Performances
Sheet Music
Parts
⇒ 5 more: Altus • Tenor • Bassus • Quintus • Sextus
Publisher. Info.
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Venezia: Antonio Gardano, 1568.
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Copyright
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Misc. Notes
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Österreichische Nationalbibliothek A-Wn SA.79.C.7 - RISM 1568 (2) ChoralWiki (includes contents listing)
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General Information
Work Title
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Novi thesauri musici
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Alternative. Title
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Composer
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Gardano, Antonio
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I-Catalogue NumberI-Cat. No.
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None [force assignment]
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Movements/SectionsMov'ts/Sec's
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87 motets:
- Regnart: Canite tuba in Sion
- Jean Louys: Rorate caeli
- Hollander: Excita potentiam tuam
- Zaphelius: Veni redemptor gentium
- Henri de La Court: Judaea et Jerusalem
- Petrus Speilier: Christus natus est nobis
- Regnart: Hodie de virgine Salvator mundi natus est
- Des Buissons: Hodie nobis de caelo pax
- Des Buissons: Verbum caro factum est
- Prenner: Hodie Christus natus est
- Regnart: Hodie natus est Christus
- Guyot: Descendit de caelis missus ab arce
- Verdiere: O praeclarum nomen
- Hollander: Postquam consummati essent
- Regnart: Puer natus est nobis
- Regnart: Stella quam viderant magi
- Vaet: Reges terrae congregati sunt
- Hollander: Tres veniunt reges
- Des Buissons: Magi venerunt ab Oriente
- Deiss: Responsum accepit Simeon
- Des Buissons: Responsum accepit Simeon
- Utendal: Postquam completi sunt dies
- De Roy: Adjuva nos Deus
- Jean de Chaynée: Derelinquat impius
- Hollander: Pater peccavi in caelum
- Zaphelius: Christe qui lux es et dies
- Lassus: Audi benigne conditor
- Regnart: Domine non secundum peccata
- Jean de Chaynée: Peccavi super numerum
- Deiss: Egressus Jesus secessit in partes
- Des Buissons: Ave Maria gratia plena
- Regnart: Circumdederunt me viri mendaces
- Regnart: Pueri Hebraeorum vestimenta
- Mahu: Lamentation "Incipit lamentatio Jeremiae prophetae"
- Mahu: Lamentation "Viæ Sion lugent"
- Mahu: Lamentation "Omnis populus eius"
- Mahu: Lamentation "O vos omnes"
- Mahu: Lamentation "Expandi manus meas"
- Mahu: Lamentation "Complevit Dominus furorem suum"
- Mahu: Lamentation "Erraverunt caeci in plateis"
- Mahu: Lamentation "Ad dominum levemus corda nostra"
- Mahu: Lamentation "Oratio Jeremiae prophetae"
- Lassus: In monte Oliveti
- Franciscus Mergot: Plangent eum
- Utendal: Plangent eum
- Des Buissons: O vos omnes
- Regnart: Surrexit pastor bonus
- Regnart: Angelus autem Domini
- Antonius Galli: Stetit Jesus in medio discipulorum
- Cleve: Regina caeli laetare
- Deiss: Angelus Domini
- Des Buissons: Surgens Jesus
- Des Buissons: Christus surrexit
- Vaet: Pascha nostrum immolatus est Christus
- Guyot: Haec est dies quam fecit Dominus
- Hollander: Christus resurgens a mortuis
- Des Buissons: Ascendens Christus in altum
- Guyot: Ascendo ad patrem meum alleluia
- Joannes Deslins: Veni creator spiritus
- Petrus Speilier: Spiritus sanctus docebit vos
- Regnart: Apparuerunt apostolis
- Hollander: Repleti sunt omnes
- Des Buissons: Emitte spiritum tuum
- Guyot: Veni sancte spiritus
- Regnart: Sancta Trinitas
- Jean de Chaynée: Adesto sancta Trinitas par splendor
- Jean Louys: Te Deum verum unum in trinitate
- Guyot: Te Deum patrem ingenitum
- Des Buissons: Tibi decus et imperium
- Prenner: Ave verum corpus
- Jean Louys: Christum regem venite adoremus
- Des Buissons: Hic est panis de caelo
- Lassus: O quam suavis est
- Guyot: Accepit Jesus panem
- Guyot: Quicunque manducaverit
- De Roy: Exsurgens Maria
- Le Duc: Assumens Jesus Petrum
- Vaet: Assumens Jesus Petrum
- Prenner: Assumpta est Maria in caelum
- Des Buissons: Que est ista quae ascendit
- Prenner: Hodie beatissima virgo Maria
- Prenner: Hodie nata est
- Des Buissons: Gaudete et exsultate
- Formellis: Isti sunt viri sancti quos elegit Dominus
- De Roy: O quam gloriosum est regnum
- Prenner: Conceptio est hodie
- Formellis: Beata es virgo Maria
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First Publication.
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1568
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Language
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Latin
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Dedication
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Maximilian II, Holy Roman Emperor
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Composer Time PeriodComp. Period
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Renaissance
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Piece Style
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Renaissance
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Instrumentation
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4, 5, 6, 7, 8 voices
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Navigation etc.
A collection of motets for the Temporale Proper (moveable feasts).
In many references, "Pietro Giovanelli" is credited as the main contributor, but he was not a composer. He was the patron of the collection, which, according to Erin Lambert, "was unprecedented in size; it included more than 250 motets [. . . it] provides insight into activities of the Habsburg court chapels in Vienna, Graz, Innsbruck, and Prague." (Singing the Resurrection: Body, Community, and Belief in Reformation Europe, pp.168-169)