Perpetuum mobile (Effenberg, Rainer)

Movements/SectionsMov'ts/Sec's Presto
Composition Year 1997
Genre Categories Pieces; For violin, piano; Scores featuring the violin; Scores featuring the piano; For 2 players; For 2 violins, cello, piano; Scores featuring the cello; For 4 players

Contents

Performances

Recordings

 Concert Recording
#930902 - 1.62MB - 1:46 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 30×⇩ - MP3 - Rainer Effenberg

MP3 file (audio)
Rainer Effenberg (2024/9/8)

Publisher Info.
Performers Unknown fiddlers.
Copyright
Creative Commons Attribution 4.0 [tag/del]
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Sheet Music

Scores

 Complete Score
#930904 - 0.18MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 91×⇩ - Rainer Effenberg

PDF typeset by composer
Rainer Effenberg (2024/9/8)

Publisher. Info. Jörg Gedan
Copyright
Creative Commons Attribution 4.0 [tag/del]
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Parts

 Violin Solo
#930905 - 0.13MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 39×⇩ - Rainer Effenberg

PDF typeset by composer
Rainer Effenberg (2024/9/8)

 Violin 2 ad lib.
#930906 - 0.10MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 32×⇩ - Rainer Effenberg

PDF typeset by composer
Rainer Effenberg (2024/9/8)

 Cello ad lib.
#930907 - 0.08MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 28×⇩ - Rainer Effenberg

PDF typeset by composer
Rainer Effenberg (2024/9/8)

Publisher. Info. Jörg Gedan
Copyright
Creative Commons Attribution 4.0 [tag/del/mrg]
Purchase
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General Information

Work Title Perpetuum mobile
Alternative. Title for violin and piano
Composer Effenberg, Rainer
Internal Reference NumberInternal Ref. No. IRE 66
Key G major
Movements/SectionsMov'ts/Sec's Presto
Year/Date of CompositionY/D of Comp. 1997
First Performance. 1998
Average DurationAvg. Duration 2 minutes
Composer Time PeriodComp. Period Modern
Piece Style Traditional (folk)
Instrumentation violin, piano
Extra Information For free use.

Navigation etc.

This piece is actually very simple. Only first position, only 2 types of grips. But without a brisk tempo it makes no sense. So this piece is for little people with nimble fingers. Then the piece is extremely effective for the audience.

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