Organ Concerto, Op.55 (Parker, Horatio)

Movements/SectionsMov'ts/Sec's	3 movements: Allegro moderato - Andante Allegretto, ma ben marcato Allegro moderato, molto risoluto
Composition Year	1901 Munich to 1902 Paris
Genre Categories	Concertos; For organ, orchestra; Scores featuring the organ; Scores featuring the orchestra; For orchestra with soloists; For organ (arr); For 1 player (arr); Scores featuring the organ (arr)

1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Arrangements and Transcriptions
  - 2.1.1 For Organ solo (Smith)
3 Free Recordings
4 General Information
5 Navigation etc.

Performances

Naxos

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Sheet Music

Arrangements and Transcriptions

For Organ solo (Smith)

Complete Score
*#203818 - 2.89MB, 32 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/C - 1809×⇩ - Aldona Jones

PDF scanned by US-R
Aldona Jones (2012/4/14)

Arranger	David Stanley Smith (1877-1949)
Publisher. Info.	London: Novello, 1903. Plate 11665
Copyright	Public Domain [tag/del]
Misc. Notes	This file is part of the Sibley Mirroring Project.
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Free Recordings

Performance by John Hutchinson (organ), North Georgia Symphony Orchestra, Andy David (director)

I. Allegro moderato - Andante

III. Allegro moderato, molto risoluto

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General Information

Work Title	Organ Concerto
Alternative. Title
Composer	Parker, Horatio
Opus/Catalogue NumberOp./Cat. No.	Op.55
Internal Reference NumberInternal Ref. No.	IHP 31
Key	E-flat minor
Movements/SectionsMov'ts/Sec's	3 movements: Allegro moderato - Andante Allegretto, ma ben marcato Allegro moderato, molto risoluto
Year/Date of CompositionY/D of Comp.	1901 Munich to 1902 Paris
First Performance.	1902-12-26, Boston Symphony, Wilhelm Gericke, conducting, composer, soloist
First Publication.	1903
Dedication	George Robertson Sinclair
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Organ, Orchestra
External Links	*Notes to Premiere Performance by the Boston Symphony Orchestra by Philip Hale

Navigation etc.

The Allegro moderato and Andante are considered separate movements in the program notes to the premiere performance (which makes some sense from the sound; the Allegro moderato has come to a stop in E♭ major, the Andante seems a self-contained movement in B.)