Magnificat tertii et octavi toni (Gombert, Nicolas) - IMSLP

Movements/SectionsMov'ts/Sec's	6 movements
Composition Year	1552 or before
Genre Categories	Magnificats; Religious works; Vespers; For mixed chorus; Scores featuring mixed chorus; For unaccompanied chorus; For 4 voices; For unaccompanied voices; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; For 2 mixed choruses; For 8 voices; Latin language

Sheet Music

Parts

Complete Parts
*#106635 - 1.49MB, 16 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 287×⇩ - RTM

PDF scanned by E-Mn
RTM (2011/6/23)

Editor	First edition
Publisher. Info.	Canticum Beatae Mariae Virginis (ff.13v–21r) Cambrai: Robert Quercentius, 1552.
Copyright	Public Domain [tag/del]
Misc. Notes	Two performance options: within each verse either terminate at the symbol (usually employed for canons) to make the piece a third-tone setting; or, sing to the double bar to make the piece an eighth-tone setting.
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General Information

Work Title	Magnificat tertii et octavi toni
Alternative. Title	Magnificat on the Third or Eighth Tones
Composer	Gombert, Nicolas
Internal Reference NumberInternal Ref. No.	ING 22
Movements/SectionsMov'ts/Sec's	6 movements Et exsultavit (3 vv) Quia fecit mihi magna (4 vv) Fecit potentiam (5 vv) Esurientes (6 vv) Sicut locutus est (7 vv) Sicut erat in principio (8 vv)
Year/Date of CompositionY/D of Comp.	1552 or before
First Publication.	1552 in Canticum Beatae Mariae Virginis (No.3)
Librettist	Biblia Vulgata, Lucam 1:46–55 and Doxology
Language	Latin
Average DurationAvg. Duration	10-12 minutes
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	3-8 voices (SAB, each verse adds an extra voice)
External Links	CPDL page

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