Piano Trio, Op.2 (Franck, César)

Movements/SectionsMov'ts/Sec's	1 (Allegro)
Composition Year	1841? (original version as the Finale of Trio No.3); 1842 ca. (final version)
Genre Categories	Trios; For violin, cello, piano; Scores featuring the violin; Scores featuring the cello; Scores featuring the piano; For 3 players

Performances

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Complete Score and Parts
*#55371 - 17.93MB, 34, 7, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 1559×⇩ - Peter

PDF scanned by D-Mbs
Peter (2010/2/7)

Editor	First edition
Publisher. Info.	Hamburg: Schuberth & Co., n.d.[1846]. Plate 852.
Copyright	Public Domain [tag/del]
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Piano Score
*#202705 - 3.94MB, 34 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 1354×⇩ - Aldona Jones

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Aldona Jones (2012/4/11)

Violin
*#202706 - 0.61MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 432×⇩ - Aldona Jones

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Aldona Jones (2012/4/11)

Violoncello
*#202707 - 0.63MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 384×⇩ - Aldona Jones

PDF scanned by US-R
Aldona Jones (2012/4/11)

Editor	First edition
Publisher. Info.	Hamburg: Schuberth & Co., n.d.[1846]. Plate 852.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	This file is part of the Sibley Mirroring Project.
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Work Title	Piano Trio, Op.2
Alternative. Title	Trio Concertant No. 4 pour piano, violon et violoncelle
Composer	Franck, César
Opus/Catalogue NumberOp./Cat. No.	CFF 114; FWV 4; Op.2
Internal Reference NumberInternal Ref. No.	ICF 46
Key	B minor
Movements/SectionsMov'ts/Sec's	1 (Allegro)
Year/Date of CompositionY/D of Comp.	1841? (original version as the Finale of Trio No.3); 1842 ca. (final version)
First Performance.	1879 – Paris, Société nationale de musique (the earliest known)
First Publication.	1846 – Hamburg: Schuberth & Co.
Dedication	Franz Liszt
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	piano, violin, cello

Composition and first performance dates from Chandos 9742 and Tudor 7032.
This trio was originally intended to be the finale of the Piano Trio, Op.1 No.3. In this form it was performed in 1841, when Liszt adviced Franck to dismiss this movement because of its length and make it a separate composition.