza | 1922 | For piano | |
| BV B 19 | Weber, Carl Maria von | Clarinet Concerto No.1 in F minor, Op.73 | 2 cadenzas | 1920 | For clarinet | for 1st and 3rd movements |
| BV B 20 | Bach, Johann Sebastian | Prelude and Fugue in D major, BWV 532 | arranged for piano (original for organ) | 1888 | For piano | |
| BV B 21 | Bach, Johann Sebastian | Aus tiefer Not schrei ich zu dir, BWV 686 | arranged for piano (original for organ) | 1880s | For piano | |
| BV B 22 | Bach, Johann Sebastian | Prelude and Fugue in E-flat major, BWV 552 | arranged for piano (original for organ) | 1890? | For piano | |
| BV B 23 | Bach, Johann Sebastian | 15 Inventions, BWV 772-786 | arranged for piano (original for harpsichord) | 1891, 1914 | For piano | |
| BV B 23 | Bach, Johann Sebastian | 15 Sinfonias, BWV 787-801 | arranged for piano (original for harpsichord) | 1891, 1914 | For piano | |
| BV B 24 | Bach, Johann Sebastian | Partita No.2 in D minor, BWV 1004 | Chaconne, arranged for piano (original for violin) | 1893 | For piano | |
| BV B 25 | Bach, Johann Sebastian | Das wohltemperierte Klavier I, BWV 846-869 | revised and edited | 1894 | For piano | |
| BV B 25 | Bach, Johann Sebastian | Das wohltemperierte Klavier II, BWV 870-893 | revised and edited | 1915 | For piano | |
| BV B 26 | Bach, Johann Sebastian | Prelude and Fugue in E minor, BWV 533 | arranged for piano (original for organ) | 1894 | For piano | |
| BV B 27/1 | Bach, Johann Sebastian | Komm, Gott, Schöpfer, BWV 667 | arranged for piano (original for organ) | 1898 | For piano | No.1 of 10 Chorale Preludes, BV B 27 |
| BV B 27/2 | Bach, Johann Sebastian | Wachet auf, ruft uns die Stimme, BWV 645 | arranged for piano (original for organ) | 1898 | For piano | No.2 of 10 Chorale Preludes, BV B 27 |
| BV B 27/3 | Bach, Johann Sebastian | Nun komm' der Heiden Heiland, BWV 659 | arranged for piano (original for organ) | 1898 | For piano | No.3 of 10 Chorale Preludes, BV B 27 |
| BV B 27/4 | Bach, Johann Sebastian | Nun freut euch, lieben Christen, BWV 734 | arranged for piano (original for organ) | 1898 | For piano | No.4 of 10 Chorale Preludes, BV B 27 |
| BV B 27/5 | Bach, Johann Sebastian | Ich ruf' zu dir, Herr, BWV 639 | arranged for piano (original for organ) | 1898 | For piano | No.5 of 10 Chorale Preludes, BV B 27 |
| BV B 27/6 | Bach, Johann Sebastian | Herr Gott, nun schleuß den Himmel auf, BWV 617 | arranged for piano (original for organ) | 1898 | For piano | No.6 of 10 Chorale Preludes, BV B 27 |
| BV B 27/7a | Bach, Johann Sebastian | Durch Adam's Fall, BWV 637 | arranged for piano (original for organ) | 1898 | For piano | No.7a of 10 Chorale Preludes, BV B 27 |
| BV B 27/7b | Bach, Johann Sebastian | Durch Adam's Fall. Fuga, BWV 705 | arranged for piano (original for organ) | 1898 | For piano | No.7b of 10 Chorale Preludes, BV B 27 |
| BV B 27/8 | Bach, Johann Sebastian | In dir ist Freude, BWV 615 | arranged for piano (original for organ) | 1898 | For piano | No.8 of 10 Chorale Preludes, BV B 27 |
| BV B 27/9 | Bach, Johann Sebastian | Jesus Christus, unser Heiland, BWV 665 | arranged for piano (original for organ) | 1898 | For piano | No.9 of 10 Chorale Preludes, BV B 27 |
| BV B 28 | Bach, Johann Sebastian | Harpsichord Concerto No.1, BWV 1052 | arranged for piano, orchestra | 1899 | For piano, orchestra | arranged for 2 pianos as BVB 30 |
| BV B 29/1 | Bach, Johann Sebastian | Toccata, Adagio and Fugue in C major, BWV 564 | arranged for piano (original for organ) | 1899 | For piano | |
| BV B 29/2 | Bach, Johann Sebastian | Toccata and Fugue in D minor, BWV 565 | arranged for piano (original for organ) | 1899 | For piano | |
| BV B 30 | Bach, Johann Sebastian | Harpsichord Concerto No.1, BWV 1052 | arranged for 2 pianos | 1900 | For 2 pianos | arrangement of BV B 28 |
| BV B 31 | Bach, Johann Sebastian | Chromatic Fantasia and Fugue, BWV 903 | arranged for piano (original for harpsichord) | 1902 | For piano | see also BV B 38 |
| BV B 32 | Bach, Johann Sebastian | Kleine Präluden, BWV 924-932 (9) | Nos.1–7, arranged for piano (original for harpsichord) | 1914 | For piano | published as Nos.1, 4, 5 and 8–10 of "17 Kleine Präluden und eine Fughetta" |
| BV B 32 | Bach, Johann Sebastian | Kleine Präluden, BWV 933-938 (6) | arranged for piano (original for harpsichord) | 1914 | For piano | published as Nos.12–17 of "17 Kleine Präluden und eine Fughetta" |
| BV B 32 | Bach, Johann Sebastian | Prelude in C minor, BWV 999 | arranged for piano (original for lute) | 1914 | For piano | published as No.3 of "17 Kleine Präluden und eine Fughetta" |
| BV B 32 | Bach, Johann Sebastian | Fughetta in C minor, BWV 961 | arranged for piano (original for harpsichord) | 1914 | For piano | published as No.18 of "17 Kleine Präluden und eine Fughetta" |
| BV B 33/1 | Bach, Johann Sebastian | Duetto No.1 in E minor, BWV 802 | arranged for piano (original for harpsichord) | 1914 | For piano | |
| BV B 33/2 | Bach, Johann Sebastian | Duetto No.2 in F major, BWV 803 | arranged for piano (original for harpsichord) | 1914 | For piano | |
| BV B 33/3 | Bach, Johann Sebastian | Duetto No.3 in G major, BWV 804 | arranged for piano (original for harpsichord) | 1914 | For piano | |
| BV B 33/4 | Bach, Johann Sebastian | Duetto No.4 in A minor, BWV 805 | arranged for piano (original for harpsichord) | 1914 | For piano | |
| BV B 34 | Bach, Johann Sebastian | Capriccio in B-flat major, BWV 992 | arranged for piano (original for harpsichord) | 1914 | For piano | |
| BV B 35 | Bach, Johann Sebastian | Goldberg-Variationen, BWV 988 | arranged for piano (original for harpsichord) | 1914 | For piano | |
| BV B 36 | Bach, Johann Sebastian | Prelude, Fugue, and Allegro in E-flat major, BWV 998 | arranged for piano (original for lute) | 1914 | For piano | |
| BV B 37 | Bach, Johann Sebastian | Fantasia and Fugue in C minor, BWV 906 | arranged for piano (original for harpsichord) | 1915 | For piano | included in Fantasia, Adagio e Fuga, BV B 37 |
| BV B 37 | Bach, Johann Sebastian | Adagio in G major, BWV 968 | arranged for piano (original for harpsichord) | 1915 | For piano | included in Fantasia, Adagio e Fuga, BV B 37 |
| BV B 38 | Bach, Johann Sebastian | Chromatic Fantasia and Fugue, BWV 903 | arranged for cello and piano (original for harpsichord) | 1915 | For cello, piano | see also BV B 31 |
| BV B 39/1 | Bach, Johann Sebastian | Toccata in E minor, BWV 914 | arranged for piano (original for harpsichord) | 1916 | For piano | |
| BV B 39/2 | Bach, Johann Sebastian | Toccata in G minor, BWV 915 | arranged for piano (original for harpsichord) | 1916 | For piano | |
| BV B 39/3 | Bach, Johann Sebastian | Toccata in G major, BWV 916 | arranged for piano (original for harpsichord) | 1916 | For piano | |
| BV B 40 | Bach, Johann Sebastian | Musikalisches Opfer, BWV 1079 | selections arranged for piano (original for orchestra) | 1916 | For piano | |
| BV B 41 | Bach, Johann Sebastian | Fantasia and Fugue in A minor, BWV 904 | arranged for piano (original for harpsichord) | 1917 | For piano | |
| BV B 42 | Bach, Johann Sebastian | Fantasia and Fugue in D minor, BWV 905 | arranged for piano (original for harpsichord) | 1917 | For piano | published as No.1 of Fantasie, Fuge, Andante und Scherzo, BV B 42 |
| BV B 42 | Bach, Johann Sebastian | Andante in G minor, BWV 969 | arranged for piano (original for harpsichord) | 1917 | For piano | published as No.2 of Fantasie, Fuge, Andante und Scherzo, BV B 42 |
| BV B 42 | Bach, Johann Sebastian | Scherzo in D minor, BWV 844 | arranged for piano (original for harpsichord) | 1917 | For piano | published as No.3 of Fantasie, Fuge, Andante und Scherzo, BV B 42 |
| BV B 43 | Bach, Johann Sebastian | Sarabande con partite in C major, BWV 990 | arranged for piano (original for harpsichord) | 1921 | For piano | |
| BV B 44 | Bach, Johann Sebastian | Aria variata in A minor, BWV 989 | arranged for piano (original for harpsichord) | 1921 | For piano | |
| BV B 45 | Bach, Johann Sebastian | Partita No.2 in D minor, BWV 1004 | arranged for orchestra (original for violin) | ? | For piano | sketches only |
| BV B 46 | Bach, Johann Sebastian | 2 Chorale Preludes | arranged for piano (originals for organ) | ? | For piano | incomplete sketches; unidentifed |
| BV B 47 | Beethoven, Ludwig van | Ecossaises, WoO 83 | concert transcription | 1888 | For piano | |
| BV B 48 | Beethoven, Ludwig van | Adelaide, Op.46 | song, arranged for cello, piano | 1915 | For cello, piano | see also BV B 4 |
| BV B 49 | Beethoven, Ludwig van | Missa Solemnis, Op.123 | Benedictus, arranged for violin, orchestra | 1916 | For violin, orchestra | |
| BV B 50 | Brahms, Johannes | 11 Chorale Preludes, Op.122 | 6 preludes arranged for piano | 1902 | For piano | |
| BV B 51 | Chopin, Frédéric | Polonaise in A-flat major, Op.53 | concert transcription | 1909 | For piano | |
| BV B 52 | Cornelius, Peter | Der Barbier von Bagdad | selections arranged as Fantasie über Motive aus Der Barbier von Bagdad | 1886 | For piano | |
| BV B 53 | Cramer, Johann Baptist | 16 Nouvelles études, Op.81 | concert transcription of 8 etudes | 1897 | For piano | |
| BV B 54 | Gade, Niels | Novelletten, Op.29 | arranged for 2 pianos (original for violin, cello, piano) | 1889 | For 2 pianos | |
| BV B 55 | Goldmark, Karl | Merlin | themes used in Trascrizione di concerto sopra motivi dell’opera "Merlino", BV B 55 | 1887 | For piano | |
| BV B 56 | Goldmark, Karl | Merlin | complete opera arranged for piano | 1888 | For piano | |
| BV B 57 | Liszt, Franz | Coeli enarrant gloriam Dei | arranged for 2 pianos (original for male chorus, orchestra) | 1880s | For 2 pianos | incomplete |
| BV B 58 | Liszt, Franz | Rhapsodie espagnole, S.254 (Folies d’espagne et Jota aragonesa) | arranged for piano, orchestra (original for piano) | 1894 | For piano, orchestra | |
| BV B 58 | Liszt, Franz | Rhapsodie espagnole, S.254 (Folies d’espagne et Jota aragonesa) | arranged for 2 pianos (original for piano) | 1894 | For 2 pianos | |
| BV B 59 | Liszt, Franz | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S.259 | arranged for piano (original for organ) | 1897 | For piano | |
| BV B 60 | Liszt, Franz | Magyar rapszódiák, S.242 (Hungarian Rhapsodies) | No.20, concert transcription | 1900? | For piano | |
| BV B 61 | Liszt, Franz | 2 Episoden aus Lenau's Faust, S.110 | Der Tanz in der Dorfschenke (No.2), arranged for piano | 1904 | For piano | |
| BV B 62 | Liszt, Franz | Heroischer Marsch in ungarischem Stil, S.231 | concert transcription | 1905 | For piano | |
| BV B 63 | Liszt, Franz | 3 Sonetti del Petrarca, S.270) | Pace non trovo (No.1), arranged for tenor, orchestra (original for tenor and piano) | 1907 | For voice, orchestra | |
| BV B 64 | Liszt, Franz | 2 Polonaises, S.223 | No.2 in E major, concert transcription | 1909 | For piano | |
| BV B 65 | Liszt, Franz | 2 Légendes, S.175 | St François d'Assise (No.1), concert transcription | 1910? | For piano | |
| BV B 66 | Liszt, Franz | Fantasie über Themen aus Mozarts Figaro und Don Giovanni, S.697 | concert transcription | 1912 | For piano | |
| BV B 67 | Liszt, Franz | Grandes études de Paganini, S.141 | No.6 (in A minor), concert transcription | 1913 | For piano | |
| BV B 68 | Liszt, Franz | Grandes études de Paganini, S.141 | La campanella (No.3), concert transcription | 1915 | For piano | |
| BV B 69 | Liszt, Franz | Valses oubliées, S.215 | No.1, arranged for cello and piano (original for piano) | 1915 | For cello, piano | |
| BV B 70 | Liszt, Franz | Grandes études de Paganini, S.141 | Andantino capriccioso (No.2), concert transcription | 1916 | For piano | |
| BV B 71 | Liszt, Franz | Réminiscences de Don Juan, S.418 | concert transcription | 1917 | For piano | |
| BV B 72 | Liszt, Franz | Totentanz, S.126 | 1st version (S.126/2), revised and edited as De Profundis | 1918 | For piano | |
| BV B 73 | Liszt, Franz | Hungarian Rhapsody No.19, S.244/19 | concert transcription | 1920 | For piano | |
| BV B 74 | Liszt, Franz | Grandes études de Paganini, S.141 | No.4 (in E major), concert transcription | 1921 | For piano | |
| BV B 75 | Liszt, Franz | Grandes études de Paganini, S.141 | No.1 (in G minor), concert transcription | 1923 | For piano | |
| BV B 76 | Liszt, Franz | Grandes études de Paganini, S.141 | No.5 (in E major), concert transcription | 1923 | For piano | |
| BV B 77 | Mendelssohn, Felix | Symphony No.1, Op.11 | arranged for 2 pianos (8 hands) | 1890 | For piano 8 hands | |
| BV B 78 | Mozart, Wolfgang Amadeus | Symphony No.30 in D major, K.202/186b | arranged for piano | 1888 | For piano | |
| BV B 79 | Mozart, Wolfgang Amadeus | Symphony No.32 in G major, K.318 | arranged for piano | 1888 | For piano | |
| BV B 80 | Mozart, Wolfgang Amadeus | Symphony No.37 in G major, K.444/425a | arranged for piano | 1888 | For piano | |
| BV B 81 | Mozart, Wolfgang Amadeus | Die Entführung aus dem Serail, K.384 | overture revised with concert ending | 1904 | For orchestra | |
| BV B 82 | Mozart, Wolfgang Amadeus | Don Giovanni, K.527 | overture revised with concert ending | 1904 | For orchestra | |
| BV B 83 | Mozart, Wolfgang Amadeus | Die Zauberflöte, K.620 | overture arranged for pianola | 1908? | For pianola | lost |
| BV B 84 | Mozart, Wolfgang Amadeus | Piano Concerto No.9 in E-flat major, K.271 | Andantino, arranged for piano | 1913 | For piano | |
| BV B 85 | Mozart, Wolfgang Amadeus | Idomeneo, K.366 | selections arranged as concert suite from the opera | 1918 | For orchestra | |
| BV B 86 | Mozart, Wolfgang Amadeus | Piano Concerto No.24 in C minor, K.491 | arranged for piano | 1919 | For piano | |
| BV B 87 | Mozart, Wolfgang Amadeus | Piano Concerto No.24 in C minor, K.491 | finale adapted as Rondo concertante | 1919 | For piano, orchestra | |
| BV B 88 | Mozart, Wolfgang Amadeus | Piano Concerto No.19 in F major, K.459 | finale adapted as Duettino concertante | 1919 | For 2 pianos | |
| BV B 89/1 | Mozart, Wolfgang Amadeus | Sonata for Two Pianos in D major, K.448/375a | arranged for piano | 1921 | For piano | lost |
| BV B 89/2 | Mozart, Wolfgang Amadeus | Fugue in C minor, K.426 | arranged for piano | 1921 | For piano | lost |
| BV B 90 | Mozart, Wolfgang Amadeus | Clarinet Concerto in A major, K.622 | Adagio edited and re-orchestrated | 1920 | For clarinet, orchestra | |
| BV B 91 | Mozart, Wolfgang Amadeus | Fantasia in F minor, K.608 | arranged for piano 4 hands (original for mechanical organ) | 1922 | For piano 4 hands | |
| BV B 92 | Mozart, Wolfgang Amadeus | Piano Concerto No.17 in G major, K.453 | edited and re-orchestrated | 1922 | For piano, orchestra | |
| BV B 93 | Mozart, Wolfgang Amadeus | Die Zauberflöte, K.620 | overture, arranged for piano 4 hands | 1923 | For piano 4 hands | |
| BV B 94 | Mozart, Wolfgang Amadeus | Adagio and Fugue in C minor, K.546 | Fugue arranged for piano (original for strings) | 1888? | For piano | incomplete |
| BV B 95 | Nováček, Ottokar | String Quartet in E minor | Scherzo, arranged for piano | 1892 | For piano | |
| BV B 96 | Nováček, Rudolf | Waltz Suite | arranged for piano | 1905? | For piano | lost |
| BV B 97 | Schoenberg, Arnold | 3 Pieces, Op.11 | Mässige Achtel (No.2), concert transcription | 1909 | For piano | |
| BV B 98 | Schubert, Franz | Der Teufel als Hydraulicus, D.4 | arranged for solo piano (original for orchestra) | 1888 | For piano | |
| BV B 99 | Schubert, Franz | Overture in D major, D.26 | arranged for solo piano (original for orchestra) | 1888 | For piano | |
| BV B 100 | Schubert, Franz | Overture in B-flat major, D.470 | arranged for solo piano (original for orchestra) | 1888 | For piano | |
| BV B 101 | Schubert, Franz | 5 Minuets, D.89 | arranged for solo piano (original for string quartet) | 1888 | For piano | |
| BV B 102 | Schubert, Franz | 5 German Dances, D.90 | arranged for solo piano (original for string quartet) | 1888 | For piano | |
| BV B 103 | Schubert, Franz | Overture in D major, D.556 | arranged for solo piano (original for orchestra) | 1889 | For piano | |
| BV B 104 | Schubert, Franz | Overture in E minor, D.648 | arranged for solo piano (original for orchestra) | 1889 | For piano | |
| BV B 105 | Schubert, Franz | Overture in D major in the Italian Style, D.590 | arranged for solo piano (original for orchestra) | 1889 | For piano | |
| BV B 106 | Schubert, Franz | Overture in C major in the Italian Style, D.591 (Op.170) | arranged for solo piano (original for orchestra) | 1889 | For piano | |
| BV B 107 | Schumann, Robert | 6 Gesänge, Op.107 | Abendlied (No.6), arranged for clarinet, string quartet (original for voice, piano) | 1878–81 | For clarinet, 2 violins, viola, cello | |
| BV B 108 | Schumann, Robert | 3 Romances, Op.94 | arranged for clarinet, piano (original for oboe, piano) | 1879–81 | For clarinet, piano | |
| BV B 109 | Schumann, Robert | Introduction and Allegro, Op.134 | arranged for 2 pianos (original for piano, orchestra) | 1888 | For 2 pianos | |
| BV B 110/1 | Spohr, Louis | Introduction | arranged for clarinet, string quartet | 1879–81 | For clarinet, 2 violins, viola, cello | |
| BV B 110/1 | Ernst, Heinrich Wilhelm | Élégie, Op.10 | arranged for clarinet, string quartet (original for violin, orchestra) | 1879–81 | For clarinet, 2 violins, viola, cello | |
| BV B 111 | Wagner, Richard | Götterdämmerung, WWV 86D | Siegfried's Funeral March (Act III), arranged for piano | 1883 | For piano | |
| BV B 112 | Weill, Kurt | Frauentanz (7 Gedichte des Mittelalters) | Ach wär' mein Lieb ein Brünnlein (No.3), arranged for soprano, piano | 1923 or 1924 | For piano | |
| BV B 113 | Unidentified | Fugue in A minor | arranged for solo piano (original for organ) | 1888 | For piano | attributed by Johann Sebastian Bach by Busoni, but original work not traced |
| BV B 114 | Liszt, Franz | Scherzo in G minor, S.153 | revised and edited | 1909 | For piano | |
| BV B 115 | Liszt, Franz | Tarantelle di bravura d’après la tarantelle de La muette de Portici, S.386 | revised and edited | ? | For piano |