| Movements/SectionsMov'ts/Sec's | 2 movements |
|---|---|
| Composition Year | 2018 |
| Genre Categories | Sonatas; For flute, clarinet, saxophone, violin, cello, piano; Scores featuring the flute; |
| Related Works | Arrangements of Keyboard Sonata in G minor, R.87, by Antonio Soler and Keyboard Sonata in G minor, R.42, by Antonio Soler |
⇒ 6 more: Flute • Clarinet • Saxophone • Violin • Cello • Piano
|
⇒ 5 more: Violins I • Violins II • Violas • Cellos • Basses
|
| Work Title | Memorias de la Ilustración (Memories of the Enlightenment) |
|---|---|
| Alternative. Title | Transcription of two Sonatas by Antonio Soler |
| Composer | Igoa, Enrique |
| Internal Reference NumberInternal Ref. No. | IEI 6 |
| Key | G minor |
| Movements/SectionsMov'ts/Sec's | 2 movements |
| Year/Date of CompositionY/D of Comp. | 2018 |
| First Performance. | 2018/10/24 |
| Dedication | Grupo Cosmos y su director Carlos Galán |
| Average DurationAvg. Duration | 5-6 minutes |
| Composer Time PeriodComp. Period | Modern |
| Piece Style | Classical |
| Instrumentation | flute, clarinet, alto saxophone, piano, violin, cello; strings; 2 violins, viola, cello, double bass |
| Related Works | Arrangements of Keyboard Sonata in G minor, R.87, by Antonio Soler and Keyboard Sonata in G minor, R.42, by Antonio Soler |
| Extra Information | As a result of my doctoral thesis, devoted to the analysis of the sonatas of Padre Soler, a transcription of some of them could not be missing from the catalog of my musical production as a composer. For this I have chosen the pair that make up the Sonatas R. 87 and R. 42, both in G minor, which occupy Nos. 11 and 12 of the so-called Manuscript of the Madrid Conservatory, since they are located in the library of the ‘Real Conservatorio Superior de Música de Madrid’. With this I pay tribute to the composer who has been for me, for several years, an object of study and research, also making his keyboard music come to life on the music in a chamber group whose color richness offers a renewed expression of his work. |