Loreley, Op.98 (Mendelssohn, Felix)

Sheet Music

Full Scores

PDF scanned by D-Mbs
CBo (2010/1/2)

Editor Julius Rietz (1812–1877)
Publisher. Info. Felix Mendelssohn-Bartholdys Werke, Serie 15
Leipzig: Breitkopf & Härtel, 1877. Plate M.B. 123.
Javascript is required for this feature.

Vocal Scores

PDF scanned by Unknown
Hobbypianist (2008/11/5)

Publisher. Info. Leipzig: C.F. Peters, n.d.[1878]. Plate 6018.
Javascript is required for this feature.

PDF scanned by US-R
Afp0815 (2014/7/7)

Language English
Translator William Bartholomew (1793-1867), English text
Publisher. Info. London: Novello, n.d. Plate 215.
Misc. Notes This file is part of the Sibley Mirroring Project.
Javascript is required for this feature.

PDF scanned by US-Wc
Schissel (2012/2/7)

Language English / Latin and Italian
Translator Unidentified translator, English text
Publisher. Info. New York: J.L. Peters, 1876. Plate 11512-4.
Misc. Notes Soprano solo, soprano chorus, altos, accompaniment.
Javascript is required for this feature.

PDF scanned by Olmsted
Olmsted (2013/3/5)

Publisher. Info. London: Novello, n.d. (ca.1870s)
Misc. Notes TTBB, piano. In English, written by William Duthie (fl. 1860).
(An adaptation rather than a translation?)

Final six measures of music added after Mendelssohn's death.
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Die Lorelei
Alternative. Title
Composer Mendelssohn, Felix
Opus/Catalogue NumberOp./Cat. No. Op.98, MWV L 7
I-Catalogue NumberI-Cat. No. IFM 101
Movements/SectionsMov'ts/Sec's 7 movements and fragments from Act 1:
  1. from Scene 2, Duet (31 bars, unfinished)
  2. from Scene 3, Ave Maria (41 bars)
  3. from Scene 4, Winzerchor (21 bars)
  4. from scene 7, March (115 bars, unfinished)
  5. from Scene 7, Andante (61 bars, unfinished)
  6. from Scene 7, Horch, von dem Strom (90 bars, unfinished)
  7. from Scene 8, Finale (465 bars)
Year/Date of CompositionY/D of Comp. 1847
First Publication. 1852 - Leipzig/Winterthur // London (first act finale)
1868 - Leipzig/Winterthur // London (Ave Maria and Winzerchor)
Librettist Emanuel Geibel
Language German
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, chorus, orchestra
The Archbishop of Mainz
Bertha, Countess of Stahleck, his niece (soprano)
Count Palatine Otto (bass)
Hubert, ferryman and innkeeper (bass)
Leonore, his daughter (soprano)
Reinald, a gleeman (tenor)
Leopold, the Count Palatine's seneschal

Mixed Chorus (SSAATTBB)

knights, vassals of the Count Palatine, ladies, priests, wine-growers, peasants


piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons
4 horns, 2 trumpets, 3 trombones
timpani, bass drum, cymbals, strings
External Links Orchestral parts, finale to the first act, at Göttingen
Ave Maria section mss copy, at Luzern