Motets, GB-Lcm MS 2035 (Various)

Movements/SectionsMov'ts/Sec's 45 motets
Genre Categories Motets; Sacred songs; Religious works; Songs; For 3 voices; For unaccompanied voices; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the bass voice; Latin language

Sheet Music

Parts

 Cantus Part
#838534 - 16.87MB, 116 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 39×⇩ - Royal College o...

PDF scanned by Royal College of Music Library
Royal College o... (2023/2/6)

 Altus Part
#838535 - 18.54MB, 116 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 20×⇩ - Royal College o...

PDF scanned by Royal College of Music Library
Royal College o... (2023/2/6)

 Bassus Part
#838536 - 18.22MB, 114 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 22×⇩ - Royal College o...

PDF scanned by Royal College of Music Library
Royal College o... (2023/2/6)

Publisher. Info. Manuscript, n.d.(1600s)
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Royal College of Music Library, London (GB-Lcm): MS 2035
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General Information

Work Title Motets, GB-Lcm MS 2035
Alternative. Title
Composer Various
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 45 motets:
  1. Parsley: Conserva me, Domine ; Benedicam ; Multiplicati
  2. Wood: Exurge Domine
  3. Sheppard: Singularis privelegii
  4. Taverner: Ave Dei Patris
  5. White: Peccatum peccavit Jerusalem
  6. Taverner: Gaude plurimum ; Gaude Maria virgo ; Gaude Maria Iesu mater
  7. Tallis: Salve intemerata ; Ave mulieris sanctissima ; Per haec nos praecellentissima ; Tu nimirum universas
  8. Tallis: Ave Dei patris ; Ave Domini filia ; Ave plena gratia
  9. Parsons: Anima Christi
  10. White: Manus tuae fecerunt me
  11. Taverner: Qui tollis peccata ; Gloria tua
  12. Fayrfax: In Deo ; Superbos
  13. Tallis: Gaude gloriosa
  14. White: Manus tuae fecerunt me
  15. White: Cantate Domino
  16. Taverner: Et incarnatus
  17. Taverner: Et in terra pax
  18. Taverner: Crucifixus
  19. Taverner: Patrem omnipotentem
  20. Mundy: Audi filia ; Eructavit cor meum
  21. Mundy: Cor mundum ; Purifica me ; Quoniam praevaricationes ; Docebo praevaricationes ; Miserere ; Purifica me
  22. Mundy: Surge propera ; Vox Patris coelestis ; Fanus distillans
  23. Taverner: Ave Dei patris
  24. Fayrfax: Ave Dei patris
  25. Taverner: Sospitati dedit ; Ergo laudes Nicholas
  26. Taverner: Agnus Dei
  27. Byrd: Cunctis diebus
  28. Tallis: Ave rosa ; Maria stella ; Dominus tecum
  29. Sheppard: Esto pater
  30. Wood: Verbi tui
  31. Sheppard: Illustrissima omnium
  32. Wood: Igitur, O Jesu bone
  33. Anonymous: Domine Deus caelestis
  34. Johnson: Ave Dei patris ; Ave Domini filia
  35. Sheppard: Singularis privelegii
  36. Wood: Exurge Domine
  37. Wood: Perfice illud
  38. White: Peccatum peccavit Jerusalem
  39. Taverner: Gaude plurimum ; Gaude Maria virgo ; Gaude Maria Iesu mater
  40. Tallis: Salve intemerata ; Ave mulieris sanctissima ; Per haec nos praecellentissima
  41. Taverner: Crucifixus
  42. Victoria: Crucifixus
  43. Byrd: Eructavit
  44. Byrd: Magnus Dominus
  45. Byrd: Benedixisti
Language Latin
Piece Style Renaissance
Instrumentation 3 voices
Extra Information Music copied by two scribes, both employed by Edward Paston. Repertory consists mainly of three-voice sections extracted from larger works. All attributions in Bassus book. Many pieces have text incipits only. Roughly drawn barlines added to many pieces by later hand. Originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music (from www.diamm.ac.uk).
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