| Movements/SectionsMov'ts/Sec's | 5 movements |
|---|---|
| Composition Year | 2000 |
Contents |
1. Preludino
*#930615 - 0.65MB - 0:43 - (-) - !N/!N/!N - 0×⇩ - MP3 - Joerg Gedan
MP3 file (audio)
Joerg Gedan (2024/9/5)
⇒ 4 more: 2. Lamentino • 3. Scherzino • 4. Andantino • 5. Rondino
2. Lamentino
*#930616 - 1.10MB - 1:12 - (-) - !N/!N/!N - 0×⇩ - MP3 - Joerg Gedan
MP3 file (audio)
Joerg Gedan (2024/9/5)
3. Scherzino
*#930617 - 0.84MB - 0:55 - (-) - !N/!N/!N - 0×⇩ - MP3 - Joerg Gedan
MP3 file (audio)
Joerg Gedan (2024/9/5)
4. Andantino
*#930618 - 0.92MB - 1:00 - (-) - !N/!N/!N - 0×⇩ - MP3 - Joerg Gedan
MP3 file (audio)
Joerg Gedan (2024/9/5)
5. Rondino
*#930619 - 1.15MB - 1:16 - (-) - !N/!N/!N - 0×⇩ - MP3 - Joerg Gedan
MP3 file (audio)
Joerg Gedan (2024/9/5)
|
Complete Score
*#929383 - 0.31MB, 8 pp. - (-) - !N/!N/!N - 7×⇩ - Joerg Gedan
PDF typeset by composer
Joerg Gedan (2024/8/28)
PDF typeset by composer
Joerg Gedan (2024/8/28)
PDF typeset by composer
Joerg Gedan (2024/8/28)
|  |
| Work Title | Partita piccola |
|---|---|
| Alternative. Title | 5 Miniatures for Violin (or Viola) and Piano |
| Composer | Gedan, Jörg |
| I-Catalogue NumberI-Cat. No. | IJG 5 |
| Movements/SectionsMov'ts/Sec's | 5 movements:
|
| Year/Date of CompositionY/D of Comp. | 2000 |
| First Performance. | 2001 |
| Composer Time PeriodComp. Period | Modern |
| Piece Style | Modern |
| Instrumentation | violin (or viola), piano |
| Extra Information | Die Partita piccola entstand 2000 als Beitrag für „Jugend musiziert“ in der Absicht, Spielstücke zu schaffen, die für beide Spieler annähernd denselben Schwierigkeitsgrad haben. Die fünf Sätze bilden die Folgen schnell-langsam-schnell-langsam-schnell, wobei der vierte Satz symmetrisch aufgebaut ist, denn seine Melodie ist eine Zwölftonreihe, an die ihr Krebs angehängt ist, dreht sich also gewissermaßen im Kreis. Die beiden Ecksätze umschließen das Ganze, indem sie thematisch aufeinander Bezug nehmen.
The Partita piccola was created in 2000 as a contribution to “Jugend musiziert” with the intention of creating pieces that have approximately the same level of difficulty for both players. The five movements form the sequence fast-slow-fast-slow-fast, with the fourth movement being symmetrical in structure, as its melody is a twelve-tone row to which its crab is attached, so it turns in a circle, so to speak. The two outer movements enclose the whole by referring to each other thematically. |
