Quemadmodum (Taverner, John)

Movements/SectionsMov'ts/Sec's 2 movements
Genre Categories Pieces; For 6 instruments; Scores with open instrumentation; For 6 players; For 6 viols; Scores featuring the viol; Latin language

Contents

Performances

Naxos

Javascript not enabled.

Synthesized/MIDI

 Synthesized Performance
#414592 - 0.01MB - 3:48 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 104×⇩ - MID - Marc lanoiselee

MID file (audio/video)
Marc lanoiselee (2016/3/9)

Publisher Info. Marc Lanoiselée
Performers Marc Lanoiselee
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
Javascript is required for this feature.

Sheet Music

Scores and Parts

 Complete Score
#840023 - 1.09MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 42×⇩ - Feduol

PDF scanned by Unknown
Feduol (2023/2/14)

Editor Richard Runciman Terry (1865–1938)
Publisher. Info. Tudor Church Music, Vol.3 (pp.117-121)
London: Oxford University Press, 1924.
Copyright
Public Domain [tag/del]
Misc. Notes This file is part of the Submission Project.
Purchase
Javascript is required for this feature.

 Complete Score
#414587 - 0.53MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1608×⇩ - Marc lanoiselee

PDF typeset by editor
Marc lanoiselee (2016/3/9)

⇒ 4 more: Complete Parts • Complete Score (transposed) • Complete Parts (transposed) • Engraving files (Lilypond)

 Complete Parts
#414588 - 0.15MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 398×⇩ - Marc lanoiselee

PDF typeset by editor
Marc lanoiselee (2016/3/9)

 Complete Score (transposed)
#414589 - 0.09MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 391×⇩ - Marc lanoiselee

PDF typeset by editor
Marc lanoiselee (2016/3/9)

 Complete Parts (transposed)
#414590 - 0.15MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 274×⇩ - Marc lanoiselee

PDF typeset by editor
Marc lanoiselee (2016/3/9)

 Engraving files (Lilypond)
#414591 - 0.01MB, ? pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 105×⇩ - Marc lanoiselee

ZIP typeset by editor
Marc lanoiselee (2016/3/9)

Editor Marc Lanoiselée
Publisher. Info. Marc Lanoiselée
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
Javascript is required for this feature.

 Complete Score with Editorial Underlay
#491620 - 0.11MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1147×⇩ - Gervais O Frykman

PDF typeset by Gervais Frykman
Gervais O Frykman (2017/9/4)

Editor Gervais Frykman, after TCM
Publisher. Info. TCM
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes This moving and beautiful piece is presumably a setting of the first two verses of Ps 42, and is presented here with editorial underlay. The piece is important in the transition from the florid pre-reformation style to the imitative Renaissance style, and was the head of an entire genre of bipartite psalm motets stretching to Gibbons' O Clap Your Hands of 1622, but only here is the bipartite form explained by the two verses being set. The cleffs imply upward transposition, of a tone in this case, and a further transposition is necessary because of the higher pitch, here a semitone. The alto parts are singable by tenors. The counter tenor did not appear in England until the 17th Century.
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Quemadmodum
Alternative. Title
Composer Taverner, John
Internal Reference NumberInternal Ref. No. IJT 7
Movements/SectionsMov'ts/Sec's 2 movements
Librettist Psalm XLII
Language Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 6 instruments, most likely viol consort , also vocal as above
Retrieved from "http://imslp.org/index.php?title=Quemadmodum_(Taverner,_John)&oldid=3907920"