Motets à deux voix, avec la basse-continue (Du Mont, Henry)

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Contents

Performances

Sheet Music

Scores and Parts

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Vangi (2017/4/14)

Publisher. Info. Paris: Robert Ballard, 1668.
Copyright
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: D 3704
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33 more: 2. Miserere mei Domine • 3. Quare tristis es • 4. O gloriosa Mariæ viscera • 5. Dic mihi o bone Jesu • 6. O salutaris hostia • 7. Ego enim accepi • 8. Ti timeo Judex terribilis • 9. Memorare o piissima Virgo Maria • 10. Tota pulchra es Maria • 11. Quis mihi det Domine • 12. Quam pulchra es • 13. Paratum cor meum • 14. In lectulo meo • 15. Gloriosissima Maria • 16. Ave verum corpus • 17. Domine in virtute tua • 18. Non amo te, perfide munde • 18a. Non amo te, perfide munde (pour deux Contra-Tenors) • 19. O dulcedo amoris • 20. Benedicam Dominum • 21. Dignare Domine • 22. Quemadmodum desiderat cervus • 23.Veni creator spiritus • 24. Iste confessor • 25. Symphonia • 26. Cæcilia famula tua • 27. Allemande • 28. Panis angelicus I • 29. Panis angelicus II • 30. O fideles • 31. Domine non secundum • 32. O æterne misericors Deus • 33. Allemande en tablature d’orgue

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Vangi (2017/4/17)

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Vangi (2017/6/6)

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Vangi (2017/7/11)

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Vangi (2017/7/11)

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Vangi (2017/7/11)

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Vangi (2017/7/11)

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Vangi (2017/7/11)

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Vangi (2017/4/18)

Editor Daniel Van Gilst
Publisher. Info. Daniel Van Gilst, 2017.
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General Information

Work Title Motets à deux voix, avec la basse-continue
Alternative. Title
Composer Du Mont, Henry
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 33 motets
  • Due voce
1. Peccator ubi es
2. Miserere mei, Domine
3. Quare tristis es
4. O gloriosa Mariæ viscera
5. Dic mihi, o bone Jesu
6. O salutaris hostia
7. Ego enim accepi
8. Te timeo Judex terribilis
9. Memorare, o piissima Virgo Maria (cum Viol. si placet)
10. Tota pulchra es Maria
11. Quis mihi det Domine
12. Quam pulchra es
13. Paratum cor meum
14. In lectulo meo
15. Gloriosissima Maria
16. Ave verum corpus
17. Domine in virtule tua lætabitur Rex
18. Non amo te, perfide munde
19. O dulcedo amoris (cum Viol. si placet)
20. Benedicam Dominum (cum Viol. si placet)
21. Dignare Domine
22. Quemadmoduù desiderat cervus
23. Veni creator Spiritus
24. Iste confessor
25. Symphonia (Viol.)
26. Cæcilia, famula tua (cum Viol. si placet)
27. Allemande (Viol.)
  • Voce sola
28. Panis angelicus I (cum Viol. si placet)
29. Panis angelicus II (cum Viol. si placet)
30. O fideles
31. Domine, non secundum peccata nostra
32. O æterne misericors Deus
33. Allemande en tablature d’orgue
First Publication. 1668 - Paris: Robert Ballard
Language Latin
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 1-2 voices, continuo (some with violin/string parts)

Misc. Comments

  • The violin parts for some of the motets that use it are in the vocal parts, but the Memorare, O Dulcedo, Benedicam Dominum, and Caecilia violin parts are in the continuo part.
  • The violin parts seem to be entirely unison with the vocal parts, and in the Symphonia there is only one dessus part, but it is marked "a2".
  • At the back of the continuo part, there is a version of the Allemande in organ tablature.