Oboe Concerto (Barbirolli, John)

Movements/SectionsMov'ts/Sec's 5 movements
First Publication 1947
Genre Categories Concertos; For oboe, strings; Scores featuring the oboe; Scores featuring string ensemble; For strings with soloists
Related Works Violin Sonata in F major, Op.5 No.10
Violin Sonata in D minor, Op.5 No.7

Sheet Music

Full Scores

 Complete Score (CA)
#927405 - 1.94MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V/43/41 - Aufman

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Aufman (2024/8/15)

Publisher. Info. London: Boosey & Hawkes, 1947. Plate B. & H. 9079.
Copyright
Public Domain - Non-PD US, Non-PD EU [tag/del]
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Parts

 Oboe Solo (CA)
#921992 - 0.42MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/43/41 - Aufman

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Aufman (2024/7/8)

⇒ 5 more: Violins I • Violins II • Violas • Cellos • Basses

 Violins I (CA)
#921993 - 0.36MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/43/41 - Aufman

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Aufman (2024/7/8)

 Violins II (CA)
#921994 - 0.32MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/43/41 - Aufman

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Aufman (2024/7/8)

 Violas (CA)
#921995 - 0.32MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/43/41 - Aufman

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Aufman (2024/7/8)

 Cellos (CA)
#921996 - 0.36MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/43/41 - Aufman

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Aufman (2024/7/8)

 Basses (CA)
#921997 - 0.23MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/43/41 - Aufman

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Aufman (2024/7/8)

Publisher. Info. London: Boosey & Hawkes, 1947. Plate 16264.
Copyright
Public Domain - Non-PD US, Non-PD EU [tag/del/mrg]
Purchase
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General Information

Work Title Concerto for Oboe and Strings
Alternative. Title Concerto on Themes of Arcangelo Corelli
Composer Barbirolli, John
Internal Reference NumberInternal Ref. No. IJB 2
Movements/SectionsMov'ts/Sec's 5 movements:
  1. Preludio
  2. Allemanda
  3. Sarabanda
  4. Gavotta
  5. Giga
First Publication. 1947
Composer Time PeriodComp. Period Early 20th century
Piece Style Baroque
Instrumentation oboe, strings
Related Works Violin Sonata in F major, Op.5 No.10
Violin Sonata in D minor, Op.5 No.7
Extra Information All movements except the Sarabanda come from Corelli's Violin Sonata Op.5, No.10. The Sarabanda comes from Violin Sonata Op.5, No.7.
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