Piano Trio No.3, O.115 (Verotta, Davide)

Movements/SectionsMov'ts/Sec's	3 movements
Composition Year	2025
Genre Categories	Trios; For violin, cello, piano; Scores featuring the violin; Scores featuring the cello; Scores featuring the piano; For 3 players

Performances

Complete Performance
*#982888 - 13.67MB - 10:36 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 10×⇩ - MP3 - Davide Verotta

Publisher Info.	Davide Verotta, 2025.
Performers	Paul Dab, piano, Michael Long, violin, Sung Choi, cello
Copyright	Creative Commons Zero 1.0 [tag/del]
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Complete Score
*#982883 - 3.22MB, 15 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 21×⇩ - Davide Verotta

PDF typeset by composer
Davide Verotta (2025/7/28)

⇒ 4 more: Complete Score (Violin Part Emphasized) • Violin Part • Complete Score (Cello Part Emphasized) • Cello Part

PDF typeset by composer
Davide Verotta (2025/7/28)

Violin Part
*#982886 - 0.43MB, 5 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5×⇩ - Davide Verotta

PDF typeset by composer
Davide Verotta (2025/7/28)

PDF typeset by composer
Davide Verotta (2025/7/28)

Cello Part
*#982887 - 0.44MB, 5 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4×⇩ - Davide Verotta

PDF typeset by composer
Davide Verotta (2025/7/28)

Publisher. Info.	Davide Verotta, 2025.
Copyright	Creative Commons Zero 1.0 [tag/del/mrg]
Purchase	Javascript is required for this feature.

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Work Title	Piano Trio No.3
Alternative. Title	Taming the Tantrum
Composer	Verotta, Davide
Opus/Catalogue NumberOp./Cat. No.	O.115
Internal Reference NumberInternal Ref. No.	IDV 81
Movements/SectionsMov'ts/Sec's	3 movements: = 58 = 66 o più lento = 112
Year/Date of CompositionY/D of Comp.	2025
First Performance.	2027/07/27
First Publication.	2025
Average DurationAvg. Duration	10 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Modern
Instrumentation	violin, cello, piano
Extra Information	Written at the of end June 2025, Taming the Tantrum is structured in three movements: the first portrays the onset of a minor conflict—a tantrum, a verbal dispute, or something slightly more serious; the second captures the immediate aftermath, where calm returns but tension lingers; and the third offers a more tranquil space, where looking back and wandering what all that was about is possible.