Rappresentatione di Anima e di Corpo (Cavalieri, Emilio de')

First Publication 1600
Genre Categories Operas; Theatrical Works; Sacred oratorios; [11 more...]Oratorios; Religious works; For voices, mixed chorus, continuo; Scores featuring the voice; Scores featuring mixed chorus; Scores with basso continuo; For voices and chorus with solo instruments; For voice, piano (arr); For voices with keyboard (arr); Scores featuring the voice (arr); Scores featuring the piano (arr)

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Performances [show]

Sheet Music

Scores

Editor First edition
Publisher. Info. Rome: Nicolò Mutij, 1600.
Copyright
Public Domain
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 Complete Score
#615527 - 1.19MB, 133 pp. -  10/10 2 4 6 8 10 (4) - !N/!N/!N - 4010×⇩ - Girodo

PDF typeset by editor
Girodo (2020/3/25)

Editor Lorenzo Girodo
Publisher. Info. Lorenzo Girodo, 1986
Copyright
Creative Commons Attribution-ShareAlike 4.0
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Arrangements and Transcriptions

For Voice and Piano

 Complete Score
#908970 - 5.05MB, 73 pp. -  0/10 2 4 6 8 10 (0) - 24/C/44 - 20×⇩ - Feduol

PDF scanned by Google Books
Feduol (2021/7/9)

Arranger Gian Francesco Malipiero (1882–1973)
Publisher. Info. I Classici della Musica Italiana, No.10
Milano: Società Anonima Notari La Santa, 1919. Plate R. N. M. I.-A.-Q.35-36.
Copyright
Public Domain - Non-PD Canada, Non-PD EU
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General Information

Work Title Rappresentatione di Anima e di Corpo
Alternative. Title
Name Translations Rappresentatione di Anima, et di Corpo; Rappresentatione di Anima et di Corpo; Представление о душе и теле; Rappresentazione di Anima; Rappresentazione di Anima e di Corpo; [3 more...]Rappresentazione di Anima, e di Corpo; Уявлення про душу і тіло; Ruh və bədən haqqında təsəvvür
Name Aliases Rappresentatione di anima et di corpo; Das Spiel von Seele und Körper; Das Spiel von Seele und Leib
Authorities WorldCat; Wikipedia; VIAF: 175419858; LCCN: n85177071; GND: 300035454; BNF: 139498877
Composer Cavalieri, Emilio de'
Internal Reference NumberInternal Ref. No. IEC 3
First Publication. 1600
Language Italian
Composer Time PeriodComp. Period Renaissance
Piece Style Baroque
Instrumentation voices, mixed chorus (SATB), continuo

Navigation etc.

According to Grove Music, this was "the first surviving play set entirely to music . . . the score of which is the earliest one printed with a figured bass." RISM classifies it as an oratorio.

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