Phi-Phi (Christiné, Henri)

Contents

Performances

Sheet Music

Vocal Scores

Selections

PDF scanned by AUS-CAnl
Schalltrichter (2015/10/11)

Publisher. Info. Paris: Christiné, 1918.
Copyright
Misc. Notes text deleted
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Arrangements and Transcriptions

Complete

For Piano

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Unl (2016/10/11)

Arranger Anonymous
Publisher. Info. Paris: Éditions F. Salabert, 1919. Plate E.A.S. 1146.
Copyright
Misc. Notes This file is part of the University of Nebraska-Lincoln
Rokahr Family Archive Mirroring Project.
Missing pages 26-29.
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Act I: Pour l'amour (Fox-trot)

For Piano

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Lucas-coelho (2020/12/2)

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Lucas-coelho (2020/12/2)

Publisher. Info. Rio de Janeiro: O Malho, No.985, 1921.
Copyright
Misc. Notes "Grande successo da Orchestra Pickmann"
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Lucas-coelho (2021/5/4)

PDF scanned by BR-Rn
Lucas-coelho (2021/5/4)

Publisher. Info. Rio de Janeiro: Jornal das Moças, No.304, 1921.
Copyright
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Act III: Chanson des Petits Païens

For Piano

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Lucas-coelho (2020/8/31)

PDF scanned by BR-Rn
Lucas-coelho (2020/8/31)

Publisher. Info. Rio de Janeiro: O Malho, No.1025, 1922.
Copyright
Misc. Notes "Grande successo da Orchestra Pickmann"
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General Information

Work Title Phi-Phi
Alternative. Title
Name Translations フィフィ
Authorities Wikipedia
Composer Christiné, Henri
I-Catalogue NumberI-Cat. No. IHC 4
First Publication. 1918
Copyright Information Although purely instrumental selections and arrangements are permitted for this piece items
containing any text by the author(s) listed below cannot be added to the main server (located in Canada) until
70 years after the death of the author(s). Items with text first published before 1928 or otherwise confirmed as public domain
in the United States can be uploaded to the US server only.
Librettist Albert Willemetz (1887-1964)
Fabien Sollar (1886-1982)
Language French
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation voices, orchestra
External Links Wikipedia article
Comedie musicale (French)

Navigation etc.

  • The first post-WW I French musical comedy success, which launched Christine's career in the genre, at the age of 51.
    An English-language production translated by Fred Thompson and Clifford Grey, with additional songs by Herman Darewski, Nat Ayer and Cole Porter, ran for over 1,000 performances in London from 1922.