Obras de Música, MME 27-29 (Cabezón, Antonio de)

Contents

Performances

Sheet Music

Scores

Volume XXVII

PDF scanned by Harryr
Harryr (2016/10/26.)

11 more: Segment 2 of 4 (score only, as scanned) • Segment 3 of 4 (score only, as scanned) • Segment 4 of 4 (score only, as scanned) • Segment 1 of 4 (score only, miniature) • Segment 2 of 4 (score only, miniature) • Segment 3 of 4 (score only, miniature) • Segment 4 of 4 (score only, miniature) • Segment 1 of 4 (listing of contents) • Segment 2 of 4 (listing of contents) • Segment 3 of 4 (listing of contents) • Segment 4 of 4 (listing of contents)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

PDF scanned by Harryr
Harryr (2016/10/26.)

Editor Higinio Anglés (1888-1969), after Felipe Pedrell (1841-1922)
Publisher. Info. Monumentos de la Música Española, Vol. XXVII
Barcelona: Instituto Español de Musicología, 1966.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes Urtext edition, scanned at 600 dpi. The four segments uploaded were one book as the printed source. Each download has two tables of contents (TOC): 1) one scanned from the printed source and 2) a PDF TOC built by the uploader. Besides keyboard, the collection is also for harp and vihuela (lute).
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Volume XXVIII

PDF scanned by Harryr
Harryr (2016/10/26)

5 more: Segment 2 of 2 (score only, as scanned) • Segment 1 of 2 (score only, miniature) • Segment 2 of 2 (score only, miniature) • Segment 1 of 2 (listing of contents) • Segment 2 of 2 (listing of contents)

PDF scanned by Harryr
Harryr (2016/10/26)

PDF scanned by Harryr
Harryr (2016/10/26)

PDF scanned by Harryr
Harryr (2016/10/26)

PDF scanned by Harryr
Harryr (2016/10/26)

PDF scanned by Harryr
Harryr (2016/10/26)

Editor Higinio Anglés (1888-1969), after Felipe Pedrell (1841-1922)
Publisher. Info. Monumentos de la Música Española, Vol. XXVIII
Barcelona: Instituto Español de Musicología, 1966.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes Urtext edition, scanned at 600 dpi. The two segments uploaded were one book as the printed source. Each download has two tables of contents (TOC): 1) one scanned from the printed source and 2) a PDF TOC built by the uploader. Besides keyboard, the collection is also for harp and vihuela (lute).
Purchase
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Volume XXIX

PDF scanned by Harryr
Harryr (2016/10/26)

5 more: Segment 2 of 2 (score only, as scanned) • Segment 1 of 2 (score only, miniature) • Segment 2 of 2 (score only, miniature) • Segment 1 of 2 (listing of contents) • Segment 2 of 2 (listing of contents)

PDF scanned by Harryr
Harryr (2016/10/26)

PDF scanned by Harryr
Harryr (2016/10/26)

PDF scanned by Harryr
Harryr (2016/10/26)

PDF scanned by Harryr
Harryr (2016/10/26)

PDF scanned by Harryr
Harryr (2016/10/26)

Editor Higinio Anglés (1888-1969), after Felipe Pedrell (1841-1922)
Publisher. Info. Monumentos de la Música Española, Vol. XXIX
Barcelona: Instituto Español de Musicología, 1966.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes Urtext edition, scanned at 600 dpi. The two segments uploaded were one book as the printed source. Each download has two tables of contents (TOC): 1) one scanned from the printed source and 2) a PDF TOC built by the uploader. Besides keyboard, the collection is also for harp and vihuela (lute).
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General Information

Work Title Obras de Música, MME 27-29
Alternative. Title Obras de Música para tecla, arpa y vihuela
Composer Cabezón, Antonio de
I-Catalogue NumberI-Cat. No. None [force assignment]
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation keyboard or harp or vihuela (a 6-stringed guitar-like instrument)